The Repression Of Women 's Creativity

The fight against sexism is not a new fight. Women have been fighting for equal rights, as well as fighting for their lives, culture, and values to be just as important as men's. On August 18, 1920, women were granted the right to vote; but this was only the beginning. From then to now, the role of women in society has significantly changed due to women standing up for their rights at protests and rallies, as well as on social media. While “The Good Wife’s Guide” focused on the promotion of the traditional gender role of women and defined appropriate emotions for women, “The Revolt of ‘Mother,’” by Mary E. Wilkins Freeman, represents the start of the resistance of the traditional gender role of women that we see in society today.

The question “Why have there been no great women artists?” has been debated since the 1970’s, when historian Linda Nochlin released her book of a similar name. In the decades that have followed, the number of women pursuing education and

The story "The Yellow Wallpaper," by Charlotte Perkins Gilman, is a story about control. In the late 1800's, women were looked upon as having no effect on society other than bearing children and keeping house. It was difficult for women to express themselves in a world dominated by males. The men held the jobs, the men held the knowledge, the men held the key to the lock known as society . . . or so they thought. The narrator in "The Wallpaper" is under this kind of control from her husband, John. Although most readers believe this story is about a woman who goes insane, it is actually about a woman’s quest for control of her life.

The geographical, physical, and historical settings in Charlotte Perkins Gilman's "The Yellow Wallpaper" were more than the primary character could handle. The geography would lead to think she could enjoy the environment, but she chose not to. The physical setting showed us the reader just how grotesque and unbearable it would be to live a room in which the wallpaper to over the narrators mind. Lastly, we looked at how historically women were not allowed to speak their minds about how they felt. Maybe now that John has seen his wife go completely insane for himself he will finally seek extra attention for

IIn the story, “The Yellow Wallpaper”, the narrator’s husband has rented an old mansion in the country for the summer. John is relying on this vacation as the time for his wife’s nervous condition to resolve itself with rest and medicines. As the story unfolds for the readers, it becomes apparent her husband, John, is monitoring her 24 hours a day. She feels somewhat condemned that she is unable to change her circumstances and she ends up as a victim, thus confirming the dominance of men over women during that period. Between the narrator’s controlling husband and the deterioration of her mind, she inevitably snaps and becomes completely delusional.

"The Yellow Wallpaper" is about a creative woman whose talents are suppressed by her dominant husband. His efforts to oppress her in order to keep her within society's norms of what a wife is supposed to act like, only lead to her mental destruction. He is more concerned with societal norms than the mental health of his wife. In trying to become independent and overcome her own suppressed thoughts, and her husbands false diagnosis of her; she loses her sanity. One way the story illustrates his dominance is by the way he, a well-know and

   The story "The Yellow Wallpaper," by Charlotte Perkins Gilman, is a story about control. In the late 1800's, women were looked upon as having no effect on society other than bearing children and keeping house. It was difficult for women to express themselves in a world dominated by males. The men held the jobs, the men held the knowledge, the men held the key to the lock known as society  - or so they thought. The narrator in "The Wallpaper" is under this kind of control from her husband, John. Although most readers believe this story is about a woman who goes insane, it is actually about a woman’s quest for control of her life.

“Why Have There Been No Great Women Artists?” was written with a passion both intense and familiar. Reading Nochlin’s words, I found myself thinking, several times, “I’d always wondered the same thing,” or “I feel the same way.” I even formulated some of my own thoughts on the subject, responding to the title question with another, asking, “What makes an artist an artist?” Upsettingly, it would seem it is not by her own choice or talent. It is decided by the world around her, including the men and “social institutions.” However, it would also appear that hope is always in reach for those who will wake up and grab it. Nochlin left us with this stirring advice:

Women have long been fighting for their right to be seen as equal to men. Even to this day, women continue to fight for their rights, things such as the right to non-gender discriminatory wages. While there may be some arguments over the state of gender equality in the modern world, it is undeniable that there have been great strides made toward recognizing the female 's worth in the workforce and as a human being. Despite these strides, however, things are still not yet ideal for women and many of the issues females face today are the very same issues that have been plaguing them for decades. While it is unfortunate the oppression of women has been so long-lived, the length of that exposure has thankfully enabled many talented writers to both lament over the fact and emphasize the need for gender equality.

In the story, “The Yellow Wallpaper”, the narrator’s husband has rented an old mansion in the country for the summer. John is relying on this getaway as time for his wife’s nervous condition to resolve itself with rest and medicines. As the story unfolds for the readers, it becomes apparent her husband, John, is dominating, and controlling. She feels somewhat doomed that she is unable to change her circumstances and she ends up as a victim, thus confirming the dominance of men over women during that period. Between the narrator’s controlling husband and the deterioration of her mind, she snaps and becomes completely delusional.

For centuries women had had to bow to men they were taught never to speak unless called upon or spoken to. That their sole purpose in life was to be a homemaker; a servant to the men in their lives fathers, brothers, sons. As time progressed women began to fight for their right to receive equal rights, education and vote. But that wasn’t enough in the year 2013 women still made eighty cents to every man’s dollar but that all changed one day. Women who were sick of being oppressed had risen up against the male chauvinism within society of the united states.The first measure was to take all men out of all positions of decision-making power immediately, and of any kind of social, professional position whatsoever. The men of society were

How do the works of Yasumasa Morimura, Julie Rrap and Anne Zahalka challenge conventional ways in which gender has been depicted historically in the visual arts?

Throughout history many artistic works have been deemed "great" and many individuals have been labeled "masters" of the discipline. The question of who creates art and how is it to be classified as great or greater than another has commonly been addressed by scholars and historians. The last quarter of the 20th century has reexamined these questions based on the assertions that no women artists have ever created or been appreciated to the level of "greatness" that perpetually befalls their male counterparts. The position that society has institutionalized on women as unable to be anything but subordinate and unexpressive is a major contributor to this claim. Giving a brief history of gender discrimination in the art

In the article “‘Too Terribly Good to Be Printed’: Charlotte Gilman’s ‘The Yellow Wallpaper,’” Conrad Shumaker explains the genius of “The Yellow Wallpaper” and how its themes reflect the patriarchal society of the time period. Shumaker identifies one theme as the detriment of suppressing the narrator’s sense of self and that “by trying to ignore and repress her imagination, in short, John eventually brings about the very circumstance he wants to prevent” (590). John confines his wife in a yellow “nursery” in order to “cure” her of her illness, banning her from writing and discouraging her imagination. His plan backfires when her mind, unable to find a proper outlet, latches onto the yellow wallpaper that eventually drives her to madness. Another theme that Shumaker points out is that the dynamic of a domineering husband and an obedient wife is a cage that the narrator is desperately trying to free herself from. John constantly dismisses the narrator’s opinions and thoughts and insists that he knows what is best for her. Shumaker points out that the husband, a representation of the patriarchal society, is clearly depicted as the villain and that he “attempts to ‘cure’ her through purely physical means, only to find he has destroyed her in the process” (592). At the end of the story, because of her confinement and inability to express herself, the narrator fully descends into insanity, “escaping” the

Women have always had a disadvantage and have had to fight for the rights that have been handed to men. Although it has improved for women in both everyday lives and in art, they are still faced with challenges. Women tend to be looked at more critically than males in how well they are able to complete their jobs. Women today are still questioned on if their art is feminine enough. If women are being interviewed about their art or careers in general, they are normally asked more about what they look like. Women also are taught that their art or anything in life is not good enough because of their gender, like the saying "throw like a girl" is trying to demote females.