The human mind is a fickle thing. Where once we may dismiss an idea or concept as unfeasible or insane, when faced with drastic circumstances we grasp at anything to console ourselves. Be it far from the truth, the human mind will create delusions that are contingent upon their stresses and quiet rational thought. In the case of "Othello," by Shakespeare, Iago use the faults of human reasoning to great effect, preying on those ill of mind. Despite the fact that he is considered Othello's trustworthy servant, this conniving man uses his stature to secure his revenge, shaping every mishap and whim to his own dastardly schemes. Iago thoroughly muddles Othello's mind, using his jealousy and persecution as the Moor against him; he becomes the puppet
As much as humans want to believe and trust others, hesitation occurs due (to) a certain act called deception. All humans have the ability to be deceptive, although some more than others, there are too many who become a victim as a consequence of metaphorical blindness. In the play Othello by William Shakespeare, blindness to the truth results from the antagonist’s acts of deception derived from desire and jealousy which ultimately leads to the death of several innocents. Iago uses his desire for the lieutenant designation to create his acts of revenge which consequences in a very severe manner in Venice and Cyprus. As a machiavellian villain, he
Othello trusts Iago and now Iago is trying to take his wife from him for someone else. Furthermore, “He takes her by the palm...sir in.” (pg. 71). Iago watches Cassio and Emilia because he thinks they had an affair he watches them carefully so he can figure out how to convince Othello that Desdemona and Cassio are having an affair. Another example involves the plan to help Othello kill Desdemona. “Do it not with poison. Strangle her in her bed, even the bed she hath contaminated” (pg. 185). Othello believes that Iago is most honest, thus he believed killing his wife Desdemona was the right thing to do. Iago brainwashed Othello into believing the wrong thing was the right thing. The characterization of Iago is created by the use of dramatic irony. The audience knew how devious Iago is, but the characters fell for his mischievous acts.
Firstly, Iago showed how he was the perfect villain with his ability to manipulate characters throughout the play. By manipulating other characters Iago can forward his plan of ruining Othello without other characters becoming suspicious. One character that Iago often manipulates is his friend Roderigo, this one character is the one that mainly does all the hard work of Iago. This quote: “Desdemona should continue her love to the Moor-put/money in thy purse-nor he his to her. It was a violent commencement in her, and thou shalt see an/answerable sequestration-put but money in thy purse. (1.3 334-338) convinced Roderigo to not kill himself and to continue to believe in Iago’s plan of making Desdemona to stop loving the Moor. Roderigo is in love and this is one reason why he is unable to realize that he is manipulated by Iago. Also, Iago manipulates Cassio to go talk to Desdemona, but Cassio is totally oblivious that he plans to use this to the Moor with jealousy. The quote: “I’ll send her to you presently; /and I’ll devise a means to draw the Moor/out of the way, that your converse and business/May be more free. (3.3 37-40) convinced Cassio to talk to Desdemona, which consequently shaped Othello to be even more jealous than before.
Inside each of us, there is a seed of good and evil since it is a constant struggle for us to
William Shakespeare’s Othello is a tragedy, depicting a story of a black man in a world of white men. Filled with lies, drama, and romance, Shakespeare preaches the deathly effects of rumors and deception. Othello, the tragic hero, is the victim of jealousy and anger, especially gullibility; his tragic flaw is gullibility, and his downfall is created by the evil character Iago. Through the use of pathos and logos, Iago uses manipulative diction and factual diction to emphasize Othello’s gullibility.
William Shakespeare’s Othello, the Moor of Venice is a play of great manipulation and jealousy. Iago is the antagonist character of the play Othello. Iago becomes irate and filled with jealousy when Othello names Michael Cassio as his lieutenant, because Iago believed he should have been the one promoted not Michael Cassio. By manipulating everyone around him, Iago portrays himself as an honest noble man whom can be trusted. Iago being known for the honest man he earns everyone’s trust and therefore learns their weakness for his ultimate plan of destruction. Iago’s greatest skill is disguising his manipulative schemes of destroying and betraying the ones around him with what he leads people to believe as honesty. Iago uses their
During Samuel Taylor Coleridge’s nineteenth century lectures on Shakespeare’s play Othello, Coleridge described Iago’s final soliloquy as the “motive hunting of motiveless malignancy.” Throughout the speech, Iago gives various reasons to rationalize his actions. He states that Othello slept with his wife, Othello gave Cassio the lieutenant position that Iago was next in line for, and Cassio and his wife had an affair. Each perceived injustice holds the potential to justify Iago’s actions but the flippancy in which each are stated and the fact that Iago is unable to pinpoint a singular cause for his desire for vengeance supports Coleridge’s claim that Iago is simply hunting for a motive to justify his malignancy. Coleridge asserts that despite the various reasons given, Iago is completely motiveless. He causes chaos for the sake of causing chaos. Iago’s lack of a reason for his destructive tendencies and the fact that he effects every main character in the play, elevates him from a mere villain to a symbol of the unavoidable chaos that accompanies life. Shakespeare employs Iago as a symbol of anarchy as he wreaks havoc on every innocent character in order to demonstrate the only way to triumph over the inescapable uncertainty of life is through adopting a calm and logical mindset.
Perfect people do not exist in this world of temptations, failures, and suffering. In fact, every person has weaknesses, and there is always a possibility that someone will use those feeble points against that man. Shakespeare's play Othello shows an example of how one can control others exploiting their weaknesses and the consequences of such actions. The character of Iago, the antagonist in the tragedy Othello, instigates chaos, deception, and gross manipulation. He is the center of all the evil events in the play. He manages to completely deceive everyone by displaying an honest facade. Thus he is able to instill trust in all those around him. Since no one sees him for the evil and deceiving man that he really is, he manages to
Language and words are powerful tools that can be used to communicate with other people, and share our inner thoughts or destroy the happiness of others. A few words can cause the monsters of fear and doubt to protrude a person’s mind and rescind their happiness. “Our doubts are traitors and make us lose the good we oft might win by fearing to attempt (Shakespeare). This can every so often destroy the serene mindset of a person once the slightest bit doubt is placed before them. Iago enjoyed twisting his words to fabricate a story to achieve what he desired. He begins to make his hatred for Othello known once the general promotes the inexperienced Cassio as lieutenant instead of himself. By expressing his talents for understanding, manipulating and taking advantage of the desires of his friends proves that he is an austere character. Iago lied to everybody for his own selfish ways. Lying goes against the very nature of man and destroys the relationship between men. “Since it violates the virtue of truthfulness, a lie does real violence to another. It affects his ability to know, which is a condition of every judgment and decision. It contains the seed of discord and all consequent evils. Lying is destructive of society; it undermines trust among men and tears apart the fabric of social relationships” (CCC
Shakespeare is very well known for his inclusion of tragic flaws throughout the storylines of his novels. Hero’s, as courageous as they may seem, are just like any other person and go through flaws throughout their lifetime regardless of the extent of their situation. In Shakespeare’s novel Othello, with all the events twisting the readers mind from one side to another, there are many distinct qualities that portray Othello’s tragic flaw. Iago was portrayed as an honest character but with his careful deceptions jabbing in Othello’s mind, he is far from honest. Othello’s tragic flaw is that he trusts others opinions more than his own perceptions and Shakespeare develops this flaw by using convincing persuasive appeals and strong syntax throughout
Once a seed of suspicion or doubt is planted in a person’s mind, the noxious effect of jealousy is soon to ensue. Jealousy and suspicion are Othello’s flaws hubris throughout the play and foreshadow to the audience his imminent downfall. He believes what Iago tells him so strongly that he compromises his close relationship with his best friend and his love for his wife. Iago manipulates Othello through the use of extortion, literary techniques, and his keen judge of character. His syntax and diction are so simple yet so powerful because he uses the correct rhetorical questions and addresses Othello with respectful terms such as “my lord.” He allows Othello do most of the talking
In the Shakespearean tragedy Othello, the eventual downfall of the main protagonist is from his lack of wisdom and flawed knowledge. However, although being vitally important to the play, these two factors were not driving reason towards his eventual death; they were just catalysts to a separate set of components perpetuated by the antagonist. Through other characters who seem just as easily manipulated due to their ignorance (up until the very end), Iago used every facet of their weaknesses to achieve his goals of revenge and monetary gain. Thus, as a result, with Othello's wisdom lied primarily on the battlefield rather in Venetian and social customs, this bred an open door for Iago to nefariously take advantage of by injecting false knowledge
Iago has many reasons to hate Othello, including the fact that he had been passed over for a promotion, in which Othello had snatched the position, and he also suspects Othello had slept with Emilia. These reasons were given to the audience, as Iago, himself, reveals his reasons to Roderigo, “ I hate the Moor; and it is thought abroad that 'twixt my sheets 'has done my office. I know not if't be true; yet I, for mere suspicion in that kind, will do as if for surety.” (1.3.378-82). Iago is never turned back on his plan to ruin Othello and the people surrounding him, since he is always contemplating on how Othello doesn’t deserve his accolades, and how Iago is plotting revenge against him. This keeps Iago to consistently, and deliberately continue with his strategies, which keeps the audience empathetic for the rest of the story. Iago is also jealous of Othello’s ability to woo and lure Desdemona, “It cannot be that Desdemona should long continue her love to the Moor ... She must change for youth. When she is sated with his body, she will find the error of her choice.” (1.3.340). However, Even if Iago had received the promotion; even if he had no suspicions or jealous feelings, he would still invent new motives for hating the Moor, as he is the devil of the story. Iago is not capable of performing good deeds, sustaining good relationships, or even
Iago plants ideas in Othello’s head, uses the innocent actions of others as his proof; and Othello, who is not practiced in worldly matters, believes his the misnomer of the “honest Iago”, and eventually is consumed by the lie.
Far more advanced for his time period, Shakespeare’s talent went unrecognized in the category of not just literature, but psychology as well. During the Elizabethan time period, it was unaware that a human could have psychological defects, let alone have characters who express these faults in a play. Shakespeare’s Othello was produced with two of the main characters having significant behavioral disorders. With a changing motive, the antagonist Iago expresses the symptoms of a narcissist and a sociopath by manipulating the protagonist Othello with lies about his wife. The infected Othello becomes caught up in Iago’s deception which causes him to show the traits of having low serotonin levels and appears to be going