The Representation of African Americans in the Media and Popular Culture

In the essay " Black Teenagers Defy Pop Culture Portrayals", Laura Stepp talks about the stereotypes black boys and girls face. They face being overly sexualized in pop culture, being careless when it comes to sex, accused of want nothing but sex and becoming a teen parent. I was somewhat aware of the stereotypes young black people face but not in depth.

The stereotypical misrepresentations of African-American women and men in popular culture have influenced societal views of Blacks for centuries. The typical stereotypes about Black women range from the smiling, a sexual and often obese Mammy to the promiscuous Jezebel who lures men with her sexual charms. However, the loud, smart mouthed, neck-rolling Black welfare mother is the popular image on reality television. These images portrayed in media and popular culture create powerful ideology about race and gender, which affects daily experiences of Black women in America. With few healthy relationships portrayed in the media, Black women are left to make decisions based on the options

When you look at the amount of African American stars on television, it is easy to tell that stereotypes of African Americans are being portrayed negatively. Since the 1960s, black television has thrived in many different ways. From “Different Matters” to “Insecure”, African Americans have tried to get rid of this stigma. African Americans are constantly shown as. However, with the increase of representation comes an increase in misrepresentation. The amount of discrimination has risen exponentially in the United States. This is due to the increased hatred and miscommunication of black struggle and black problems in the world, causing an inhumane belief and standard of regular African Americans in the world.

Stereotypes are defined as an oversimplified image or idea about a specific type of person. It is believed that stereotypes about African Americans began in the United States around the 18th century. Anti-Black stereotypes arguably the most developed racist stereotypes in racial framing and have been used as foundations for the capture, enslavement, and later, the subjugation of African American people. Stating that stereotypes are just a joke is an understatement of the consequential after – math racial images and stereotypes have on the African American population. Even stereotypes that are considered positive are often concealed with negative implications and reasons as to why they exist. Most people may think they only hold stereotypes in the back of their head, but studies show that people are more likely to fall back on them in making judgments when they feel challenged, face uncertainty, or experience sensory overload. Using information from class, comparisons from the films we have watched and Ed Guerrero’s Framing Blackness, this paper will analyze the stereotypes in the television show Empire.

We live in a media saturated environment where everything we know and what we consider to be important is often based on stories produced and displayed to us by the media, Brooks and Hebert (2006). Much of what we know and care about is based on the images, symbols and narratives in radio, television, film, music and other media systems. How individuals construct their social identities, how they come to understand what it means to be male, female, Black, White, Asian, Latino and Native America is shaped by commoditised texts produced by media for audiences that are increasingly segmented by the social construction of race. In short the media are central to what ultimately come to present our social realities. For example for many Whites and people from other races and ethnicities the media’s portrayal of young black men is the primary bias for their knowledge and reaction. With a few notable examples in politics, most media present young black men as figures to be admired for their athleticism, artistic, entertainment talent or feared for their criminality. However this essay will focus on the way young black men are portrayed in news.

The stereotypical misrepresentations of African-American women and men in popular culture have influenced societal views of Blacks for centuries. The typical stereotypes about Black women range from the smiling, asexual and often obese Mammy to the promiscuous Jezebel who lures men with her sexual charms. However, the loud, smart mouthed, neck-rolling Black welfare mother is the popular image on reality television. The typical stereotype about Black men is the violent, misogynistic thug, and the ever-enduring pimp. These images portrayed in media and popular culture createpowerful ideology about race and gender, which affects daily experiences of Black women in America. With few healthy relationships portrayed in the media, Black women

Different archetypes have been used to represent black people through television, live performances, and film. These stereotypes consisted of “Coon”, “Mulatto”, “Mammy”, and “Tom” (site—Johnson). Prior to films and television, African American’s were depicted by white actors wearing “blackface” in which white people entertained audiences through plots that portrayed African Americans in stereotypical ways that had prevailed since the time of slavery. “Coon” for instance, was created as a from of comedy and amusement for white individuals, as this image allowed for comic relief through idiocy. “Coons” had, in essence, a low level of intelligence with minimal common sense. Their dull-wittedness advocated the view that African American people were unintelligent beings who were incompetent and unable to formulate intelligible thoughts. This further reinforced the idea that African American people were in need of instruction and guidance from white individuals—just as they did during slavery—in order for African Americans to sustain and remain alive, or else they would be damaged by their own incapabilities. Similar to the “Coon”, Mammy was also a common character who was portrayed as an obese and grumpy woman who also provided comic relief to white folks. Mammy’s creation was

“Change will not come if we wait for some other person or some other time. We are the ones we’ve been waiting for. We are the change that we seek” Barack Obama. The question is always asked does the media reflect the reality of society, or does society try and imitate the reality shown by the media? There are a number of stereotypes associated with African Americans in our society such as African American men are athletes, rappers, criminals, deviant, streetwise, uneducated, and unemployed just to name a few. African Americans in the media have changed through the years. The history of African Americans on TV or minorities in general is hampered by the racial conflicts and segregation that are embedded in American society. Historically, black actors have been grouped stereotypically and assigned to comedy. This has often been traced to the genre of black minstrelsy that was popular in the early 20th century.

Samuels (2011) analyzes different television shows in an attempt to draw the conclusion of the portrayal and demeanor of African American women on television. Using current African American dominated shows that attract viewers such as “Love and Hip Hop”, “Real House Wives” and “The Bad Girls Club”, Samuels came to the conclusion that these shows use black women to justify the stereotype of the “angry black woman”. Although Donald Trump’s show “Celebrity Apprentice” is not an African American dominated show, Samuels uses it as an introductory and perfect example that black women are used on television as a whole to exemplify this stereotype when Star Jones and NeNe Leakes are shown arguing. Samuels analyzes simple things such as facial expression, movement and gestures on a variety of television shows that feature African American women using it as proof that it defines them as the angry black woman because Caucasian women do the complete opposite when being analyzed through the shows. When taking a look at VH1’s “Basketball Wives” and “Love and Hip Hop”, Samuels noticed that each show had a pattern and contained a confrontation between the women or the threat to do bodily harm to another person.

The way entertainment in the media portrays us has greatly affected how others identify us. Movies and shows like; Madea’s family Reunion, Bringing down the House, Love and Hip Hop, and Basketball Wives all portray us in a degrading way. People sometimes find it comical of course, but the fact that it is comical does not justify it being debasing. This image of us has evolved from things in the media, and its’ power to shape people’s idea of us. We as a race must stop living up to our stereotypes. As soon as we take action in not succumbing to our own stereotype, people will not think we are “Ghetto” or any other undignified term they think of us; therefore in the media we won’t be perceived in that way. As Colin Powell once said, “Fit no stereotypes. Don't chase the latest management fads. The situation dictates which approach best accomplishes the team's mission.” Although African American stereotyping is prevalent in the media now because of its’ entertaining quality; it perpetuates a cycle of harmful stereotypes. As long as this cycle continues, our culture will always be illustrated negatively.

During the process of producing a television series, the demand for the producers to introduce their characters with only their highlighted traits make it impossible for viewers to gain a deep understanding of the community that the characters represent. One of the stereotypic traits that is usually seen on movies and television shows is societal difference that each race is placed into. Michael Omi in his article In Living Color: Race and American Culture stated that “in contemporary television and film, there is a tendency to present and equate racial minority groups and individuals with specific social problems” (546). There are many films and television shows found today that ground racial minorities into a specific social problems that are related to the color of their skin. It can be inferred from the current popular culture that this stereotype still persists.

These forms of stereotyping begin as early as the 19th century with minstrel shows which portrayed blackface characters. The minstrel show would consist of showing African American people in stereotypical and often disparaging ways, as ignorant, lazy, buffoonish, superstitious, joyous, and musical. But on the other

Participants were compensated by receiving a free piece of candy. Researchers observed two African Americans and two White Americans. Researchers desired the presence of White, Black, male, and female individuals to evaluate each perspective. This study targeted studying the behaviors of African Americans particularly on the shows previously mentioned. Before evaluated participants they wanted to ensure that participants viewed these reality tv shows before being interviewed.

In a book titled Color by Fox by Zook (1999), the author illustrates how black men are represented in various media. Despite the fact that the amount of African American pictures on TV has expanded, the nature of these images has not. Correspondence research and hypothesis recommend that the full communications are a vital wellspring of data about African Americans and media depictions add to open

Stereotypes of African American women flourish in programmes such as The Real Housewives of Atlanta, which includes a primarily African American, female cast and is the most successful show in Bravo TV’s history. With shows such as Basketball Wives, Love & Hip Hop alongside Real Housewives of Atlanta accumulating massive followings, undesirable