The Role Of Cruelty In Toni Morrison's Beloved

In Toni Morrison’s novel, Beloved is a character whose identity is primarily unknown. She retains some of her memories, although they are mostly obscure and symbolic. Even though she become increasingly obsessed with Sethe, her true objectives are only later revealed, when Sethe realizes that she is most likely the reincarnation of the daughter she killed to protect from slavery. Beloved uses Sethe’s guilt to subjugate her, she forces her mother to give, and then forfeit, everything she has to her, including her own sanity. “Beloved didn’t move; said, ‘Do it,’ and Sethe complied. She took the best of everything – first” (Morrison 277). Beloved starts wearing her mother’s clothes and mimicking her behaviors; Beloved becomes the mother, and Sethe the child. “The bigger Beloved got,

Grotesque images of rape, murder, and sexual abuse are recurring throughout Toni Morrison's novel Beloved. The ideals of the white oppressor, be it murder, rape, or sexual abuse were powerful forces that shaped the lives of many of the characters, especially the character Sethe.

Paul D, a fellow ex-member of Sweet Home, the same place Sethe was stationed in during her slavery years, is a character who was a victim of cruelty done by a society and a communtiy and was forced to act cruely himself. Schoolteacher, the man who represents slavery, hurts Paul D by making him realize that he has less worth than a rooster named Mister. This makes Paul D question how much exactly he is worth, and where he belongs as can be seen as he travels the states based on the advice of a Cherokee member. Paul D eventualy finds that place in 124, with Sethe. One of the most obvious scenes of Paul D committing a cruel deed is when he

Even after she acknowledges Beloved's identity, Sethe shows herself to be still enslaved by the past, because she quickly succumbs to Beloved's demands and allows herself to be consumed by Beloved. Only when Sethe learns to confront the past head-on, to assert herself in its presence, can she extricate herself from its oppressive power and begin

Destruction of identity, another theme of the novel, relates to the violent scenes. In the second part of Beloved, Sethe takes a stand and expresses her feeling on the violent acts being performed on her. “Nobody will ever get my milk no more except my own children. I never had to give it to nobody else—and the one time I did it was took from me—they held me down and took it. Milk that belonged to my baby” (Morrison 200). Sethe finally comes to terms with her past and vows to never let such a horrendous act happen to her again. Beloved’s reincarnation occurs because Sethe needs to face her dark past head on and free herself from living in shame. It took time, but, Sethe eventually overcomes the odds and begins to live freely and peacefully in her house.

It is shown that after the act of taking the life of Beloved and attempting the life taking of Denver, Howard, and Buglar, that Sethe truly does love her children. The way Sethe tried to go about saving her children seems unethical and horrible, but there did not seem to be all too many options for Sethe to save her children from the slave life. Howard and Buglar left Sethe and Denver to get away from Sethe, they had even warned Denver about what she had attempted to do to them. Although Howard and Buglar ran from Sethe and there was the attempted murder in the barn, Sethe still thinks of them because they are her children. Denver was tossed as an infant that day in the barn, and she clearly survives. Even after all the events and situations created from the presence of Beloved there is still a strong bond of love between Sethe and Denver. Sethe loves Denver very much, she is her one surviving child that is still with her.

Beloved is seen as the resemblance of Sethe’s dead baby. Beloved is portrayed as a teenage girl, however she is different from other black teenager, “…and younger than her clothes suggested – good lace at the throat, and a rich woman’s hat. Her skin was flawless except for three vertical scratches on her forehead so fine and thin they seemed at first like hair, baby hair before it bloomed and roped into the masses of black yarn under her hat.” (Morrison 62). Beloved unexpectedly came to 124, the house where Sethe, Denver, and Paul D lived. However, Sethe became attracted to her, “Sethe was deeply touched by her sweet name; the remembrance of glittering headstone made her feel especially kindly toward her. Denver, however, was shaking. She looked at this sleepy beauty and wanted more.” (Morrison 63) represent Sethe’s fascination towards Beloved, because she made Sethe recall her dead baby, which also has the word Beloved engraved in the gravestone. The name Beloved itself makes Sethe sentimental from

Sethe lives in the shadow of her act of infanticide throughout the entire length of the book. This is because its legacy pervades itself throughout the entire novel, showing events leading up, and ways the future has been affected. The novel begins as such: “124 was spiteful. Full of a baby’s venom. (Page 1)” This baby refers to Beloved, who became a ghostly presence in Sethe’s house and continuously terrorizes the house

Memories, however, persist. They remain, lurking in places like 124 and Sweet Home to remind Sethe that the punishment she suffers is self inflicted and self perpetuating. First as a poltergeist and later as a mysterious young woman, the memory of Beloved remains unrequited. Beloved's appetite is insatiable. She "never got enough of anything... the more she took, the more Sethe began to talk, explain.." (240-1). No effort, no amount, no explanation is adequate. Sethe gives her face to Beloved and still she demands more. Beloved eventually becomes bloated with Sethe's loving excesses, but her thirst remains unquenched. Paul D. understands the dangers inherent in this kind of love when he warns Sethe, "Your love is too thick" (164). Beloved has no distinct identity separate from Sethe. Without Sethe, Beloved is ultimately left "crouching in a dark, dark place, forgetting to smile" (252). Likewise, Sethe's own identity is nearly lost or completely surrendered in her fusion with Beloved.

Through character development, the story also portrays the theme of escaping the past. Sethe’s actions are influenced heavily by her dead child, Beloved. When the “human” form of Beloved arrives while sleeping

In Beloved, Morrison discusses the power that the past can hold over a person. Sethe murdered her daughter and was stopped before she had the chance to murder her other children. However, the murders did not occur out of malicious intent. After escaping her owner, Sethe is terrified that someone will catch her and her children and force them into slavery. She feels that the worst thing in the world is

 Toni Morrison’s powerful novel Beloved is based on the aftermath of slavery and the horrific burden of slavery’s hidden sins.  Morrison chooses to depict the characters that were brutalized in the life of slavery as strong-willed and capable of overcoming such trauma.  This is made possible through the healing of many significant characters, especially Sethe.  Sethe is relieved of her painful agony of escaping Sweet Home as well as dealing with pregnancy with the help of young Amy Denver and Baby Suggs.  Paul D’s contributions to the symbolic healing take place in the attempt to help her erase the past.  Denver plays the most significant role in Sethe’s healing in that she brings the community’s support

Sethe, Paul D., and Denver, are all in some state of conflict in the current circumstances of their lives at the beginning of the novel. Although Beloved's arrival to 124 initially brings more upset to the lives, it eventually leads to resolution for the family. Beloved embodies many of the secrets of the three's pasts. She symbolizes the history of the family not only with her physical appearance, but also with the relationships she forms with the three.

Paul D who tries to keep Sethe away from the past, and in the present. is strongly hated by Beloved. Beloved believes that Paul D, a man rarely in the Sethe’s memories before their reunion ,did not have the right to share a home with herself. So to prevent Paul D from getting closer to Sethe, Beloved makes Paul D touch her “on the inside part.” (137) and nearly guilts him into leaving. Paul D does not leave, but he definitely feels guilt around Sethe. Once Paul D does leave ,however, Sethe’s memories by the end of the novel consume her. Beloved and Sethe’s relationship has been diminishing, but reaches its climax near its conclusion. When Sethe tries to take control of her memories, she fails, as Beloved “slammed things, wiped the table clean of plates, threw salt on the floor, broke a windowpane.” (285) The longer Sethe retains memories, of Sweet Home, Baby Suggs, and her daughter, the more of a hinderance that Beloved is to her. As the novel develops, Sethe shows no sign of relieving these memories, but the longer she holds onto them, the more Beloved causes her pain. Beloved “was getting bigger”, while Sethe “grew tired’ as the “flesh between her[Denver] mother’s forefinger and thumb began to fade.” (285) Morrison portrays reminiscence very accurately. At first we enjoy smaller memories, but as we dwindle upon them, their insidious effects become more and more

The main focus of Beloved is the death of Sethe’s eldest daughter. When Sethe noticed the arrival of the four white horsemen, she made life-altering decision. The choice she made forever drove a wedge between Sethe and her children. She thought she was choosing the lesser of two evils, while her children were left to fear that their own mother would eventually kill them. The life of a slave was not something Sethe wanted her children to endure, so much so that she thought death would be an easier fate than slavery. The pain and suffering of slavery led Sethe to do the unthinkable, kill her own