The Representation Of Denialing Of Dreams In Fences By August Wilson

August Wilson’s play, “Fences”, is a play about a father who is trying to make do to support his family as well as come to terms with his boisterous upbringing and the collapse of his Major League Baseball career. The Father, Troy Maxson, resents his son’s painless childhood and chances to pursue a college level football career. In multiple excerpts from the play, Troy brutally lectures his son Cory about life and adulthood. He uses short and incomplete sentences, rhetorical questions, repetition, connections from his past, and current examples to support his claim: life is not about being liked, but being treated with righteousness.

August Wilson uses baseball ideology to construct the mindset of his protagonist, Troy Maxson, in “Fences”; however, Wilson also uses Troy to embody black America in the 50s. The metaphorical and literal significance of baseball is the driving force Troy’s subjectivity and ideology. Whether it be comparing death to baseball pitch, warning his son to not strikeout, or complaining about being stuck on first base, Troy uses baseball to explain life to those around him. Ironically, it is baseball that actually leads to Troy’s psychic castration. Although Troy was older when he was released from prison and playing in the Negro leagues, racism held younger players from competing with white Americans and there is no doubt that Troy saw this as what held him back as well. Unable to play in the major leagues bitters Troy’s attitude towards life and affects his relationship with his son, Cory, and wife, Rose. While on a micro level, the rules and mechanics of baseball have a negative impact on Troy’s mentality, on a macro level Troy’s loyalty to the game can be seen as an empowering force for black America in the 50s. The idea of not striking out, and the fetish of the home-run is meant to represent the black community’s resistance against society’s racism during this time. Although the ideology of baseball consumes Troy to the point of his own personal strikeouts, the ideology itself, and who Troy represents, is suppose to represent black America’s fight against a racist

Throughout time there have always been conflicts of morality and injustice. August Wilson wrote this play about issues that were prevalent in the 1950’s but also still are sadly present today. In Fences, there is an abundance of evidence of cultural clashes. In this play these clashes span over racial, generational, and even gender lines and its effects on the characters.

Baseball is America’s pastime. The sport of baseball goes back all the way to civil war era, 1839. August Wilson saw the potential this sport had to send a message, and incorporated it into his play Fences. His collection of ten plays portrays the hardships of African Americans for every decade of the twentieth century (Wilson 961). Fences, in particular portrays the nineteen fifties (Wilson 961). When one reads Fences, yes it is about the struggle of African Americans in the time period, but it also incorporates baseball as multiple plot elements, and a metaphor for life.

Lives are lead with anxiety over certain issues and with apprehension towards certain events. This play, Fences written by the playwright August Wilson deals with the progression of a family through the struggles of oppression and the inability to obtain the American Dream. The characters in the play develop throughout the story and can be viewed or interpreted in many different ways, but one man remains constant during the play and that is Troy. Due to certain events that transpired as he was growing up, Troy is shaped into a very stubborn yet proud man. To be a man who was black and proud ran the risk of getting destroyed, both physically and mentally. The world of the 1950s and 60s was rapidly changing and

In Fences, August Wilson introduces an African American family whose life is based around a fence. In the dirt yard of the Maxson’s house, many relationships come to blossom and wither here. The main character, Troy Maxson, prevents anyone from intruding into his life by surrounding himself around a literal and metaphorical fence that affects his relationships with his wife, son, and mortality.

Matthew Jones declares that black masculinity is defined in three overarching categories: perception, expectation, and representation (Jones). The stories, Fences, by August Wilson and A Lesson Before Dying, by Ernest Gains, the main characters are forced to live with many hardships. Yet only a few of them can declare value of their lives, and redeem themselves, despite these hardships. The stories both of the main characters are unhappy angry men the only difference is that one of the characters progressed while the other stays the same. This paper will compare and contrast them both.

As with most works of literature, the title Fences is more than just a title. It could be initially noted that there is only one physical fence being built by the characters onstage, but what are more important are the ideas that are being kept inside and outside of the fences that are being built by Troy and some of the other characters in Fences. The fence building becomes quite figurative, as Troy tries to fence in his own desires and infidelities. Through this act of trying to contain his desires and hypocrisies one might say, Troy finds himself fenced in, caught between his pragmatic and illusory ideals. On the one side of the fence, Troy creates illusions and embellishments on the truth, talking about how he wrestled with death, his

Fences can be viewed as a family play, it can also be viewed as a work specifically of the black man's place, or plight, in a predominantly white world. Either way, it has a very valuable message. It is a true art to be able to touch on so many aspects of life in a work, aspects that may be viewed differently by different people.. Wilson's work, and the character of Troy Maxson, makes me question many things, among them myself, as well as his intended message. This is why I am so in awe of Fences, and of Wilson's talent. This is why I am writing my paper on Fences.

In addition, "Baseball as History and Myth in August Wilson's Fences," this article focuses on the dramatization of "fences," by August Wilson . Wilson uses both history and mythology of baseball to challenge the legitimacy of the American dream. "Fences" takes place at time where baseball has finally become integrated. Wilson focus on the history of African American baseball that began in America during the decades following the civil war and continued in various form until 1947. In addition, Wilson uses Troy skills in the Negro Leagues to indicate that the American dream stays out of reach for people of African ancestry. Moreover, Troy points out an

In the story "Fences" by August Wilson, was a great story that makes the reader have a feeling interesting and exciting. In this story, the author shared a story about a boy African American wants to challenge all the struggle that many the black people faced in real life. The main character Troy is a baseball player, he never had a chance to show all his talent to everyone known, but he has few of the restriction on race and time throughout his life. Also, he has been disillusioning throughout his life which he has been very close to everyone in the family. In addition, Troy never learned how to treat everyone close to him and also never gave to anyone a chance to prove themselves because Troy is selfish. The selfishness in lives makes people

August Wilson’s Fences was centered on the life of Troy Maxson, an African American man full of bitterness towards the world because of the cards he was dealt in life amidst the 1950’s. In the play Troy was raised by an unloving and abusive father, when he wanted to become a Major League Baseball player he was rejected because of his race. Troy even served time in prison because he was impoverished and needed money so he robbed a bank and ended up killing a man. Troy’s life was anything but easy. In the play Troy and his son Cory were told to build a fence around their home by Rose. It is common knowledge that fences are used in one of two ways: to keep things outside or to keep things inside. In the same way that fences are used to keep

Troy refuses to let him have his chance, stating, “The white man ain’t gonna let you

August Wilson’s Fences emphasizes on two main selections of otherness, one on racial otherness and one on generational otherness. Wilson’s play is a universal concept that many struggle with today. Parents try to look out for the best way to help their children be successful in life though at times failing to take into account of the child’s hopes, wishes and dreams. Troy used to be a skillful baseball player at his prime that was unfortunately discriminated against due to the color of his skin. Though the urging of his best friend and wife that “[he] just came along too early” (7, Wilson) Troy does not feel as if his son Cory’s athletic scholarship would be beneficial to him. Troy argues that “the white man ain’t gonna let [Cory] nowhere with

The double consciousness in Fences is representative of both double consciousnesses’ effect and the impact that it has had on the African-American community as a whole. In the play, Wilson presents to the reader a world not yet torn by the strife of racial change. However, its presence is still felt through the actions of Troy Maxson in the play as double consciousness acts both as a metaphorical fence that constrains Troy, as well as an idea that will ultimately destroy much of Troy’s personal life. In Fences, double consciousness is destructive not only because of it affects the black race as a whole, but also because it showcases how the actions of a single person can affect the people the love and cherish most.