The Rise Of A Middle Class Tradition Analysis

The portrayal and the representation of the Chicano Art Movements are entrenched by the Mexican-American artist who institute artistic personalities and identities in the United States. The plenteous amount of the artist is massively influenced by the immense Chicano Movement (El Movimiento) which, was established in the 1960’s. The influence of Chicano Art was due to the Mexican- Revolution philosophy, art of Pre-Columbia and indubitably European techniques of painting, cultural, social, political issues. The movement took a stand to fight against stereotypes of Mexican- Americans conducive and to resist typical social norms. The movement to concentrate on awareness of collective history, equal opportunity, grants and social mobility. Chicanos have used the movement in pursuit of expressing their cultural values. Ever since it first appeared in America the art of Chicanos has matured to illustrate common struggle and social issues in conjunction with uniting the youth of the Chicano people to their culture and history. Chicano Art is not only Mexican- American artwork; it further emphasizes and accentuates the histories of the Chicano people in a superb and sublime way of American art.

Names and nationalities play a large role throughout your life. Esperanza and Maria are examples of this, through the excerpt and poem it is possible to tell that they feel discriminated because of their nationalities. The idea comes from how they react and our treated compared to other students.

After the Mexican Revolution, which took place from 1910 - 1920, Mexican art saw a change in the type of art being created. Although the focus of creating art with an indigenous and Mexican theme continued, the country saw a shift to art presenting socialist ideals. The government saw value in working with local artist and commissioning them to create murals that would influence their political agendas. However, what these murals mostly did was strengthen the Mexican culture and bring pride to the indigenous heritage. Although this time period has come and gone, its influence over Mexican art and culture is still very apparent today and can even be seen in Mexican American communities today.

Diego Rivera was known for a muralist of the Mexican Social Realism. This movement was the brutality of WWI. It attacked capitalist. Rivera was a communist, he believed in the common ownership in social, political, and economic ideology that strived to maintain social order. One example of this

Murals are the quintessential public art embodying the spirit of the community in which they are created. They say this is who we are, this is what we think, this is where we come from, and this is what we want, reflecting most clearly any changes in the sociopolitical environment. Murals lay out a powerful visual image of the ideology of their creators or sponsors, be it the Church during the Renaissance, government funded projects, or individuals expressing opposition. In Mexico, after the Mexican Revolution of 1917, the government commissioned a vast number of mural projects to transmit its revisionist history of the country, and celebrate the empowerment of the underclass in their recent victory. Predominate themes were cultural

When we as human beings are born into this world, there are things that we have control over, and other things that we have no say in. We control what we do with our lives, what schools to attend, what activities to be a part of, and who we marry, for example. This seems to be quite fair, and for the most part, we take it for granted. While we do have these kinds of freedoms, there are other aspects of life that we have no control over. One thing that we are born into, is our social class. No matter who you are, there is a social class that you fall into, and you really have no say in it. The one social class that seems to be the most populated is the middle, or working class. These people usually classify

As part of the “movimiento” Chicano artist needed an outlet to portray and protest societal inequality. They wanted to advocate ethnic identity as well as wanting to express self-identification. Consequently, they began to convey their message through art in murals, posters, magazines, logos, etc., which is considered public art. These Chicano artists wanted to represent the facet of the battle for human rights. Let’s take

A prominent and well-respected artist during the Mexican Revolution, Diego Rivera, illustrates principles from the Manifesto of the Communist Party through his artwork, which furthermore demonstrates an influence on Mexican art. His original artwork Man at the Crossroads was destroyed at the Rockefeller Center in New York City after heavy controversy, but remade it in Mexico. Specifically, through Rivera’s Man, Controller of the Universe from1934, it is evident that the Communist Manifesto’s call for outspokenness and principle of abolition of private property for the bourgeois are depicted.

Hispanic art, food, and entertainment all have a common theme; they are all fun, light-hearted, yet fulfilling and rich in cultural heritage. On one side, Mexican culture in particular loves to make fun of itself. There are many depictions in song and art of lazy Mexicans in large sombreros with thick mustaches eating burritos. On the other hand artists like Diego Rivera paint large murals depicting rich historical events like the revolution, in bold colors on controversial topics (This Old, n.d.).

At the beginning of the Mexican muralism movement , there are some notable muralists who spearheaded the movement. “The nationalistic imagery of Diego Rivera, José Clemente Orozco, and David Alfaro Siqueiros displayed on the public walls of Mexico, a nation forging a

Class struggles as we american see it everyday. they’re lower, middle, and upper classes. Since the 1800s class been a struggle as well as many people to try to find where they should be places, it was based on on background, race, and wealth. Many people in the 1800s thought they could rise up to different class , that you had to stay in what you grew up in. the lower class consisted of slaves, indentured servants and serfs.

To begin addressing this assignment first I must define what art is throughout the weeks I have been enrolled in “Art and Architecture of Latin America.” To me what I have come to interpret is that art doesn’t necessarily have to involve paper, pencil or paint. Art is something that receives public reaction or that it can relate to someone. For example, take the drawings of Diego Rivera. One of his most famous works named “History of Mexico from the Conquest to the Future” can be found in Fresco, National Palace, Mexico City relates to his people's lives. Why you may ask? Well if you look closely to his drawings it shows the history of Mexico since the conquest of the Spaniards to the revolutions that emerged throughout Spaniard rule up until

This image may interpret parts of Diego Revers past where he was apart of the Mexican Communist party in 1992 to 1999. He was beginning to form ties with mexico which the party disapproved of. He was able to explore his own passions and became well liked in the United States. The people who opposed his ideas asked for his art to be removed. He was a very popular artist but, also popular in those who disagreed with his views.

In a country with such a diverse cultural history as Mexico, how can an artist work without political affinities? Investigating muralist José Clemente Orozco’s career, one sees from critic and self-written testimonies that Orozco purported to paint murals with neither “enthusiasm, nor...despair” to eschew categorization so that the public could “see” them and not “hear” about them from guides. Simply, Orozco implied that he valued impartiality instead of zealous didacticism in his works. However, I argue that Orozco’s murals often featured religious, economic, and racial motifs, and while Orozco may have sought to avoid emotion in his art, he did respect certain Christian and native spiritual figures and satirize capitalist characters to critique

Art in Spain has changed drastically over the centuries, from the traditional paintings of the Golden Age to the abstract work of the Avant-Garde. The transformation of art over this time had a large impact on Spain. Many found the cutting edge art of the Enlightenment and Avant-Garde to be disturbing and not what art should be. Picasso’s work was criticized for how different it was to traditional work but today he is seen as one of the most famous painters in the world. Art caused divides over whether keeping with the past or moving into a more modern age.