The Role Of Buddhism And Its Arts

Our lives are closely connected with an art. People easily regard an artwork as something that is far from our lives, but it is always around us. Now, I would like to introduce one of Buddhist artworks of Korea. The title is Pensive Bodhisattva. The artist is unknown. However, it was made in mid-7th century during the Three Kingdom Period. The dimension of this artwork is 8 7/8-inch and the medium is gilt bronze. It is located in Gallery 233 among other Korean artworks at the Metropolitan Museum of Art now.

The Buddhist instructor informed us that Buddha was just a title given to those that reached enlightenment. He also clarified that the statue in the center was of Chenrezig Buddha. Chenrezig Buddha is known as the Buddha of compassion. Under that statue was the Vajrapani statue, which is the protector of Buddha. This statue looks very fierce in nature in order to show the strength and power of Buddha. To the right was the picture of the founder of Diamond Way Buddhism centers, Lama Ole Nydahl, and the founder’s wife who had passed away. The instructor explained to us that Nydahl was a very inspirational and motivational Buddhist who was currently on tour all over the world for Buddhist teaching purposes (Anonymous).

Buddhism has been around for over two thousand years, and continues to do so in many countries around the world. This religion originates in Asia and has a very unique adversity, much of its structure arose from the end of World War II, predominantly Asian nations needed to restructure society (RoAT 167). The word ‘Buddha’ means one who has awakened and will no longer be reborn. Thereafter, one who will enter nirvana, the state of being free from suffering.

On either side of the entrance door of Chinese section in Penn Museum are two particularly charming life-sized Bodhisattva statues in gray limestone, C111 and C112, which are considered as a pair and most likely to be made by the same artist. They belong to the T’ang dynasty, that period in which Buddhist sculpture reaches its height of perfection.

The Kannon Bosatsu, or Avalokitesvara Bodhisattva, is a carved wood statue of a Bodhisattva figure standing about two and one half to three meters tall. This statue shows a high level of detail on the Bodhisattva 's body, and is carved so smoothly that it could be mistaken for a stone carving. The show of skilled craftsmanship can be seen around the shoulders with the interaction of the cloth with the jewelry the Bodhisattva. The statue is placed on an ornate pedestal to cause the figurine to appear taller, giving it a feeling of authority, which contrasts with its calm, expressionless face. While the figure appears to be standing in a meditative state like the Buddha, the jewelry present all over the body of this figure distinguishes this figure as a Bodhisattva instead of a Buddha. In his book, The Story of Buddhism a Concise guide to Its History and Teachings, Donald S. Lopez Jr. establishes the importance of imagery in Buddhism. One major point he makes concerning the worship of Buddhist figures, is that the disciples of Buddhism not only believe that the figures are a mere representation of Buddha, but that the figures actually become and are animated by Buddha, an argument which seems to hold merit as truth.

“Amida Buddha” (Figure 1) is a bronze figure created during the Kamakura Period, dated 1185-1333. The work is a figurative representation of Amida, who was highly worshipped during the Kamakura Period. The figure “Amida Buddha” is currently on exhibition at the Kimbell Art Museum (2018) in Fort Worth, Texas as part of the Sam and Myrna Myers Collection, Lands of Asia Exhibition.

Buddhism is the fourth largest religion on earth and is composed of three major traditions today; Theravada, Mahayana and Tibetan Buddhism (“Lecture 5”). The founder of Buddhism, known as Buddha, was a royal prince named Siddhartha Guatama from Northern India. Siddhartha’s father kept him closely confined inside of a large palace, with the intention of preventing him from taking up a religious life, so that he too would one day become a great king. However, one day while Siddhartha was outside of the palace, he observed four sights that would change his destiny forever. The purpose of this paper is to discuss the four sights experienced by Siddhartha Guatama, their significance and examine why they led him to seek religious

“Hellenistic and Roman art may have even influenced the portrayal of the Buddha” (Clark, n.pgs). Initially the Buddha was only represented symbolically, not with a human image. A new Greek influenced anthropomorphic image of the Buddha may have been designed to reflect the human aspects of his life and

Descent of Amida and the Twenty-Five Bodhisattvas is a hanging scroll from the Kamakura period in 13th century demonstrating Amida Buddha and 25 bodhisattvas swiftly descending over the mountains into a village. The artist used real gold paint and small slivers of gold to create patterns to add radiance to the people descending from the mountain. That usage of gold in art work is known as Kirikane and it is one of the great achievements of early Japanese Buddhist. The gold really stands out from the rest of the landscape because it is all dark colors. The symbolic meaning of this hanging scroll is that Amida would come down from the heavens to the home of a dying person in hopes of having their soul escorted into paradise. I like this painting

Sayre the author says, “The Buddha is the most extensive collection of large-scale sculptures in the world and can be found an hour north of New York City in the lower Hudson Valley at Storm King Art Center (“A World of Art”). Zhang seems to like the traditional aspects of chinses culture, because he re-used an ash material form other artists, to create his own sculpture. The techniques he used to create the sculpture is casting, assemblage, and construction. Without using these three additive techniques of sculpting, the artwork wouldn’t have been fragile, and not overwhelming in size. The subject of the “three Legged-Buddha” is another conflict with the governmental rules and regulations, and it has drawn a lot of attention due to its strong message that it conveys. When I initially examined the art piece for the first time, it looked like a huge dismantled, three legged human figure. I thought it was a symbol for keeping your body in better shape over your mind. The most amazing part of the sculpture is how extremely large it is compared to the electrocution sculpture. After reading and interpreting the sculpture it struck me that it was made for ceremonial gathering, where incense placed and burned from inside of the sculpture, and pours out of the head. I think that the artist was trying to involve the visitors in his sculpture. Since Zhang Huan

The Buddhist monk sat cross-legged on a mountain top, inhaling and  exhaling while focusing his mind. He was trying to reach the state of enlightenment discovered by the religion's founder Siddhartha Gautama. Siddhartha's early life greatly affected and influenced the beliefs and values found in the Four Noble Truths, the Eightfold path, and the Dhammapada. Precisely his early life in the palace affected the second noble truth,  his four journeys impacted the first noble truth, and his experiences influenced the Dhammapada.

The group of objects chosen for this paper comes from the collection of the Saint Louis Art Museum. The title of both pieces is called Seated Bodhisattva Avalokitesvara (Guanyin). Both these pieces which are statues were sculpted in china. The earliest statue was made during the Tang dynasty. While, the later statue was made during the Northern Song dynasty. These statues were chosen because the same deity is depicted and were made in a similar geographic and cultural location. This allows for the comparison of the different styles between the 2 periods. The statue made during the Northern Song dynasty depicts the Bodhisattva Avalokitesvara sitting in a pose called the relaxed pose or easy pose. This statue also depicts the Bodhisattva adorned in lavish silk garments while a jeweled crown sits atop his head. The statue is carved from wood and painted with gesso, pigments, and gilding. The statue made during the Tang Dynasty depicts the Bodhisattva sitting in the easy pose as well. It also depicts the Bodhisattva in flowing robes while wearing a string of jewels.

The origins of Japanese Buddhism trace back to the Asuka period, when the Yamato court was given a bronze statue of Buddha, which was 2.5 meters tall. Soon after obtaining their gift however, small pox struck the nation and many believed the statue to be the reason why. Thus, the statue was thrown in a river only to be retrieved by the Soga clan. Buddhas facial features include small almond shaped eyes and a heightened brow. The detail in the headband and dress are amazingly applied by making the details apparent without adding too much to overcome the piece as a whole.

The sculpture Buddha Amitabha is a typical Sui Dynasty style art piece that represents the will of

Buddhism is the practice of finding peace within ones self by developing inner peace, wisdom and kindness. This practice dates back 2,500 years, and the founder is known as Buddha Shakyamuni. He was born a royal prince in a town called Lumbini; originally part of northern India but now makes part of Nepal. When Buddha was 29 years old, he retired form his royal life and left to the woods to fallow the spiritual life of meditation. He found a new way of life without materialistic needs by finding inner enlightenment. Buddha teaches how to get liberation from suffering form oneself, and how to attain enlightenment for the sake of others; his main goal was to give people permanent liberation form suffering by helping them find lasting peace or nirvana.