In Cormac McCarthy’s novel The Road, it is very important to both the man and the boy to distinguish between good and bad people. In this post-apocalyptic world, it is very difficult to survive while continuing to remain a good person. The importance of the separation of good and bad people is shown through a possible theme, the conflict between good and evil. It’s also shown through and example of symbolism, the fire that the boy says they must continue to carry. Finally, dark imagery shows that it is difficult for the man and the boy to remain the good guys. With these three literary elements, McCarthy shows that it is important to the man and the boy to keep a distinction between good and bad people so that they can keep hope in their world.
Throughout The Road, it is very important to both the man and to the boy to distinguish between good and bad people. This idea is supported by one of the main themes of the novel, the conflict between good and evil. Throughout the book, the boy is looking for confirmation that himself and his father are the “good guys”. The boy is also looking to confirm that the bad guys are those who are out to hurt them. The boy is intent on knowing this, as the division between the good and the bad people in this post-apocalyptic world is not always clear. For instance, near the beginning of the novel, the man and the boy encounter a group of people on the road. Worried about the boy’s safety, the man shoots one man who found them in the forest.
Violence is defined as a behavior involving physical or mental force intending to hurt, damage, or kill someone. In the words of Zak Ibrahim, peace is defined as the proliferation or the increase in the existence of Justice. But where does love fit in to these conversations? Violence cannot necessarily transform into love, but the presence of it is surely important. Violence involving our most loved ones, helps us find love and compassion in the toughest of situations, and leads us toward paths of peace. In this essay, examples will be drawn from Zak Ibrahim 's keynote presentation, The Road by Cormac McCarthy, Beautiful Boy; a film directed by Shawn Ku, and Harrison Bergeron by Kurt Vonnegut.
In The Road by Cormac McCarthy, the man and the boy are on a constant journey towards survival. Limited visibility is prevalent within different aspects of this novel. One is within the man, as he has a limited view on humanity itself. Throughout the novel, the man is
Throughout the novel, survival is a constant objective for the boy and his father. McCarthy’s gripping and frightening moments are most obviously interwoven with this theme. Soon after the death of his father the boy looks up and sees that “someone was coming. He started to turn and go back into the woods but he didnt. He just stood in the road and waited, the pistol in his hand” (McCarthy 281). With the approach of this new potential threat, the boy’s safety and survival are brought into question. As the strange man comes near, a tension builds while the boy tries to make a decision that could quite possibly affect the rest of his life. The tension dissipates when it is revealed that the man is not a threat, but a
The Road, a post apocalyptic novel,written by Cormac McCarthy, tells the story of a father and son traveling along the cold, barren and ash ridden interstate highways of America. Pushing all their worldly possessions in a shopping cart, they struggle to survive. Faced with despair, suicide and cannibalism, the father and son show a deep loving and caring that keeps them going through unimaginable horrors. Through the setting of a post apocalyptic society, McCarthy demonstrates the psychological effects of isolation and the need to survive and how these effects affect the relationships of the last few people on Earth.
Isolation is one of the most severe forms of punishment that anyone could be faced with. Cormac McCarthy shows the reaction isolation had on the characters in The Road. The Road, by Cormac McCarthy, follows an unnamed father and son as they travel towards the coast in search of safety after the world has been destroyed by a catastrophe. As they travel the road, the father has to protect his son from the threat of strangers, starvation, exposure and harsh weather. In The Road, Cormac McCarthy shows how humans react to isolation by when the man leaves others to suffer, taking drastic measures and when the man kills other men.
Faith is a hard thing to master, and sometimes obtaining it is even harder. Many of the character in this novel have different opinion on whether the usage of faith is relevant in this apocalyptic world. The difference between good and evil is a relevant idea in the road, everyone that we come in contact with we are always pose with that one question, “are you one of the good guys?”. For There to be a good guy there has to be a “bad guy”. To separate the “good guys” from everyone else. This question that is posed leads to many different aspects of a person; trust, will, and belief. In Cormac McCarthy Novel, The Road, McCarthy uses Character flashbacks, motif, and religious allusion to show the separation between good and evil.
Sheri Fink once said “The moral values, ethical codes and laws that guide our choices in normal times are, if anything, even more important to help us navigate the confusing and disorienting time of a disaster.” Living in a post apocalyptic time can be unbearable if one is stripped of the most basic necessities. Such an event can greatly affect the behaviour of a person, as well as the ability to distinguish right from wrong. But like the boy and his father in the novel The Road by Cormac McCarthy they stuck to their morals to overcome the hardships they face. The novels recurring themes such as companionship, survival, and good versus evil, prove that a persons moral standards could change in a time of need.
In the novel, The Road, Cormac McCarthy illustrates the expressions, settings and the actions by various literary devices and the protagonist’s struggle to survive in the civilization full of darkness and inhumanity. The theme between a father and a son is appearing, giving both the characters the role of protagonist. Survival, hope, humanity, the power of the good and bad, the power of religion can be seen throughout the novel in different writing techniques. He symbolizes the end of the civilization or what the world had turned out to be as “The Cannibals”. The novel presents the readers with events that exemplify the events that make unexpected catastrophe so dangerous and violent. The novel reduces all human and natural life to the
Civilization is the basis of life, driving human interaction in everyday life. The texts, Frankenstein by Mary Shelley and The Road by Cormac McCarthy, depict civilized and uncivilized situations, which reflect on and elaborate characterization. This can be seen explicitly with the creature (Frankenstein) and the boy (The Road). Both novels address the civilized and uncivilized in different approaches, however similarly emphasize the significance of the character’s traits and development. The ways that each character approaches civilized and uncivilized situations and behaviours, relate to the character’s experiences and emotions directly in the case of the creature, contrary to the inverse relationship in the case of the boy. The
“The Road” depicts a solemn and deteriorating environment that can no longer provide the fundamentals to a society due to the nuclear disaster. The sudden depletion of the resources within their environment made it difficult for the father and the son to find sustenance. They were constantly traveling towards the South looking for safe places to situate themselves because the father knew that they would not be able to survive the nuclear winter. The genre of the novel is post-apocalyptic science fiction because it revolves around a dismantling society. Cormac McCarthy’s “The Road” depicts how environmental destruction finally gave sense for people to value the world and what it had to offer.
The Road presents a universal theme of Good vs. Evil. In this story, the man and the boy are considered the good guys. They are considered the good because they have kept their morals. One of the reasoning’s as to why they believe they are the “good guys” is that they are “carrying the fire.” They believe that all those carrying the fire are incapable of doing any wrong.
One thing that remains constant in the ever-changing world of Cormac McCarthy’s dystopian novel The Road is the relationship between The Man and The Boy. The father and son’s bond is extremely close, especially due to the isolation they face on The Road, but it is filled with love and endearment, like someone would expect any relationship between a father and son to be.
In Cormac McCarthy’s novel The Road, a man and his son live in a somber post-apocalyptic world. Although it’s not clear what brought the world to this point, the novel paints a clear picture of the aftermath. The boy and his father spend their days traveling through the dark and cold landscape while trying to make their way south, which they hope will bring warmer weather and easier times. Throughout their dreadful journey, the pair deal with many terrible and heart wrenching situations that seem unbearable; but each time, the man and the boy push through by keeping their faith in hopes of having a better life. But holding on to hope in what seems to be a hopeless world proves to be difficult as they face issues such as cannibalism, a lack of food, and blistering cold weather. In the New York Times Review “The Road Through Hell, Paved With Desperation”, writer Janet Maslin uses language similar to McCarthy’s to emphasis the tone of the novel, and she also brings attention to the faith that the man holds despite going through events that should make him question it. But the sole reason the man holds onto his faith is because of his son, which drives him to keep from doubting not only his faith, but himself. By highlighting faith and doubt throughout the novel, The Road shows that even though some people may have everything taken away from them, it’s better to keep a strong faith than to give up all hope whatsoever;
The encounters and interactions the man and boy had while on the road help develop McCarthy’s larger theme of humanity losing its selflessness when it’s in danger. For example, while the man and the boy are traveling to the coast they come across a burnt man, half-dead lying in the road. After some observation, the boy asks the man if they could “help him” but is continuously shot down by his father who repeatedly tells him to “stop it” (McCarthy 50). The Road’s setting is one of the strongest over the weak, those who can’t survive for themselves they simply won’t. This burnt man, who was struck by lightning, is an example of that as he is now in no condition to scavenge for food and medical supplies and will probably just die where he currently sits. The boy, realizing this, wanted to do something to give the man even a small chance at survival, but the man knew he was a lost cause and should be left to die. The boy and his overwhelming desire to help the dying man is representative of old society and its pressure to help those with lesser than you, ideals that were result of religious codes and churches. But in a world where none of that matters or is present, the man is what humanity has become, selfish being whom only care about
The boy who travels with his father finds purpose to survive in believing that they will one day find the good guys. In this he believes that they themselves carry the torch of being the good guys and finds hope in that. Throughout the novel, the boy expresses his heart for helping others several times when he gives an old scraggly man on the road a can of peaches, pleading to help a man who got struck by lightning, and by being worried about a boy who was alone they had passed on the road. The boy evidently through his actions expresses a need to help others. When the boy spotted another little boy from the road, he ran over to where he had seen him and searched for him. When the Father saw that the boy ran off, he grabbed the boy by the arm and said “‘Come on. There’s no one to see. Do you want to die? Is that what you want?’” Sobbing, the boy replied, “I don’t care, I don’t care” (85). The boy sees the little boy as alone with nothing and he feels like it is his responsibility to his own