The Role Guilt Plays in Franz Kafka's The Trial Essay

After reading “the Innocent Man” by Pamela Colloff’s who write a long journalism about Michael Morton, who was found guilty for murdering his wife Christine was sentenced for fifteen years in prison. Later founding that Michael was Innocent after reinvestigating his case, capturing DNA testing and finding new evidence was able to help prove his innocence. The theme of this essay a widow husband who seek to fight for his freedom in prison and staying connected with his son. Michal son Eric gave him a reason to have hope that they would one day reunite and his son would know for himself that he did murder his wife. The point of view of this essay although a man is falsely accuse for a crime he did not commit he is self-determined to fight.

Macbeth, a tragedy written by William Shakespeare and edited by Maynard Mack and Robert Boynton, displays the many ways in which guilt manifests itself and the effects it has on its victims. Throughout the play, characters including Lady Macbeth are deeply affected by guilt in ways they had never expected. Macbeth takes its audience on a journey through the process in which guilty gradually eats away at Lady Macbeth and forces her to do what she thinks is best. Though Lady Macbeth may have initially seemed unaffected by the murders she had been involved in, her desires eventually faded and were replaced with an invincible feeling of guilt which eventually took her life.

The Catcher in the Rye is one of J. D. Salinger's world-famous books about the disgruntled youth. Holden Caulfield is the main character and he is a seventeen- year-old dropout who has just been kicked out of his fourth school. Navigating his way through the challenges of growing up, Holden separates the “phony” aspects of society, and the “phonies” themselves. Some of these “phony” people in his life are the headmaster whose friendliness depends on the wealth of the parents, and his roommate who scores with girls using sickly-sweet affection. This book deals with the complex issues of identity, belonging, connection, and alienation. Holden senses these feelings most of the time and is guilty about many things in

William Shakespeare’s Macbeth is a tragedy in which the plot evolves in great accordance to the guilt that the individual characters feel. The guilt starts with the planning and execution of the murder of King Duncan. To this event Lady Macbeth and Macbeth react in different ways. They both become guilty in some way or another but the guilt they feel is comprised of different reasons. It is due to their differences in character that they react in the ways they do. While it might not seem like both of them become guilty after this event, when explored their actions show clearly the guilt they feel.

The author, Nathaniel Hawthorne, is the nephew of John Hathorne. During the Salem Witch Trials, the only judge that did not apologize for the remorseless and cruel acts that were put upon many men and women was in fact John Hathorne. Nathaniel changed his last name from Hathorne to Hawthorne in an attempt to disassociate himself from his uncle. John Hathorne is the reason why Nathaniel Hawthorne is obsessed with the puritan times. Hawthorne lived in the 1800s, but the setting of the novel is based before the Salem Witch Trials were held in the 1600s. In his novel, The Scarlet Letter, Nathaniel Hawthorne uses the symbolism of the scarlet letter, Dimmesdale, and burrs to contribute to the overall theme of guilt.

This article by Walter H. Sokel claims that the metamorphosis Gregor goes through gives him the chance to be rebellious. Sokel highlights that after Gregor is changed into a cockroach he also changes mentally, which affects his actions.

The presence of guilt has been felt by all human beings. As guilt grows in a

A very common theme in classical literature is guilt, and the ways that it manifests itself in a character. Guilt is the feeling of remorse or responsibility for a crime or moral offence, whether it is real or hypothetical. Every person on Earth will have a run in with guilt, and it impacts each person in a different manner. The different impacts of guilt are strikingly visible when comparing Nathaniel Hawthorne’s The Scarlet Letter and William Shakespeare’s Macbeth. In The Scarlet Letter, we see Arthur Dimmesdale’s struggle with internalized guilt, while the titular character and his lady in Macbeth continually feel guilt due to their actions that affect many people around them, but the couple does not strive to change their ways. The

At a point in someone’s lifetime guilt will push them over the edge and drive them crazy. It could just be a mild deed like lying to you parents about sneaking out at night or an extreme deed like robbing or even murdering a person. In the play Macbeth, written by William Shakespeare, the main character Macbeth is driven to insanity because of all the guilt that he holds. Macbeth is not the only character in the play who goes insane because of guilt that they carry. In fact there are so many characters who have guilt that it is a main theme in the play. Shakespeare uses many different strategies to portray this theme like imagery, symbolism, motifs, and irony. Although some may argue that symbolism is the most prominent strategy

There are many ways to decide what makes a man guilty. In an ethical sense, there is more to guilt than just committing the crime. In Charles Brockden Browns’ Wieland, the reader is presented with a moral dilemma: is Theodore Wieland guilty of murdering his wife and children, even though he claims that the command came from God, or is Carwin guilty because of his history of using persuasive voices, even though his role in the Wieland family’s murder is questionable? To answer these questions, one must consider what determines guilt, such as responsibility, motives, consequences, and the act itself. No matter which view is taken on what determines a man’s guilt, it can be concluded that

To judge is to irreparably arbitrate; the judged seldom find recourse if an error lies in the judge’s logic. In criminal proceedings, the courts judge alleged criminals and deliver verdicts. A frequently encountered issue is determining guilt. Critics of the de facto court system cite moral culpability as an ideal that the courts fail to attain. Priding its moral superiority, the United States surprisingly lacks some of the basic rights to justice afforded to others elsewhere. America purports to have a duty to serve justice, yet the justice system provides little leeway to those whose crimes are not their fault. This notion of unfulfilled justice appears in In Cold Blood by Truman Capote. When Dick and Perry commit murder, the circumstances are such that Perry cannot be entirely accountable for the actions he took. Perry bears no responsibility for the crimes he committed; storied psychological illnesses and pitfalls compromised his sense of right and wrong, rendering him incapable of intervening in his planned crime with Dick.

The Scarlet Letter by Nathaniel Hawthorne paints a picture of two equally guilty sinners, Hester Prynne and Reverend Dimmesdale, and shows how both characters deal with their different forms of punishment and feelings of remorse for what they have done. Hester Prynne and Reverend Dimmesdale are both guilty of adultery, but have altered ways of performing penance for their actions. While Hester must pay for her sins under the watchful eye of the world around her, Reverend Dimmesdale must endure the heavy weight of his guilt in secret. It may seem easier for Reverend Dimmesdale to live his daily life since he is not surrounded by people who shun

In The Trial by Franz Kafka, the protagonist K. is going through what is often thought of as one of the most dehumanizing aspects of society. Even in the United States many criticize the justice system for being dehumanizing. People are forced to wear the same thing, act the same way, and are given numbers instead of names. In The Trial Kafka emphasizes the dehumanizing aspects of this process by exacerbating the bureaucratic steps that must be accomplished and adds more uncertainty and secrecy to the steps. Kafka’s writing shows the lack of information that K. is given, and the symbolic dehumanization that occurs during the whipping and with K. lacking a last name.

Geoffrey Chaucer's "The Pardoner's Tale," a relatively straightforward satirical and anti-capitalist view of the church, contrasts motifs of sin with the salvational properties of religion to draw out the complex self-loathing of the emasculated Pardoner. In particular, Chaucer concentrates on the Pardoner's references to the evils of alcohol, gambling, blasphemy, and money, which aim not only to condemn his listeners and unbuckle their purses, but to elicit their wrath and expose his eunuchism.

as he attempts to maneuver the bureaucratic system.  In vain, much as many people try to find meaning and justice out of court, Josef K.'s efforts to discover why he is accused and must suffer are in vain.  Yet, his character and his sins are conventional, and he has no bold or threatening ambitions.  All he can do is ask questions, but he receives no answers that would clarify the bureaucratic system into which he has been thrust.  Just like existential awareness undermines the entire rational structure of Divine justice, so, too, the alternative hypotheses, the multiple explanations, the different interpretations, and the uncertainty Josef K. experiences, serve to undermine the whole rational structure of the justice system.  Josef K. comes to understand the socially constructed, arbitrary, and absurd nature of the justice system, and, justice itself "The truth allegedly resides above the realms of justice and injustice."iii This literary analysis will focus on how Josef K.'s experiences in The Trial demonstrate not only the corrupt justice system of the era but also the absurd and futile attempt to seek an arbitrary concept like justice in an existential realm.