The Relationships Between Permanence And Place

A sophisticated house or dumpy gas station catches the eye for a moment then becomes lost amongst other thoughts. However, like the art in our homes, a building's purpose is not to be stared at like a museum painting. They influence the mood of those who occupy the space. Even for people who live far away, it creates a happy thoughtfulness that these places still exist in our throwaway

“The good building is not one that hurts the landscape, but one which makes the landscape more beautiful than it was before the building was built” (Frank Lloyd Wright). Throughout the centuries, architecture has fascinated everyone. History is inscribed in buildings and they can express the political and economic power of a nation. Although time has gone by, buildings have not. You can still idolize ancient Egyptian and Greek architecture and see how the events that occurred at that time influenced them.

Place identity is an essential concept that will be propagated this essay, therein lies its definition from environmental psychology which proposes that identities are formed in relation to surrounding environments. This concept allows us to most importantly understand why the use of physical space is essential to accentuate the idea of inclusion. The term introduced by environmental and social psychologists Proshansky, Fabian, and Kaminoff, argues that the term is a sub-structure of a person’s self-identity, consisting of knowledge and feelings developed through everyday experiences with its physical spaces. A sense of place identity derives from the multiple ways where the place functions to provide belonging, form meanings, forge attachments,

“ When architects write about their work- and they probably shouldnt they are often quick to make distinctions between projects and buildings. Projects are incomplete schematic trapped in the midst of their production. They are often optimistic investigations that were it not for some undefined tragedies of reality, would be granted more pictures more words and a longer life. Buildings on the other hand, are finite resolved and liberated of all scars of production. projects are left to engage only other architects and students of architecture. Buildings have the opportunity to engage architects students and the public for whom it was ment and subsequent publics who could never

The primitive feelings of the architecture should give us a sense of safeness, a shelter. The safeness of the space will allow us to have a mental traveling, unconscious brain activity that leads to emptiness and allow our imaginations to come in and create our own interpretations of the space. Within our perception, architecture also has its role to slow down our perception of time, slowness. Every journey in the architecture is a sequential process that involves the time factor, movement and transgression from one space to another space. To capture this idea of slowness, every space has its potential to allow people to stop and every walking forward is moved by curiosity for the framed scenery rather than direction. It should provide “the options”, not the command for moving, capturing the sense of natural flow and effortlessness where it makes movement and stop come naturally based on individual

As you mention, a sense of place is heightened as individuals gain insight into its history and develops a connection. I believe that historical context of past events are important when a connection is being developed. It would be easier to relate to a historical site if information on the existing conditions (beliefs, attitudes, politics, economics, etc.) during that time frame were considered, such as

And recognition of the city form is important part in identity and sense of the place in cities. Furthermore, city formation is not constant and can be define as spatial distribution pattern of physical elements in the city: Buildings, Street network, Alley ways, Open space, Landscape elements, Residential units, Hills, Rivers, Parks, Squares etc (Kevin Lynch, 1981). Furthermore, spatial distribution of physical elements illustrate the particular shape or structure or formation on the city. Furthermore, it can identify as a product of time. Therefore, with the time cities are forming and changing based on the behavior, activity and needs of its inhabitants (S.S.W. Zahra, I.A. Hedieh, A.S. Hamideh, 2013). This changing and forming process in cities loss their readabilities, citizens live perception and memory. As a result of that, original identity and sense of the place in the cities is changing with the time and given characteristics in a place (Y. Esra, A. Dicle, B. S. Süheyla,

During time, historic cities kept transforming, meanwhile it conserves its identity and fulfilling the society ongoing requirements. (Halbwachs, 1950) people change and transform their built environment gradually to suit their needs, without affecting their mental map. The gradual transformation is presented in the frame of the familiar environment which maintains the sense of stability and continuity. Without change or brake its familiarity or affect their memory (Meusburger, 2011).

In our daily life we have different meanings of building, dwelling and thinking.We built buildings to dwell, but we do not dwell because of buildings. As humans, we like to dwell in some place. When we went to the Fort Greene Park, we saw the fourfold that Martin Heidegger talks about in his article “Building, Dwelling, thinking”. These fourfold are earth, sky, morals, and divinities.

In the following bodies, I will lay out how place is defined in a sense of how it is related to people, state on how people make places, and propose how persons transform places. Along with these points, I will use texts to support my given answers.

Alberto Perez Gomez Challenges modern architecture in his book titled “Architecture and the Crisis of Modern Science”, and he describes how modern architecture needs to restate its position towards creation of memories. In addition, he explains that modern architecture cannot believe in a meaningless structure because nothing in built form can be meaningless (Rykwert) [11]. Furthermore, he explains how human perception and the sensorial experience of a space is the origin of architectural program. He describes human body as the focus of all the rules in the world, and how human body is occupying space and time. Hence, this existence can push architecture to create and order that resonates with the body itself (Perez Gomez) [11].

With the growing presence of globalization and modernization, the pre-industrial building heritage is indeed under threat with modern methods prevailing. In that vein, we are seeing how the “designs, use and meanings of these traditions change within the concepts of the contemporary processes” in a globalized world (Lindsay Asquit, Marcel Vellinga, 2006).

Architecture is inhabited sculpture to serving human needs, apparently forgotten in modern age architecture. However,there has been a dependence and increase on energy expending such as cooling, heating, ventilation and lighting frameworks to accomplish human solace in structures. the pattern has sensibly swung the other way. designers are grasping regionalism and cultural building tradition, given that these structures have turned out to be vitality productive and sustainable. In this season of urbanization and rapid technological advancement, there is still much to be gained from the customary information of vernacular architecture in order to achieve sustainable.

Hence, the dissertation has delved into the various stakeholder’s feelings, opinions and thoughts to understand their motivation towards modern architecture conservation. Additionally, it has explored the viability

Even though geographical diversity and intellectual pluralism has characterized architecture, it “does not mean that the attempt at discerning broader patterns and longer lines of development should be abandoned” (Curtis, 657). As time proceeds, styles and ideas change, and new paradigms arise, crystalizing the underlying concerns of that period. “In the inner recesses of the mind time is telescoped;” deriving from inspiration from the past while also considering the significance of modern space, old and new idea are combined resulting in new unexpected results (657). For example in the Hong Kong and Shanghai Bank, Foster abandons the usual notion of stacked floors around a central core and exploded open it to accommodate a vertical atrium at the center which provided a new vision of the work space (659). Another example is how Toyo Ito suggests that “the skin of a building might be thought of as a screen upon various lights and shadows are projected” (668).This followed Tschumi’s idea of “manipulation of the known with its implicit mannerism,” which is using things and simultaneously disbelieving in them (666).