The Role Of Dehumanization In Beloved, By Toni Morrison

She understands how slavery can destroy or “dirty” a person to the point where “you forgot who you were and couldn’t think it up.” This is the justification for trying to kill her children so they would never have to experience what it is like to have your identity stripped from you. Even though “she and others lived through and got over it”, her personality/identity was so damaged that she didn’t want her kids to live through slavery. However, Sethe failed to apply this to herself. She overlooked the fact that her own corruption led to her struggles with motherhood. In never learning how to properly mother a child, Sethe made the rash decision of killing them to free them from the horrors of slavery. In the passage above, Morrison uses the symbol of dirt to portray how Sethe’s own corruption affected her children and hindered their freedom. In trying to save her children from the “dirt”, Sethe dirtied her children anyway because slavery is so powerful that if it affects one, it affects all. The dirt of slavery never left Sethe and made it hard for her to discover herself and find her own freedom. Again, Morrison establishes the difference between being free and freeing oneself. Because she has been so corrupted by slavery, neither Sethe nor her children can be truly

In Toni Morrison's Beloved, the Black literature author touches upon tough subjects such as slavery, the affects of slavery, and the cruelty that is brought by it. For a person to be cruel, they commit inhumane crimes against a victim or victims that ultimately dehumanizes them. This concept displays itself several times throughout the novel, depicted through the characters that represent not only the "sixty million and more," but also the broken system of a slavery-ruled society, effectively showing the affects of such heinous crimes. In Beloved, the community commits cruel acts to characters such as Paul D, Denver, and Sethe, prompting them to act cruely themselves.

Yet another example of Sethe’s dependence on her own strength is the account of Sethe’s own escape from “the grips of slavery in order to protect her children from what Morrison describes as School teacher’s brutal empire”.(196) Sethe is married by fourteen and is a mother by fifteen; but she is older and pregnant with her last child before she has to become superior protector of her children. Twenty-eight days after being a free woman, Sethe is forced to make the ultimate sacrifice as a mother. Although she is jailed as a murderer, her attempt to kill her four children is done so that her children would never know the life of a slave, so they would never be acquainted with “what Baby Suggs died of, what Ella knew, what Stamp saw and what

In her novel Beloved, Toni Morrison spins an intricate web between names and numbers for the reader to unravel. The deep connection that lies between names and numbers is a direct correspondence to the identity and worth of black people during slavery. Beloved begins with the identity of the house which is characterized by a number. The house is given a temperament as if it is a living, breathing entity and yet it still referred to as a number. The significance of this is symbolic to the plight of the black slaves. Regarded as little above the common animal, slaves were defined by their selling price, essentially they were reduced to a number. Viewed as nonbeings they nevertheless feel and suffer their place in the south. The character Beloved is similar in this regard as well. All that defines her is an age and a name that remains unfluctuating through time. In an insufferable and cruel world, names and numbers play a critical role in understanding the identity of black existence in the South. To uncover the implications and nuances that names and numbers play will be instrumental to delving into the lives of black slaves. Beloved contains a vast amount of names and numbers and the connections between them deepen the novel and provide mammoth insight into understanding and interpreting Morrison’s work and purpose for juxtaposing such elaborate bonds between names and numbers.

While Morrison depicts myriad abuses of slavery like brutal beatings and lynching, the depictions of and allusions to rape are of primary importance; each in some way helps explain the infanticide that marks the beginnings of Sethe’s story as a free woman. Sethe kills her child so that no white man will ever “dirty” her, so that no young man with “mossy teeth” will ever hold the child down and suck her breast (Pamela E. Barnett 193)

Beloved is consumed by her cruel acts, and simply drains more and more of Sethe’s health. In the beginning of the novel, Beloved appears to be a pretty, young, and lost girl that wanders into Sethe’s house. However, as time passes, she began to display signs that she is Sethe’s past daughter, the daughter that was killed. As Beloved is induced more and more into the family, she begins to feel

The atrocities of slavery know no bounds. Its devices leave lives ruined families pulled apart and countless people dead. Yet many looked away or accepted it as a necessary part of society, even claiming it was beneficial to all. The only way this logic works is if the slaves are seen as less than human, people who cannot be trusted to take care of themselves. In Toni Morrison’s Beloved the consequences of a lifetime of slavery are examined. Paul D and seethe, two former slaves have experienced the worst slavery has to offer. Under their original master, Mr. Garner the slaves were treated like humans. They were encouraged to think for themselves and make their own decisions. However, upon the death of Mr. Garner all of that changes. Under

(1) Toni Morrison’s Beloved takes place after the Civil War during the Reconstruction era, when the violent oppression of the black race continued, with flashbacks to the horrific trauma of the early 19th century slavery period. In Margaret Atwood’s review of Beloved in

So often, the old adage, "History always repeats itself," rings true due to a failure to truly confront the past, especially when the memory of a period of time sparks profoundly negative emotions ranging from anguish to anger. However, danger lies in failing to recognize history or in the inability to reconcile the mistakes of the past. In her novel, Beloved, Toni Morrison explores the relationship between the past, present and future. Because the horrors of slavery cause so much pain for slaves who endured physical abuse as well as psychological and emotional hardships, former slaves may try to block out the pain, failing to reconcile with their past. However, when Sethe, one of the novel's central characters fails to confront

Beloved is seen as the resemblance of Sethe’s dead baby. Beloved is portrayed as a teenage girl, however she is different from other black teenager, “…and younger than her clothes suggested – good lace at the throat, and a rich woman’s hat. Her skin was flawless except for three vertical scratches on her forehead so fine and thin they seemed at first like hair, baby hair before it bloomed and roped into the masses of black yarn under her hat.” (Morrison 62). Beloved unexpectedly came to 124, the house where Sethe, Denver, and Paul D lived. However, Sethe became attracted to her, “Sethe was deeply touched by her sweet name; the remembrance of glittering headstone made her feel especially kindly toward her. Denver, however, was shaking. She looked at this sleepy beauty and wanted more.” (Morrison 63) represent Sethe’s fascination towards Beloved, because she made Sethe recall her dead baby, which also has the word Beloved engraved in the gravestone. The name Beloved itself makes Sethe sentimental from

Sethe lives in the shadow of her act of infanticide throughout the entire length of the book. This is because its legacy pervades itself throughout the entire novel, showing events leading up, and ways the future has been affected. The novel begins as such: “124 was spiteful. Full of a baby’s venom. (Page 1)” This baby refers to Beloved, who became a ghostly presence in Sethe’s house and continuously terrorizes the house

Toni Morrison’s Pulitzer Prize winning book Beloved, is a historical novel that serves as a memorial for those who died during the perils of slavery. The novel serves as a voice that speaks for the silenced reality of slavery for both men and women. Morrison in this novel gives a voice to those who were denied one, in particular African American women. It is a novel that rediscovers the African American experience. The novel undermines the conventional idea of a story’s time scheme. Instead, Morrison combines the past and the present together. The book is set up as a circling of memories of the past, which continuously reoccur in the book. The past is embedded in the present, and the present has no

Morrison and Twain each present freed slave mothers as self-sacrificing. Each woman 's traumatic experiences as slaves create a deep fear of her children 's enslavement. In Morrison 's Beloved, Sethe is so distressed by her past; she murders her child to save her from slavery. Morrison uses Sethe 's drastic sacrifice to comment on slavery 's psychological effects. Meanwhile, Twain 's Pudd 'n Head Wilson portrays Roxy as a sacrificial mother to create sympathy for black people. From a cultural perspective, Roxy counters all of the propaganda about black people in the nineteenth century. Roxy plans to kill her son and herself, but figures out a different way to save her son from slavery. Both characters are selfless mothers, but the authors use this sacrificial behavior to prove different points about slavery. Morrison uses her characters selflessness to show the distress slavery can cause, while Twain capitalizes on the sympathy it creates to humanize black people in the public 's view.

The formulation of identity is not only comprised of a person’s personality or innate ways it encompasses a variety of aspects drawn from their surroundings, influenced and shaped by cultural standards. The presence of whiteness in society then becomes that influence, disabling one’s ability to ever truly form their own cultural identity. Day asserts that“Morrison’s first novel, The Bluest Eye ,exposes the results of white presence in society on African Americans and how this presence imposes difficulty on the individual to form an identity” (Day 1). In this quotation Day expresses that the development of one’s personal identity is reflective of that individual’s environment and or cultural community. The article is structured around the major themes present in Morrison’s Beloved and The Bluest Eye. The inability of an individual’s formation of a personal identity is a result of cultural trauma, that is produced by the presence and imposition of whiteness in a cultural society.“The inability of male and female characters to form a sense of identity in her novels Beloved and The Bluest Eye is tied to a cultural trauma they experience which makes it impossible to shape a sense of self” (Day 1). This quotation shows the interconnectedness of an individual’s external environment influencing their internal one. The cultural trauma expressed not only comes by way of the institution of slavery, but the internalization of the physical manifestation of racism as white presence.The purpose of this journal is to explain the correlation between identity and white presence as it relates to Toni Morrison’s Beloved and The Bluest Eye. In which

Before the arrival of Beloved, the story concentrates on the magnitude of love (Mckinsey and Potts 45). In Beloved, Paul D states that Sethe has “too thick love” (Morrison 17). There is a sign that is magnified at the end of the story. Even though Sethe has escaped from slavery, and lives life as a free woman with her daughter, and in the company of Paul D, there is a sense that the past remains an obstacle in their lives (Sheldon 76). Morrison states that the spirit of the dead baby is haunting the house of 124 (Morrison 74). Part of the story contains the phrase, “124 is spiteful and full of a baby’s venom” (Morrison 89). It is clear that the effects of the characters are not a positive outcome. Sethe shuts her past away, and it would have