The Reforms of Michel Fokine Essays

Language corresponds to countless appellations, as the expresser of thought and ultimate origin of philosophy, influencing the world of knowledge with its astonishing qualities. The very essence of cooperation and communication relies eternally on the inspired art of language, without which any possible human development could occur. Furthermore, the perception of verbal communication splits between two realms, reality and literature, constituting two linguistic variations, figurative and literal. Throughout the world of literature, figurative language adds depth and dimension to

Perhaps the very first image the general public would see in their mind’s eye, upon hearing the word “dancer”, is that of a darling little five year old girl in a pretty pink tutu and delicate ballet slippers stepping into her local dance studio for the first time. Take someone a little deeper into that thought, and they might see an overly thin, pale sixteen year old young woman, with collarbones and ribs showing working herself almost to death to earn a minor part in a dance chorus. Suggest that someone describe a dancer in the height of their career, and you might hear of a Prima Ballerina with the Moscow Ballet. Ask someone to visualize a dancer in later years, and they might picture an older woman with a greying bun atop her head, leading a class or perhaps helping younger dancer perfect a performance, who is likely ailing

While the speaker has succeeded in providing an enhanced image of the performer, the act of assigning meaning to the performance and the representation used holds the capacity to limit the experience. As the speaker continues to reconfigure her strip tease into a “[graceful] and calm” artistic dance, he makes a simultaneous attempt to distance himself from the crowd, making no mention of his gender or race directly (5). However, the speaker’s attempt to portray the dancer from objective eyes falters as his

Some may argue that dance is an art and not a sport. Yet, it has the same characteristics as a sport does.

important foundation in understanding the broader scope of how dance can be seen as a

One stereotype used against African Americans and ballet is that African Americans were too docile for the demands of ballet techniques. There is evidence to refute this claim. A piece of evidence is shown

Words are like vessels—they are merely novel constructions of sounds empty of meaning until we fill them. They mean only what we discern in them, and nothing more.

The space, time and usage of dynamics were powerful yet elegant-elements that added to the overall quality and tone of the work. The solo dancer used her body to perform various movements with specific ranges of motion, showing her ability to control, express and properly connect to the audience through her performance. In this performance, there seems to be a spiritual side when the dancer, Marilyn Banks, sits on the bench and starts to swing her arms in wide semi-circles to show looks of anguish and despair. Ms. Banks also varied movement by quivering her hands-movements such as a shaking or slight trembling with her hands when reaching outwards. She also used a lot of ornamentation or embellishment through her movements. Her body and her path of movement embellished her gestures since she was performing spins across the stage.

Artists shouldn't be defined by the way they achieve and create art. When one really thinks about it, it would be nearly impossible to create most types of art with free handing. Ultimatley, I found this topic incredibly fascinating. David Hockney touched on some very interesting points and made it very eye

So much more can be conveyed in artwork when a finite canvas doesn’t imprison an artist. Pushing the boundaries of artwork from previous time periods allows new artists and graphic designers to experiment with, challenge, and/or destroy the rules of graphic design. This allowed for designs that truly challenge the audience, as well as other designers. Take for example the grunge artwork of David Carson who broke most compositional and legibility rules of graphic design – his style can be summarized by the phrase “expressive deconstruction.” Anything from grunge, to street art, to carving writing into your own body with a knife is considered Contemporary Design. In this world of art no authority can tell you what you’re allowed to do. With the definition of art so stretched, it really gives a lot of freedom to those of the contemporary time period to express a wide range of ideas.

Art is not a mirror held up to reality but a hammer with which to shape it

I became a ballet student at the University of North Carolina School of the Arts in 2014. Being a high school student here gave me the opportunity to expand my horizons and take in as much art as I possibly could. During my first fall at UNCSA, I attended the Emerging Choreographers performance and was privileged to see works created by fourth year contemporary majors. These stunning works showed me the possibilities that dance holds to truly convey powerful and meaning messages. One work in particular stood out to me. It was a piece that showcased five dancers all dressed in pedestrian clothing. At first it appeared to be a casual street scene but a the music progressed one girl began making incredible sharp movements as if she was possessed. She made tiny movements of her hands and feet all the while moving a great distance across the stage. The others started going off what she was doing and all moved together as one giant body supporting the girl in the middle. She continued dancing in the most amazing way have many small movements combined with huge movements that made her seem a thousand feet tall. Intrigued I spoke to one of the dancers about the intention of the dance. She told me that the

Dance critic Théophile Gautier states, “Nothing resembles a dream more than a ballet...” (Anderson 77). The effortless technique of the ballerina paints most ballets as exactly this. Consequently, there is more to a ballet than technique and dancing. Different types of ballets and their structural components separate one ballet from the next. It is important to understand the difference between the two main types of ballets: Romantic Ballet and Classical Ballet. Romantic ballet in the 19th century differs from Classical ballet in the 20th century structurally, technically, and socially. The two dance forms also vary in costumes and narrative. However, with all of those differences, they both use ballet technique for a specific purpose.

artwork was to open the minds of the people who would look upon it. I never

The beginning of 20th century was a time of drastic change. New developments were made in the arenas of the classical sciences, social science, psychology and philosophy - each challenging traditional thought. Industrialization and the introduction of many new, challenging concepts in the fields of politics as well as the development of new technologies gave artist more freedom to innovate and break the rules of traditional art. By using new materials, techniques and the new approach artists were pushing boundaries of what has previously been accepted art practice in order to invent radically new styles.