The Road by Comac McCarthy

Mccarthy creates a bleak post apocalyptic society through the use of imagery. He describes a world where there is no wildlife and all that’s left are the ashes. “The road was gullied eroded and barren. The bones of dead creatures sprawled in the washes. Middens of anonymous trash”(177). While the man and the boy travel the road, they rarely come across other living things. The boy even shows a lack of knowledge about animals, constantly asking his father questions about them. They always have to keep moving due to the constant threat of danger. Their nomadic lifestyle prevents them from becoming attached to anything. This gives the feeling of absolute isolation. Throughout the novel, the man often has dreams of life before. His dreams are described in vivid colors, "walking in a flowering wood where birds flew before them he and the child and the

McCarthy writes, “I want to be with you. You cant. Please. You cant. You have to carry the fire. I dont know how to. Yes you do. Is it real? The fire? Yes it is. Where is it? I dont know where it is. Yes you do. It’s inside you. It was always there. I can see it” (pg. 278-279). Here, the lack of punctuation marks are prominent features of McCarthy’s writing style. One can infer that by doing this, he emphasizes the struggle and hardship of the current world, and how the civilities of the preapocalyptic world are no longer deemed significant in the present society. The dialogue between the man and the boy comprise of no quotation marks, which make it difficult for the reader to understand who is speaking which words. On the other hand, McCarthy structures the interactions between the man and the boy in a manner that it is almost poetic-like. Furthermore, the simplistic nature of the dialogue allows for interpretation of the raw emotion that is present in the text. Fear, lack of confidence, love, and fatigue are common emotions that the man and the boy inflect through their nightmarish journey on the road. “Carrying the fire” is a phrase that is used frequently in the novel. One can assume that the phrase is referring to having optimism in the goodness of humanity. Unfortunately, many of the inhabitants of this gruesome practice repulsive lifestyles including, but not limited to, cannibalism, rape, unprovoked battery, murder, and theft.

In 1996, I was born into a chaotic world that my infant self had no indication as to what he was going to experience.As I now look back, it amazes me what has happened in just 19 years and is still hard to believe how I ended up where I am today. This is the crude and bizarre ride through I, Wyatt Bishop’s, 19 years in this extraordinary bubble we call Earth.

Cormac McCarthy’s brain child “The Road” is a postapocalyptic novel that illustrates the harsh reality of the world. This story serves as a truth that humans, when stripped of their humanity will take desperate measures in order to survive. The reader learns; however even when it seems all hope is lost good can still be found in the world. The son character of this story illuminates this philosophy. He is a foil of his father and shows how even a person never accustomed to the luxury of a normal life can still see goodness.

The love between the protagonists in the times of hardship is the most profound relationship in the book and the strength of it raises the standard of the novel. The relation of the father and the son is very strong and symbolizes protection to the child. They take the initiative to struggle and live in an apocalyptic place which has been completely destroyed. The father is like the soul of his son and the very last hope for the son to survive .The son finds support in his son when he goes through the stages of loneliness and despair. It is a natural way for people to rely on others for support and by survival instincts; it is deeper when there is such a close relationship between a father and a son. McCarthy in terms of characterization makes the buy very innocent as he does not know how to differentiate between the “good guys” and “bad guys”. He wants to help everyone and on the other hand the father is very strong and is wise. He lives each and every day as a normal day so that he can keep his son strong as well. The father is very intelligent as he responds to his son questions thoughtfully to keep his son’s hope up. The father is very optimistic even when they are facing a hard time moving forward. To quote, “The lay listening, Can you do it? When the time comes? When the time comes there will be no time. Now is the time. Curse God and die. What if it doesn’t fire? It has to fire. What if it doesn’t fire? Could you crush that beloved

“Passing,” by Nella Larsen is a novel all about pretending to be something that you are not. It is about giving everyone the impression that everything is in order when in reality everything is falling apart. Passing in this novel refers to the ability of a person to be classified as one thing, normally a social group, while belonging to a different group. Passing is usually done to gain class or acceptance by groups other than one’s own. The primary focus of the novel is on racial passing which is the ability to look white and belong to a white group when in reality the person is an African-American in order to gain privileges that were unavailable to them. Although racial passing is the main focus, another major theme in this novel is sexual passing and identity.

In each novel of his personal literary journey, Cormac McCarthy examines death and God in different ways. Edwin T. Arnold, who wrote his essay “Blood and Grace: The Fiction of Cormac McCarthy” before The Road, examines how “McCarthy’s protagonists are most often those who, in their travels, are bereft of the voice of God and yet yearn to hear him speak” (14). In Cormac McCarthy’s The Road, the father explicitly describes his son as god; however, by juxtaposing the father and the son and examining their divine resemblances, it is not the boy but the man who embodies God, supporting Ely’s claim that this post-apocalyptic world is too harsh for God to exist.

The short story On The Bridge by Todd Strasser is about two boys, Adam and Seth, who are hanging out after school on a bridge that overlooks the highway. Seth was the character that demonstrated maturity towards the end of the story. He showed some examples of this when Adam got them into some trouble. For example, when Adam flicked his cigarette onto the windshield of a car below the bridge, the drivers came up behind them. “But suddenly he [Seth] noticed that all three guys were staring at him. He quickly looked at Adam and saw why. Adam was pointing at him.” It was this point where Seth started to question his friendship with Adam, because they had gotten into trouble because of Adam, and then he blamed it on Seth. After the men left, Seth

Sheri Fink once said “The moral values, ethical codes and laws that guide our choices in normal times are, if anything, even more important to help us navigate the confusing and disorienting time of a disaster.” Living in a post apocalyptic time can be unbearable if one is stripped of the most basic necessities. Such an event can greatly affect the behaviour of a person, as well as the ability to distinguish right from wrong. But like the boy and his father in the novel The Road by Cormac McCarthy they stuck to their morals to overcome the hardships they face. The novels recurring themes such as companionship, survival, and good versus evil, prove that a persons moral standards could change in a time of need.

An important flaw the son has is that he does not remember the world as a peaceful place the son only remembers the world destroyed. This type of naivetes gives the boy a minimal outlook on the past and see the difference of the present. The father knows the difference which gives the father the realization before The Road begins. The son in portions of The Road is starving, this desolate place called the world does not give any chance of hope or second ones. The importance of this geographical state in the book makes the father and son rely on one another because they know the very importance of staying alive, and the only way they can do that is to fight for one another. The Road opens with a setting of desolation, “When he woke in the woods in the dark and the cold of the night he’d reach out to touch the child sleeping beside him”, which creates a concern within the readers that are realizing the magnitude of this horrible place. (McCarthy 3) The son in the first page of the book is mentioned

Cormac McCarthy’s The Road portrays a gripping tale of survival of a father and son across a post-apocalyptic world that is devoured by marauders and cannibals who have abandoned all of their beliefs, morals and values and do anything to survive. In contrast, the two protagonists are portrayed as the ‘good guys’ who carry the ‘fire’, and try to survive in the obliterated world. They are challenged to maintain their own beliefs, morals and values as they enter their quest. As a young adolescent who has witnessed the harsh environments of a war torn country such as Afghanistan, and has prior experiences of being a refugee. The novel effectively

Violence is defined as a behavior involving physical or mental force intending to hurt, damage, or kill someone. In the words of Zak Ibrahim, peace is defined as the proliferation or the increase in the existence of Justice. But where does love fit in to these conversations? Violence cannot necessarily transform into love, but the presence of it is surely important. Violence involving our most loved ones, helps us find love and compassion in the toughest of situations, and leads us toward paths of peace. In this essay, examples will be drawn from Zak Ibrahim 's keynote presentation, The Road by Cormac McCarthy, Beautiful Boy; a film directed by Shawn Ku, and Harrison Bergeron by Kurt Vonnegut.

The encounters and interactions the man and boy had while on the road help develop McCarthy’s larger theme of humanity losing its selflessness when it’s in danger. For example, while the man and the boy are traveling to the coast they come across a burnt man, half-dead lying in the road. After some observation, the boy asks the man if they could “help him” but is continuously shot down by his father who repeatedly tells him to “stop it” (McCarthy 50). The Road’s setting is one of the strongest over the weak, those who can’t survive for themselves they simply won’t. This burnt man, who was struck by lightning, is an example of that as he is now in no condition to scavenge for food and medical supplies and will probably just die where he currently sits. The boy, realizing this, wanted to do something to give the man even a small chance at survival, but the man knew he was a lost cause and should be left to die. The boy and his overwhelming desire to help the dying man is representative of old society and its pressure to help those with lesser than you, ideals that were result of religious codes and churches. But in a world where none of that matters or is present, the man is what humanity has become, selfish being whom only care about

In On The Run, Alice Goffman focuses on a particular group of young Black men living in a poor neighborhood, struggling to live a “good” and “fair” life. These boys from 6th street are segregated from resources that would be found in more economically advanced neighborhoods. A “resource” that they do run into more than often is over policing in their neighborhood. As they are disproportionately targeted for arrest to fill quotas, this constant behavior and events deemed as a norm (even little children play a game about cops catching and being overly aggressive to Black boys), hinders their process at advancing within American society. Systematic oppression against a minority group slows and puts racial tension progress at a standstill, as they are continued victims of larger forces. What truly works against them once locked up and released, is that they were not given a chance based on race, now it becomes based on race plus their criminal history. People in such situations are left with one option, in order for them to survive and provide for their families, they must do it through illegal activity. Locking people up and returning then into the same environment which had limited resources does nothing to solve larger powers at play. Laws and documents may exist that describe an “equal” and “fair” society, but without action, words seem to hold less value. The Declaration of Independence, and the Universal Declaration of Human Rights, are both documents meant to symbolize

“The Road” depicts a solemn and deteriorating environment that can no longer provide the fundamentals to a society due to the nuclear disaster. The sudden depletion of the resources within their environment made it difficult for the father and the son to find sustenance. They were constantly traveling towards the South looking for safe places to situate themselves because the father knew that they would not be able to survive the nuclear winter. The genre of the novel is post-apocalyptic science fiction because it revolves around a dismantling society. Cormac McCarthy’s “The Road” depicts how environmental destruction finally gave sense for people to value the world and what it had to offer.