The Rising Subculture Of Punk : The Economy, Violence, And Rebellion Essay

While these white punks were able to return to their middle-class, financially stable lives, many minorities had no choice but to live in the cheap apartments they were offered at the time. Although the intention of the white punks may have been to unify all races under the label of ‘punk’, they actually reinforced clear differences between the two groups. The lifestyle became a desired object to white privileged punks into which they launched themselves head-on. The white punks desired to internalize the struggle rather than be contradictory by singing about it and not actually living it. White punks believed that by doing this, they were not only eliminating race within the punk subculture, but they were also furthering their own participation within the subculture by creating a “self-imposed minority”2 and an “appropriation of Otherness”2.

The 1950’s brought about the beginning of teen culture. The phrase, “teenager”, had only recently been invented but the word was already developing more weight and meaning. To be a teen encompassed the soul of rebellion. The formative years were a warp in the usual fast pace of life, a pause between childhood and adulthood. That pause was uncomfortable and foreign. It gave kids a chance to think and feel before being thrust into The Real World. That small break was enough for the seed of self-expression to slip through, and music is the ultimate form of self-expression. The birth of rock and roll, the constant threat of the cold war, the inescapable prison of segregation, and the chance to stop

In this essay, I will be discussing about a social group that took fashion to the next level and create a huge impact in British history were the punks culture during the late nineteen seventies. The punk cultures were to rebel against the government during the great depression and were all about the attitude of the younger generations. During the late nineteen seventies was the time of unemployment and social unrest, a lot of the young white kids felt outcast from the British culture, foreseeing their lives with little prospect and so called “no future”. It was also a DIY “Do it yourself” movement. Younger generation that adopted the punk look often create their own garment by wearing safety pins,

Punk rock music has been used for decades to express dissatisfaction with society, government, or any idea common in mainstream media. Yet punk rock is not simply a tangent of the mainstream, it is a dynamic and fluid genre with many distinct songs. Don Letts, a mainstay in the London punk scene during the 70’s and 80’s, went as far to say that hip-hop was essentially “black” punk. While punk and hip-hop music are stylistically different, the fundamental tone of the two genres is the same. Even throughout the decades, hip-hop has sang the same issues as punk, including the plight of the lower class, police brutality, and gang violence.

Chicanx people heavily populated these areas and their communities were affected deeply. Due to the economic downsizing and deindustrialization, the punk movement emerged. Punk is an empowering and critical discourse for Chicanx artist and it appeals to working-class Chicanx who experienced racial and economic

The attitude common in the subculture is the resistance to selling out, which means abandoning one’s values and changing in musical style toward pop to embrace anything that’s mainstream capitalist culture in the exchange for money, status, or power. Punk rocks’ common thinking wasn’t only anti-authoritarism, and not selling out but also non-conformity, direct action, and a DIY ethic. The DIY attitude was pointed towards stepping forward and speaking without any restraint. To fight with warrior qualities to achieve what you were striving for. The kind of thinking and motives for punk rock subjects was to not settle for what society made acceptable and standard but to think and work outside of the box that was holding them in.

“He [Pearson’s father] would freak out when he read the song titles to the cassettes that my friends and I would shoplift from the mall…He was certain that I’d become a Junkie if I listened to that kind of music. But with an alcoholic wife-beater father who didn’t give a shit about his son I was bound to avoid the cliched, nihilist aspects of punk culture” (Pearson 12).

Music has been a long standing form of expression for hundreds of years. More recently however, it has become a way for artists to make social commentaries on the society they live in. During the 1970s, Punk bands and Ska bands emerged in England and rose to become a major source of social commentary through their upbeat music. Specifically looking at music from The Stranglers, The Specials, and The Clash, it is clear that lyrics clouded with anger and passion can be best communicated through upbeat sounds and melodies. Each of these groups communicates a need for radical change in society; but each one goes about this in a different way. Through the songs, “I feel like a Wog,” by The Stranglers, “A Message to you Rudy,” by The Specials, and “White Riot,” by The Clash, these bands point out that there is a common enemy in Society. They are forcing the mainstream to realize unpleasant truths about the culture that they inhabit. The future of England was unknown, and these songs were written during a time where people were worried about their place in the world. Faith in the system was dying and these bands gave way to a future generation to improve upon society that will present a more positive and equal multicultural Britain. Through the music it is clear that multicultural Britain was complicated; there were tumultuous times that these bands were commenting on, which pitted races against each other but also brought them together in fighting back against suppressive societal

Though many will jokingly argue that “punk is dead” Punk is still very much alive in today’s society. From Mohawks to mosh pits punk has had an impact on today’s culture. Ironically enough punk once known as being a counterculture to the mainstream has now become a large part of it. It can be seen in fashion and dance and especially music. Overtime punk has changed and evolved. It has branched out into numerous sub genres such as pop punk, glam punk, skate punk, and many more. Bands like Fall Out Boy, Greenday, Paramore, The Wonder Years, and All Time Low are modern examples of punk. These bands continue to draw in the younger audiences, because they still exemplify the free and rebellious nature of punk. Punk will continue to live as long

Nevertheless, punk shouldn’t be held to such high standards of influence. It’s influential; it’s something that made misfits feel as though they had a place, but not something to be held to the unattainably high standards. All things considered, it did do something positive, it provided a home and inclusive environment for those who were frustrated and just plain angry.

Most of the original rebellion was directed towards the British class structure. They wanted to express their disapproval of the structure that governed their country. In The Jam’s “Eton Rifles”, the band sarcastically attacks the upper class, calling them arrogant and preaching to them that rugby is the only thing making them strong (Punk 68). The Sex Pistols’ album “God Save The Queen” portrays the Queen of England with a safety pin through her nose on their cover. The reaction to this outburst of shocking rebellion from the mainstream society was a strong, displeased one. American writer Greil Marcus defined punk as, “…refusing the future society has planned for you.” Thousands of social misfits attempted just that. Through the many causes for this rebellious political expression: communism, anarchy, feminism, etc., the punks of England had a focus and a reason. It was this that made the “punk” a valid, yet undesired member of society, and the British public got to see this sociological change first hand (Chamberlain par.8). Although this movement was short lived, its impact was a phenomenon, and its effects were long- lasting, which distinguished this group from previous generations.

Fearless Records has announced the 6th edition of the Punk Goes Pop compilation series, which will be released on November 17th. Punk Goes Pop has been the most successful, and frequently occurring, strand of the Punk Goes… series, which also includes the likes of Punk Goes Acoustic, Punk Goes Classic Rock and Punk Goes Crunk. Evidence has shown that cover versions of well-known songs can lead to big business in today's market. One quick browse of YouTube is enough to prove their popularity, as a host of user-generated cover videos can often be seen populating the suggestion bar whenever you view an artist’s official music video.

The discussion here will be of the invention of rock ‘n’ roll and how did it emerge from the new working class youth culture. Styles of this are said to be fused from black and white popular music. All Genres have been studied for years but for rock itself was hard to get an agenda to just focus on this as for some didn’t considered if rock as form of music was as worthy to study than others. The body of my essay will discuss the history of rock ‘n’ roll and the popular youth cultures in the last century and how their choice of music was developed.

A contributing factor that resulted in punk becoming so popular in the U.K. was the sociopolitical environment in Great Britain, as at the time the nation was undergoing major social upheaval. During the early nineteen-seventies, the global oil and steel manufacturing crises rocking most of the world helped throw the United Kingdom into a recession. The recession resulted in the British government cutting funding for many essential services which in turn would lead to strikes, riots, rolling blackouts and an unstable government. The economy was slow to recover thanks to high inflation and unemployment rates resulting in stale economic growth. It was estimated that more than half of all 18 year olds were either unemployed or underemployed.

The punk subculture was one of the influential revolutions on the 20th century, which originated in in the 1970s and spread across countries that included the United Kingdom, the United States of America and Australia. This subculture was based on a loud, aggressive genre of music called punk rock, and it intended to gain individual freedom for the working class. This essay explains the journey from the evolution and widespread of the punk subculture in the UK in 1980s. As the title suggests, punk fashion has been ruptured, tweaked and re interpreted by individuals and fashion designers over and over again, and its style has been re adapted to juxtapose on contemporary trends.