The Rise Of Post Impressionism

Post-impressionism and Pop Art resulted as an artistic reaction on both sides. Post-Impressionism groups diverse pictorial tendencies that arose in France surroundings to 1880-1905 like reaction to the impressionism. In the other hand pop art was an artistic reaction to abstract expressionism. It can seem surprising the fact that in so short space of time, as soon as a quarter of century, so many evolutions and involutions in the land of art have taken place, mainly considering that until second half of century XIX, the great

Impressionism, in contrast, strove not to capture the toils of society in a moralistic setting like Realism did, but to evoke a general mood in the viewer. Painting was transformed from the idea of capturing a moment on canvas to creating a moment on canvas; painting was reduced to its own surface, “no longer transparent means but opaque ends” (Schneider 43). This was exemplified by Manet’s own ideas of painting not as “sight” but as “insight” into the human condition, driven by an artist’s intuition. Manet and the impressionists began painting en plein air, outdoors in the fresh air where they were closer to their subjects and captured the light of fleeting moments like sunrises and sunsets with quick brushstrokes intended to evoke general mood in the viewer based on the capture of light and tones in the painting, leading to the namesake “impression” left by the movement.

Impressionist aimed at displaying the nature instantly. In essence, they wanted to portray the life through the art of painting. Post-impressionism on the other side was a movement that looked for means of breaking away from impressionists’ naturalism.

The post-impressionist they used impressionism’s technique but they wanted to take style to whole new level, these group of artist adopted only technique from the impressionism and added their emotions to their painting and wanted to show their

Regarding Impressionist art, Édouard Manet, another influential Impressionist artist, has even been quoted as saying that, “There are no lines in nature, only areas of color, one against another”. I believe that Impressionist art was truly a groundbreaking movement in regards to modern art movement because Impressionist works of art left room for the viewers’ interpretation. Until this time, works of art had intended meanings which were decided by the wealthy patrons who had been commissioning their desired works of

This group included Claude Monet, Pierre Auguste Renoir, Camille Pissarro,Edgar Degas, Alfred Sisley and Henri Marie Raymond de Toulouse-Lautrec whom all worked together, influenced each other, and exhibited together and independently. A major fact that tied the group together was that they were exhilarated by contemporary developments in the color theory which helped their search for a more exact analysis of the effects of color and light in nature. They did not believe the shadows of objects were made up from its color with some brown or black added like it portrays. Instead they believed in greater depth that the shadow of an object was broken up with dashes of its complementary color, which is found to be very interesting. Impressionism is based on modernity, meaning faster pace and various improvements in the quality of daily life (Gersh-Nesic, n.d.). The key characteristics of Impressionism were light and its reflection, quickly painted surfaces, dots, dashes, separation of colors and letting the eye's perception mix them, commas and other short brushstrokes. These artists are known to jot down things faster and were called impressionists and their paintings eventually became known as Impressionism. The word "impressionist" in 1874 typically meant no skill but the group did not give up on the art they believed in, although they were rejected by academic institutions such as the French academy of fine arts and the Salon. By then end of the impressionist period artist no longer listened to the strict rules and did not care about the opinion of the salon, they were free to paint how they wanted and began to pursue their own ideas. This led to a growing revolution in art and is looked upon by many artists

The impressionist movement was a leap away from traditional art and a innovative style that would capture the hearts of many. Although, the elimination on detail and lines would be seen as blasphemous to true art to some. The new style of using light ground and working up with dark colors would breed some brilliant work. For instance, Vincent Van Gogh's painting entitled, "Starry Night" makes you really just want to sit and marvel in its beauty. Van Gogh's paintings seemed to be painted in quick passionate and precise strokes which effortlessly create unique and breathtaking pieces of art. Although, they were painted in passion I was blown away when I heard of the amount of detail and sketching that went into a lot of Van Gogh's work. I appreciate

Impressionism was born from the urge to break free from the constraints of Art forms in the 19th century. Many studies under mentors who passed on the traditional styles painting form and figure, but some spoke of revolutionizing the art world. World events and public attitude toward art allowed impressionists to break free from the mainstream French Art scene.

Impressionism is a new kind of painting that captures a fleeting moment in time. Whether it be moving people doing daily activities or water shimmering on the lake. During the 1800s, impressionism was a drastic break in the history of art. It is also described as a revolution because it broke away from the average paintings that consisted of history and mythology. The artists could paint what they saw through their own eyes and could use their own techniques. The history of art went from classical paintings to modern, weird paintings. All of the artists had the idea that it was time for them to paint what they saw through their own eyes.

The Impressioism time period was one of innovation and of new ideas. Painters become under pressure with the innovation of the light bulb, the camera and then photography industry. the middle class tended to prefer to get a photograph taken, although the photos weren't good quality, it was cheaper then to sit still for hours and paying more for a painting (sfgate). this forced painters to think out side the box and the impressionism art period was born. painters with this change also could experiment now with, not only different techniques to how they painted. they could reduce their attention to the subject matter and could now focus more on how they applied the paint as realism was not longer the ideal (britannica).

Content: Impressionism is a 19th-century art movement that originated in Paris. A few painters that were know for impressionism were Claude Monet, Pierre Auguste Renoir, and Frédéric Bazille, who influenced each other and worked together. Mary Cassatt portrait shows that she mastered impressionism, due to her brushwork and sketch like finish and the way she painted Mrs. Scott’s hand holding the teapot with the seriousness on her face.

The impressionist movement began in the 1870’s by a group of artists rejected and harshly criticized by the established art world and its critics in authority, particularly the Academie des Beaux-Arts. Several common characteristics encompassed this radical new artistic style. Images rendered from the artist’s everyday world strayed away from historical, religious or mythological subjects. Natural landscapes were painted without idealization and used vibrant light colors, which at times were mixed directly on the canvas contrary to the traditional darker palettes of their predecessors. The technique using quick, spontaneous brushstrokes enabled the artist to capture fleeting moments of light without concern for well-defined lines of a meticulous finish. Compositions were "unhampered by traditional rules" allowing for experimentation often framing and cropping subjects in shocking ways.

The Impressionism movement was a reaction to the realism and romantic movement. Instead of detailed, accurate and photo-like paintings of the contemporary life of realism and romanticism, Impressionist painters used more blurred brush reality to the canvas (Strickland). Specific techniques Impressionist artists used were unblended colors and quick, short brush strokes with a unique play on light. An Impressionist artists' goal was to "objectively paint reality in terms of transient effects of light and color." The artists of this movement would paint vibrant contrasting colors directly onto the canvas, which was a great contrast to the traditional art of blending somber colors. Confused and ridiculed by this technique, the Salon of the French Academy consistently rejected most of the artwork done by Impressionist artists. These rejections of artwork eventually led a group of artists to organize their own exhibitions, Exhibitions of the Independent Artists.

During the Modern Era of the late 19th century and the early 20th century, many artists were turning away from the idea of painting realistic images. Photography, having just been developed for public use a few decades earlier, made artists of the day focus less on painting as an precise copy of what is seen, as had been done for centuries. Since the Middle Ages, most artists painted exact representations of life. Starting in the late 1800s, though, many artists were starting to embrace the theory of art as an impression of what is seen. Impressionism, the art movement that began in the 1870s in France, was the first real development of this new concept of painting. Impressionists, such as Claude Monet, sought to put on canvas how they

The differences in the movements actually stem from a more sociological standpoint; whereas impressionists were a tight knit fraternity bound together by their