The Rhetorical Analysis Of King Oedipus The King

Oedipus is very prideful, because of his role as King. He’s accustomed to his power and is spoken to with respect. Having someone assassinate his

In his essay, “Introduction to Oedipus the King”, Bernard Knox supports free will by stating that Oedipus’ downfall was not caused by fate. According to Knox there is not a doubt that, “Oedipus is the free agent who, by his own self-willed action, discovers that his own predicted destiny has already been fulfilled” (86). He clearly states that Oedipus is responsible for his free actions during the play. He insists that Oedipus’s made the decisions to discover the truth about himself.

The theme of sight and blindness is undoubtedly important to notice while reading Oedipus the King. The number of times the words “see” or “blind” are in the play make it make it undeniably obvious that they are significant. The theme is developed throughout the dialogue, through characters such as Tiresias and Oedipus, and also directly in the irony of the play. It is important in a play about the truth because almost every character was “blind” to the truth. All of the characters, except one, can physically see, but mentally cannot see the truth.

Oedipus was a powerful man that had his life ruined by his excessive pride and selfishness. The same qualities that helped him to rise and become the king of Thebes also caused him to feel a lot of pain. He lost everything that he had gained in a short period of time. Oedipus learned that having power was not all that he thought it was. His life had been a lie and he actually didn’t know anything about the place he was born until he was instructed to save it. Oedipus himself caused his downfall with his selfishness and pride.

The audience feels pity for Oedipus because of his final requests before he is exiled. Aristotle uses another key component in Oedipus Rex, he uses pity, especially from the audience. When Oedipus asks the new king Creon before he is exiled he asks four requests from him. Oedipus begs Creon to bury “the woman inside, bury her as you see fit” (Fagles.1584-5.246). The audience feels pity for Oedipus when he has to beg Creon to bury his wife/mother. Oedipus says “I command you-I beg you” to Creon, when Oedipus starts to talk to Creon here as if he is still king (Fagles.1583.246). Oedipus’s second request to king Creon is take care of his daughters. The audience feels pity for Oedipus because Creon has to permit Oedipus to see his daughters. Oedipus

The audience experiences a catharsis of pity and fear at the end of Oedipus the King. The audience experiences a catharsis by releasing their repressed feelings of pity and fear. Before Oedipus finally leaves, his discussion with his two daughters provides the audience with a catharsis as he states, "I weep for you...I weep when I think of the bitterness" (Sophocles lines 1598-1600). Oedipus directly tells his daughters of the repercussions of his actions. The audience experiences fear for the futures of Oedipus's daughters since having a distressing life is a feeling that is relatable. The audience realizes Oedipus's actions rob his daughters of a normal

“Oh my children, the new blood of ancient Thebes, why are you here?” said Oedipus when addressing his people during his first appearance (1-2). Flamboyant, yes, well in Oedipus the King, the main character Oedipus is a boastful and pompous character faced with troublesome pasts and future predicaments. In actuality, he is king of Thebes and the rightful ruler, but when a plague strikes he is quickly led into a misfortune of events that ultimately leads him to dig his eyes out in attempt to relieve him from the truth he discovers. It then becomes a revelation to distinguish the characteristic fault which leads Oedipus through such tragedy. Only to become apparent, Oedipus’s excessive pride is the main culprit behind his tragic ending. In

Oedipus steps out of the royal palace of Thebes and is greeted by a procession of priests, who are in turn surrounded by the impoverished and sorrowful citizens of Thebes. The citizens carry branches wrapped in wool, which they offer to the gods as gifts. Thebes has been struck by a plague, the citizens are dying, and no one knows how to put an end to it. Oedipus asks a priest why the citizens have gathered around the palace. The priest responds that the city is dying and asks the king to save Thebes. Oedipus replies that he sees and understands the terrible fate of Thebes, and that no one is more sorrowful than he. He has sent Creon, his brother-in-law and fellow ruler, to the Delphic oracle to find out how to stop the plague. Just then, Creon

Sophocles's Oedipus Rex is probably the most famous tragedy ever written. Sophocles's tragedy represents a monumental theatrical and interpretative challenge. Oedipus Rex is the story of a King of Thebes upon whom a hereditary curse is placed and who therefore has to suffer the tragic consequences of fate (tragic flaws or hamartia). In the play, Oedipus is the tragic hero. Even though fate victimizes Oedipus, he is a tragic figure since his own heroic qualities, his loyalty to Thebes, and his fidelity to the truth ruin him.

Oedipus the King is an excellent example of Aristotle's theory of tragedy. The play has the perfect Aristotelian tragic plot consisting of paripeteia, anagnorisis and catastrophe; it has the perfect tragic character that suffers from happiness to misery due to hamartia (tragic flaw) and the play evokes pity and fear that produces the tragic effect, catharsis (a purging of emotion).

Throughout the play Oedipus is given clues to his past and the fate that is to come, the moment that he gouges his eyes out shows these clues that he has missed. Jocasta says wildly, “In the name of heaven, don’t proceed! For your own life’s sake, stop! And I’ve been tortured long enough.” (59) This shows a moment of caution for Oedipus to not continue to seek the truth. The dramatic irony of this situation illuminates the horrors that are to come because of fate as well as Oedipus’ free will. Oedipus: “Laius was killed—I thought I caught the words—where three highways meet?” Jocasta: “So they said. That is how the story goes.” (41) Oedipus is first hearing the true story of the late king’s murder and seems to be beginning to realize that it was he who did the killing. Even though this could be his illuminating moment, Oedipus is unwilling to accept this fact and must hear

The tale of Oedipus and his prophecy has intrigued not only the citizens of Greece in the ancient times, but also people all over the world for several generations. Most notable about the play was its peculiar structure, causing the audience to think analytically about the outcomes of Oedipus’ actions and how it compares with Aristotle’s beliefs. Another way that the people have examined the drama is by looking at the paradoxes (such as the confrontation of Tiresias and Oedipus), symbols (such as the Sphinx), and morals that has affected their perceptions by the end of the play. Nonetheless, the most important aspect is how relevant the story is and how it has influenced modern ideas like that of Freud and other people of today.

"Oedipus the King" is a tragic play showing a shift from the belief of fate to freedom of choice. Therefore, Oedipus the king is a great example of those who run from fate ends up fulfilling their fate

Oedipus did not have a fair start in life. His father, Laius, heard prophecy that Oedipus would one day kill his father and sleep with his mother. In order to prevent this, Laius gave Oedipus to a shepherd to be killed. Fortunately, through a string of events, Oedipus's life was saved, and he even went on to become the honored king of Thebes. Despite this feat, Oedipus still managed to make several decisions that ultimately fulfilled the original prophecy told to Laius, and inevitably sealed Oedipus?s fate.

Oedipus the King is a Greek tragedy play written by Sophocles, and it made its first debut