Essay The Relationship Between Producers and Audiences

The set used for Vernon God Little was highly symbolic and simplistic; when we walked into the theatre we could visually see that there were flowers, cards and memorable items attached on the audiences seats above our heads, which already created a sombre atmosphere around the theatre.

What were Edwin S. Porter's significant contributions to the development of early narrative film? In what sense did Porter build upon the innovations of contemporaneous filmmakers, and for what purposes?

Some of my favorite points that stuck with me throughout reading the first six chapters of The Actor and the Target are that fear makes us unable to act (p.31), that bad news is great news for the actor (p. 44) and that the target is waiting to be found (p.46).

The author is talking about the political play ‘Autumn’, which introduced the audience to the inside world of politics. The story revolves around the character mayor Franklyn played by Jerome Preston Bates. Bates character is self-centered, greedy, and will go after anyone who opposes him to destroy their lives. Franklyn advisor Zack knows about the shady deals and is uncomfortable with the situation. In addition, Franklyn’s wife Melissa knows of her husband’s wrongdoings and is tired of his shenanigans.

Pre-production starts many months before any studio set is built, or actors are hired. The first gatekeeper is the production company. They have the right to decide which ideas are worth sending in to production. They decide if the premise and context of the proposed show will resonate with audiences. Pushing the boundaries of

The case titled The Theatre Budget was a short journal about a frustrated Vice-President of a performing

In The Graduate, the director, Mike Nichols’, emphasizes the mysterious tone of the film with his overuse of lighting, camera angles, and shadows. The uncertainty Benjamin Braddock feels can be seen right from the start as he stands on the moving sidewalk at the airport. He is positioned at the right hand side of the screen moving forward. You can see a large area to the left where the credits appear. I think the director chose this technique for the opening credits to symbolize how this graduate is arriving at a new destination & has much uncertainty in front of him.

The producers will develop a test and the audience will tell the producers whether it is something they want to see or they are not going to see. This can affect the next text to be produced in an attempt to conform to the audience demands. Looking at the development of different types of genres and the development of films within the same genre, it’s possible to look at similarities and differences and identify changes in society and audience ideologies and tastes.

In the words of Gay McAuley, “for an activity to be regarded as a performance, it must involve the live presence of the performers and those witnessing it…” (McAuley, 2009, cited in Schechner, 2013, pp.38). This statement recognises the importance of both the actor and the audience for something to truly function as a performance. In addition, Lloyd Llewellyn-Jones highlights the significance of the theatrical space and how it can influence an audience stating that “on entering a theatre of any kind, a spectator walks into a specific space, one that is designed to produce a certain reaction or series of responses” (Llewellyn-Jones, 2002, pp.3). The relationship between actor, audience and theatrical space is no less important today than it was at the time of theatre during the Spanish Golden Age and the creation of Commedia dell’arte in Italy. Despite being very close geographically with theatre thriving for both in the same era, sources that explore the social, cultural and historical context of these countries and the theatre styles will bring to light the similarities and differences. This essay will analyse the staging, the behaviour of the audience as well as the challenges the actors faced, and how this directly influenced the relationship between actor, audience and theatrical space.

The Accidental Feminist: How Elizabeth Taylor Raised Our Consciousness and We Were Too Distracted By Her Beauty to Notice M. G. Lord 2012

The costs, methods of distribution, and themes of Hollywood and Nollywood films reflect strongly their target audiences; how the target audience affects the production of a film and how the production of a movie is designed to capture a specific

In this audience analysis, I have addressed a situation in which I am called on to present quarterly sales information at an in-person meeting to a group of stakeholders, including managers, salespeople, and customers. I will explain how I will address the communication to this audience by answering the following questions: (1) What characteristics of the audience must I consider?, (2) What communication channels are appropriate? (3) What are some considerations to keep in mind given the diversity of the audience?, and (4)  How would I ensure that my message is effective?

The history of theatre in the 18th, 19th, and 20th centuries is one of the increasing commercialization of the art, accompanied by technological innovations, the introduction of serious critical review, expansion of the subject matters portrayed to include ordinary people, and an emphasis on more natural forms of acting. Theatre, which had been dominated by the church for centuries, and then by the tastes of monarchs for more than 200 years, became accessible to merchants, industrialists, and the less privileged and then the masses.

An active audience is the opposite. An active audience can interact with the programme and tell them their views, and what they would like to see. They can influence the outcome of the whole show.

To make a film, resources is required and a financial backer is involved (i.e. the producer) who is responsible for getting the film made. The artistic and creative input lies with the director and is separate from the financial responsibilities that lie with the producer. If it is the big budgeting films, many temporary crews may be needed. A film company employs all its workers just like other companies did. The producer and director use both their social networks and work networks to locate the necessary skills as well as appoint leading players responsible for appointing all the necessary crews required.