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The Rhetoric Of The Anti-Indian Sublime

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This proliferation of anti-Indian imagery seems to have quickly ingrained itself in the colonial psyche, leading eventually to the prevalence of strong anti-Indian sentiment called the “anti-Indian sublime.” The anti-Indian sublime took hold during the Seven Years’ War. Literary anti-Indianism was an electrifying set of images, purpose-built for the interpretation of suffering in terms of injury by Indians. Many colonists came to hate natives because some among them spread tales of horrors committed on Euro-Americans by their indigenous neighbors. To a surprising degree, Pennsylvanians experienced Indian war as being about the communication of strong emotions – always starting with fear and ending for some with a wish to be backed by the …show more content…

The response of the countryside to Indian war, then, was controlled almost wholly by fear, a fear that made colonists afraid to be alone at home, or out tending the fields, or anywhere apart from large groups of colonists who might defend them if Indians attacked. Once fully realized, the rhetoric of the anti-Indian sublime could fit new agendas. For example, the Seven Years’ War helped create the notion of Europeans to be collectively known as “white people.” The premise of being part of the “white people” said something about how one thought and acted about Indians war, and toward Indians. It created images of a single, suffering peoplehood that encompassed nearly all of Pennsylvania’s diverse European ethnic groups – except Quakers – flourished in the press. The “white people” became a building block for public discourse, and the first outlines were sketched as a coalition that would help to push all pacifists out of Pennsylvania’s government and most Indians from their territory. The reasons for violence lay deep in the nature of intercultural relations in the countryside, a countryside that had come alive with fear. The growth in anti-Indian sublime drove ethnically and religiously diverse colonists into each

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