The Road Dialectical Journal

In the book, All the Light We Cannot See by Anthony Doerr, Doerr changes the narration of the book by interchanging the two characters’ perspectives. I think that the narration change between the two characters made the book more intriguing to read. One example of when the story was more intriguing was in chapter eight where Marie-Laure was hiding from the German soldiers who had been searching the house for a couple of days. This part was really intense because the soldiers wouldn’t leave until they walked away with what they wanted. The next section went on to tell the story about Werner and his mission in Saint-Malo. Werner’s interruption made the story more suspenseful because I had to wait a couple of chapters before finding

In the novel The Road, Cormac McCarthy illustrates the actions, geographical setting, and expressions to shape the psychological traits in the characters struggle to find survival in the gloomy and inhumane civilization. McCarthy uses imagery that would suggest that the world is post-apocalyptic or affected by a catastrophic event that destroyed civilization. In Gridley’s article The Setting of McCarthy’s THE ROAD, he states “On one hand the novel details neither nuclear weapons nor radiation, but the physical landscape, with his thick blanket of ash; the father’s mystery illness; and the changes in the weather patterns of the southern United States all suggest that the world is gripped by something similar to a nuclear winter”(11). In other words, Gridley asserts that McCarthy sets the setting as an open mystery, so that anyone can draw his or her own conclusions. The surrounding of the colorless and desolate society affects the characters behavior positively and negatively. Similarly the surroundings and settings of the society illuminate the meaning of the work as a whole.

(E) The motif of the entire novel revolves around fire. Fire is used as a literal object as well as a

In a world where survival is your only concern, what would you do to stay alive? This is one of many thought-provoking questions that Cormac McCarthy encourages in his book, The Road. McCarthy, a Rhode Island native is a seasoned author, with more than 14 other works in his portfolio. McCarthy is a very private man, and there isn’t a lot known about him. The lack of information on McCarthy does not reflect his writing abilities, which are very strong and not lacking at all.

“But I don’t want comfort. I want God, I want poetry, I want real danger, I want freedom, I want goodness. I want sin.” “In fact,” said Mustapha Mond, “you’re claiming the right to be unhappy.” “All right then,” said the Savage defiantly, “I’m claiming the right to be unhappy,” This significant quote from Brave New World had moved innumerable readers’ heart, so do I. Exaggeration? No. It’s the satire to the false meaning of the universal happiness, and it’s this quote which made me had rethink what do I really want and the way of living I want to choose. Because the deep influence and rumination brought by the book, I would like to say

“The best measure of a spiritual life is not its ecstasies but its obedience.” – Oswald Chambers

My Kia Soul was loaded with boxes from living in the dorm all year, which made the airflow of my car disappear. The lack of airflow in my car made my skin feel hot, no matter how high I turned on the A/C. On top of the heat, the only way to travel to Bullhead is on one mundane, never-ending road. Lucky for me, there never seemed to be any cars on the road. In a way to distract myself from the impending doom of a summer in Bullhead, I focused on the road ahead. The colors were the first part that caught my eye; there were varying shades of brown because of the wide-open spaces of desert sand. The mountains were tall enough to cast a shadow over the desert, which gave me some relief from the blazing sun. Every once in a while, I would pick up shades of green for all the cacti and bushes that I passed. The desert was an open landscape and was flat enough that I could identify the road miles ahead. The openness of the desert was incredibly bare and dry; I felt lonely the longer I stared. After four hours of watching endless deserts, I finally noticed the

“‘Why do you say Africa instead of just saying the country you mean?’…‘You don’t know America. You say Senegal and American people, they say, Where is that...’” (Adichie 15).

1. I would put myself in the place of the man on the horse he looks like he could be the leader, so the leader.

Why do you think McCarthy has chosen not to give his characters names? How do the generic labels of “the man” and “the boy” affect the way you /readers relate to them?

Friday, December 16, 2016, marked the day our “Baby Research Papers” were due. Unlike most days, a sense of urgency engulfed the surrounding air as students made any final adjustments to their paper. As for myself, my essay was hot off the press moments before class. On the front table laid a half sheet of paper for the class to take upon their arrival. In the meantime, groups of students socialized until everyone had arrived. Today’s topic of discussion was quite interesting. Mrs.Way had revealed Mr.Sunday’s secret obsession with The Road. He’s a Science teacher! Why of all books, if any, would he have an obsession with The Road? If I’m not mistaken, this is clearly Situational Irony! Anyways, class began moments later with Mrs.Way’s routine

It is remarkable how differentiated works of literature can be so similar and yet so different, just by the way the authors choose to use select certain literary devices. Two different novels, Brave New World, by Aldous Huxley, and The Road, by Cormac McCarthy, display these characteristics because of the ways the authors institute such mechanisms. Brave New World describes a futuristic era where humans are genetically manufactured for a certain job predestined to them before they are artificially created, and where common human emotions, desires, wants, and needs have all been modified to support a deemed utopian society where everyone lives and works together in harmony. The Road describes a post-apocalyptic

The Road is a story where is set in a post-apocalyptic world, where the date and location is unnamed. The author of the novel Cormac McCarthy doesn 't describe why or how the disaster has demolish the earth. But after reading the novel, I can sense that the author wanted to present a case of mystery and fear to the unknown to the reader. By the author 's exclusion I think that the story gains a better understanding of what the author wanted to express to the reader. An expression of a man and his son surviving in a post-apocalyptic setting.

Jack Kerouac is considered a legend in history as one of America's best and foremost Beat Generation authors. The term "Beat" or "Beatnic" refers to the spontaneous and wandering way of life for some people during the period of postwar America, that seemed to be induced by jazz and drug-induced visions. "On the Road" was one such experience of Beatnic lifestyle through the eyes and heart of Jack Kerouac. It was a time when America was rebuilding after WW I. Describing the complexity and prosperity of the postwar society was not Karouac's original intent. However, this book described it a way everyone could visualize. It contained examples and experiences of common people looking for new and exciting

     Jack Kerouac is the first to explore the world of the wandering hoboes in his novel, On the Road. He created a world that shows the lives and motivations of this culture he himself named the 'Beats.' Kerouac saw the beats as people who rebel against everything accepted to gain freedom and expression. Although he has been highly criticized for his lack of writing skills, he made a novel that is both realistic and enjoyable to read. He has a complete disregard for developed of plot or characters, yet his descriptions are incredible. Kerouac?s novel On the Road defined the post World War II generation known as the 'beats.'