The meaning of life and existence is a question that has been thoroughly explored in literature. As time, people, and philosophies have evolved, interpretations of life and existence have evolved along with them. Among the literary pioneers who have explored the meaning and purpose of existence, Franz Kafka is one to be noted and studied. A follower of the existentialism movement, he made it a point explore existential philosophy in his literary works. In Franz Kafka’s The Metamorphosis, the main character Gregor Samsa is the parallel to Franz Kafka which is evident through the portrayal of their similar paternal relationships, ties to existentialism, and their inability to exist without the interference of others.
The main character,
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Gregor’s family more thoroughly embodied the title of vermin than Gregor does. For years they were useless and parasitic towards Gregor. The life of Gregor Samsa and Franz Kafka is extremely similar and it is illustrated with the literary work The Metamorphosis. It is through this novella that Kafka illustrates his beliefs in the existential philosophy.
Throughout The Metamorphosis, Kafka illustrates the relationship between Gregor and Mr. Samsa fully, to the extent that their almost identical relationships become overt through Kafka’s illustrations in his novella. Both Gregor and Franz despise their vocational bondage but are imprisoned by their sense of familial loyalty and devotion. Gregor despises his occupation as a traveling salesmen. When he reflects on his occupation he thinks “what a strenuous occupation” (Kafka 14). After his moment of reflection Gregor comes to a realization and saying “to the devil with it all” (Kafka 14). Franz Kafka knew all too well the struggles of working an unfulfilling job to satisfy a father. Kafka attended a German school and then studied law at German University in Prague. Although he strove for academic excellence it was not for his own satisfaction. For,
“His studies and professional life seemed an effort to win his father’s elusive approval, and Kafka spent most of his life frustrated at the lack of time he could devote to writing……..
“Conformity is the jailer of freedom and the enemy of growth.” Although perhaps a trivial interpretation of the role of conformity, John F. Kennedy captures the essence of Kafka’s The Metamorphosis by identifying the principle struggle faced by Gregor as he experiences life following his inexplicable transformation “into a horrible vermin.”(1) The Metamorphosis explores the existential dichotomy between the societal pressure of conformity and the individual's drive for meaning, the resulting message being the necessity of societal rejection in achieving true existentialism.
I have chosen The Metamorphosis as my subject for this paper; I will take a close look at how the death of Gregor Samsa opens the doors to understanding the story. I will give examples of irony through Gregor’s metamorphosis and how this irony brings together the conclusion of the story. Through his death we see the truth behind his parents, which in it’s self is ironic. It is difficult to pinpoint one specific thing to write about in the story; there are just so many things that can be brought to light. If I happen to lose sight of my topic bear with me, there is just so much to be discussed in the novella.
In the article, written by Walter H. Sokel, he goes into depth about how Franz Kafka’s life is reflected in the book The Metamorphosis and his other writings. Sokel ties together multiple aspects of the novel and their importance to Gregor and his family dynamic as a whole. Many of the points made in the article address the absurdity of the situation the novel presents and the underlying meaning in the actions of the characters. The premise of the article is pointing to the facts that Gregor's predicament is Kafka inserting his own life frustrations into his literary works. In each passage of the article another part of Gregor's life is laid bare. Sokel’s many inferences that the fault is in Gregor's own doing and not his situation in life, create a complex maze of cause and effect.
Kafka’s Metamorphosis suggests to his readers to take a glimpse inside a dysfunctional atmosphere triggered from a painful childhood, to see how influential each member of the family contributes to the dynamics, but also to learn how to make light of the situation with acceptance. Kafka is reflecting on his own relationship with his family in Metamorphosis. He sees himself in Gregor, or is he him.
The deeper meaning of “The Metamorphosis”, by Frank Kafka, can be interpreted in many ways depending on critical theory is used to examine it. From a feminist criticism, one can observe how Gregor’s dominance as a male diminishes after he becomes a bug as his sister’s strength and role in the family grows stronger. From a biographical criticism, one can compare and contrast the traits of Gregor and the people around him with that of Kafka’s own life and his relationships. However, the focus of this essay will be applying a psychoanalytical criticism to the characters in “The Metamorphosis”, using the studies of Sigmund Freud to approach
People have a high amount of pressure on them in their daily lives with social, mental, and physical appearances. Kafka represents this pressure he has on himself through Gregor. This allows Kafka to vent many emotions and feelings through this novella Everyone is there own person but some take others opinions to heart to often and need to see things are not as bad as they seem. Throughout The Metamorphosis, by Franz Kafka, Kafka displays himself through Gregor, and shows his true feelings about people and society he lives in.
On the surface, “The Metamorphosis” by Franz Kafka is an evocative story of a man transformed into a “monstrous vermin”. It seems to focus on the dark transformation of the story’s protagonist, Gregor, but there is an equal and opposing transformation that happens within Gregor’s family. Although Gregor has physically changed at the beginning of the story, he remains relatively unchanged as the novella progresses. The family, on the other hand, is forced to drastically change how they support themselves. Although the change was unexpected, Gregor’s transformation into a vermin sets into motion a change in the Samsa family that leaves them better off in almost every facet of their lives. Thus, Kafka’s story is not one of descent into darkness, but one of a family’s ascent towards self-actualization. The metamorphosis the title speaks of does not take place in Gregor, but rather in the Samsa Family; consequently, Kafka’s “The Metamorphosis” is not a tale of darkness, disconnection and despair, but rather a story of hope, new beginnings and perseverance.
Franz Kafka’s twentieth-century classic, The Metamorphosis, shows the changes of the Samsa family after their son, Gregor, turns into a vile insect. Even though Gregor has turned into the most disgusting of creatures, this “metamorphosis” is ironic compared to the transformation that his family endures. While Gregor still sustains his humanity, the lack of any compassion and mercy from his family, is what makes them the disgusting creatures rather than Gregor. The changes of Gregor’s father, mother, and sister prove that the theme of metamorphosis is not exclusively present within Gregor.
As the story started we were introduced to a character named Gregor Samsa we didn't find out about much of his past but we did learn lots about him as the story went on. In the beginning of the story, Gregor woke up and he suddenly was a bug. He was not sure how this happened but somehow it did. He noticed he had a rounded back and had short stubby arms and legs. He also noticed he had more features that a bug would have.
In The Metamorphosis, Franz Kafka conveys the series of emotional and psychological repercussions of a physical transformation that befalls the protagonist, a young salesman called Gregor Samsa. As the story progresses, Gregor finds himself unfairly stigmatized, cruelly rejected because of his clear inability to financially support his family, and consequently increasingly isolated. Through extensive use of symbolism, Kafka is able to relate the surreal and absurd, seemingly arbitrary events of this short story to a general critique of society-particularly on the alienating effects that conformity generates. On a broader level, the combined themes-which include the themes of conformity, freedom, and alienation--found throughout The
Franz Kafka’s The Metamorphosis (1915) is a novella about protagonist Gregor, a hard-working traveling salesman transforms into some a vermin overnight and struggles to adjust to his startling change. Kafka characterizes Gregor as a selfless individual whose profound love for his family misleads him about their genuine disposition. As he adjusts to his new change, he undergoes great difficulty to determine his identity and humanity. Gregor has deceived himself into believing that his family will love him despite his repulsive appearance. In The Metamorphosis, Kafka uses characterization and third-person narrative to demonstrate Gregor’s self-deception and self-awareness regarding his family and circumstances to establish the theme of identity.
Many views of existentialism are exposed in Kafka's Metamorphosis. One of these main views is alienation or estrangement which is demonstrated by Gregor's relationship with his family, his social life, and the way he lives his life after the metamorphosis. Namely, it suggests that man is reduced to an insect by the modern world and his family; human nature is completely self absorbed. Kafka reflects a belief that the more generous and selfless one is, the worse one is treated. This view is in direct conflict with the way things should be; man, specifically Gregor should be treated in accordance to his actions. Gregor should be greatly beloved by his family regardless of his state. This idea is displayed in three separate themes. First,
In The Metamorphosis, Kafka establishes, through his religious imagery and gospel-esque episodic narration, the character of Gregor Samsa simultaneously as a kind of inverse Messianic figure and a god-like artist, relating the two and thus turning the conventional concept of the literary hero on its ear. The structure of the novel reflects that of the Gospel of Mark in that it is narrated in individual events, and in this it is something of a Künstlerroman - that is, the real metamorphosis is over the course of the novel, rather than just at the beginning, and that change is a heightened sensitivity to the world in an artistic sense. The motif of change is a rather theological one as well: we see it in a religious sense, in the form of
Franz Kafka’s The Metamorphosis is a masterfully written novella about Gregor Samsa, a man who devotes his life to his family and work, for nothing in return. Only when he is transformed into a helpless beetle does he begin to develop a self-identity and understand the relationships around him. The underlying theme of The Metamorphosis is an existential one that says that any given choice will govern the later course of a person’s life and that a person has ultimate will over making choices. In this case, Gregor’s choices of his part in society cause him to have a lack of identity that has made him to be numb to everything around him.
Kafka uses symbolism in his short story, Metamorphosis. He uses this technique to make the reader try and figure out what was going on in his head. He brought out in this story many things about his life, including his father/family, love life, and his future. He used metaphors to show his love for people in his life. This story is autobiographical about the forces that control Franz Kafka's life. In this paper I will explain how Kafka relates his life to the readers through the story in Metamorphosis.