The Roaring Girl ' Characterization Is Absolutely Alone Associated With One Absolute Figure

History generally regards the period of Salem witchcraft trials as a radical instatement of religious zeal which favored superstition over reason and targeted a large number of women over a much smaller number of men. Admittedly, the 1692 witchcraft crisis is a very complex historical episode, yet seeing as the majority of the people involved were women, it can be perceived as a gender issue, and illustrative for the definition of the role of women in New England. The present work's aim is to outline the colonial mindset concerning women and present relevant theories by means of analyzing three cases of witchcraft accusation together with delving into the accusers' perspective.

Many of Giovanni’s witnesses that were summoned were from noble families indicating elite ties. But most of those called to testify for his side were Lusanna’s neighbors and erstwhile friends form the same artisan community to which her father and her first husband had belonged (Brucker, 26). Their evidence was seen as particularly informative concerning Lusanna’s character and her motives, though the reliability of their testimonies was not taken for granted and revealed their personal bias against her. The uncertainty of lies being told, bribes being given, or stories being altered due to emotional attachment was always be taken into account. The people who testified for Lusana were people of low status and reputation, whose evidence was discredited because they were bound to her by ties of blood and friendship (Brucker, 27). Other testimonies, both from Giovanni and Lusanna, were discredited for other reasons that did not make them reliable sources. Not only did social credibility play a role in this case but gender as

While on the way to venerate Saint Thomas Becket’s remains, the entertainment of Chaucer’s Canterbury pilgrims falls upon the requiting of stories between the different estates. However, this requiting quickly turns malicious, the Host’s simple proposition evolving into an aggressive show of social dominance that includes the boasting of both literal and metaphorical rape. The normalization (or, borderline reverence) of aggressive manliness contributes to the creation of both rape culture and compulsory heterosexuality. Consequently, when a man does not dominate a woman—or, does not use his masculinity to humiliate another man—he is seen as weak or effeminate, subsequently placing his sexuality under scrutiny. Such is the motive behind John and Aleyn’s rape of the miller’s wife and daughter—to make Symkin seem weak, and to gain a reputation of superior masculinity. Thus,

Middleton and Dekker collaborate to write The Roaring Girl, which concentrates on a real-life London woman named Moll Cutpurse. Moll was reputed to be a prostitute, bawd, and thief, but the playwrights present her as a lady of great spirit and virtue whose reputation is misrepresented by a small, convention-bound civilization. In the play, as in reality, Moll dresses in men’s attire, smokes a pipe and bears a sword representing a colorful and in the underworld life of Moll Cutpurse. She stood London on its head with her cross-dressing and gender-bending behavior, and illegal pursuits. Her defiance of women in this play is exceptional. Also, she is perhaps one of the only players to be scrupulously true to herself; some of the other characters display very hypocritical aspects. Such unorthodox and unconventional role, Middleton and Dekker implies, leads to her spotted standing. She is a roaring girl; An audacious and bold woman-about-town. But beneath this absence of femininity, is a courageous, high-principled woman. Moll interposes in the central plots and is associated in skirmishes with many of the characters, consistently showcasing her ability to stand up for the downtrodden and wronged. Therefore, Moll creates a 'third space ' that identifies her as importantly freed in her navigation of space and social relations.

In Jamaica Kincaid’s short story “Girl,” the narration of a mother lecturing her daughter with sharp, commanding diction and unusual syntax, both affect the evolution of a scornful tone, that her daughter’s behavior will eventually lead her to a life of promiscuity that will affect the way people perceive her and respect her within her social circle. As well as the fact that it emphasizes expectations for young women to conform to a certain feminine ideal of domesticity as a social norm during this time and the danger of female sexuality.

“Girl” is a short story in which the author, Jamaica Kincaid, unofficially presents the stereotypes of girls in the mid 1900s. Kincaid includes two major characters in the story “Girl”, they are the mother and the girl. Although the daughter only asks two questions in this story, she is the major character. The mother feels like her daughter is going in the wrong direction and not making the best decisions in her life. The whole story is basically the mother telling her daughter what affects her decisions will have in the future. The mother believes that because her daughter isn’t sitting, talking, cleaning, walking or singing correctly it will lead her to a path of destruction. “Girl” is a reflection of female sexuality, the power of family, and how family can help overcome future dangers.

All through Canterbury Tales, women are dealt with as objects in everyday life. In the “Miller’s Tale,” an old man marries a younger, attractive women for her looks. In the “Wife of Bath’s Tale,” a virgin woman has her virginity and innocence taken from her by what is suppose to be a noble and honorable knight and when his punishment is later to marry an older, less attractive women, all respect for his newly wife vanishes. A woman’s level of recognition in Canterbury Tales are through her class in society, whether she is young and beautiful, or old and disgusting, and her degree of experience in life. Women are not desired for their intelligence, wisdom and capabilities which might of kept a relationship deceitful-free. The “Wife of

When first analysing the situation that Mary Reibey had gotten herself into, you would initially think about the unfortunate position for such a young girl. Mary’s criminal life and sentencing was caused by an act of horse stealing. Her act of crime was taken action on and two years after her initial sentencing she arrived in Sydney. One of the main factors influencing the negative impact of the convict experience on Mary’s life is the long and strenuous voyage she had to face. Her trip to Sydney aboard the Royal Admiral was one full of harsh treatment, terrible food, filthy and unhygienic conditions and loneliness. In a letter that Mary wrote to her aunt Alice Hope, she spoke about

During Elizabeth I’s reign, she was forced to face many stereotypes in England. In document 1, Knox expressed that women had no place to hold a high position of any form. This belief was prominent throughout the entirety of the 16th century. Many people doubted Elizabeth, justifying these criticisms through their

Reis, Elizabeth. Damned Women: Sinners and Witches in Puritan New England. Ithaca and London: Cornell University Press, 1997.

Kincaid, Jamaica.“Girl”. In The Compact Bedford Introduction to Literature. Ed. Michael Meyer. 8th ed. Boston: Bedford/St. Martin’s, 2009. 541-542. Print.

“I come back to the question of women’s honor. Truthfulness has not been considered important for women, as long as we have remained physically faithful to a man, or chaste.” 415.

To expand on what was said about women and negative connotations that are placed upon them as the Wife of Bath points out was a matter that was seen even in writings of the time as her fifth husband read to her very often the wrong doings of "wicked wives" and how all women are a disturbance and only seek money and all the finer things from their men. The absolute goal was to make women look like nuisances. At this point there was much literal works to in her Prologue to prove the cynical mind

Misogyny is not only visible in the Miller’s tale, but also in the Wife of Bath’s tale through the very superficial standards set for women by men. The old woman asks that the knight marries her in return for giving him the answer to the riddle and he reacts in disgust and horror, “‘...to take me as your wife…‘Alas and woe is me!...I am ugly and poor…my damnation! Alas, that any of my birth should ever be so foully disgraced!” (Chaucer, “The Wife of Bath’s Tale,” 199-213). The knight is visibly distraught, using words such as “damnation” and “disgraced” when the old woman expresses her wish to marry him. He displays these emotions not because she wants to get married, but because she is ugly and poor. He is worried because an ugly wife will mar his reputation and is a poor reflection of him. This translates to the misogynistic society during the time period where women were seen as property to be shown off, rather than people who deserved respect. The recurring theme of misogyny in these two tales shows that Chaucer does not feel sympathy for the opposite gender, but instead belittles their plight.

Women and Nature, “The roaring inside her”, by Susan Griffin, is a nonfiction feminist literature. Susan Griffin, describes her work by linking together the destruction of nature, the subside of women and racism, and the power of men towards women and nature.