The Role Of Identity In Art Spiegelman's Maus

Spiegelman’s Maus is a graphic novel which explores events of the holocaust and the uniting of a father and son. Though often overlooked the dedications play an integral role in better understanding the text. The dedications do not influence the meaning of the book but do reinforce events in the book. Spiegelman dedicates the first book to his mother as an attempt to rid himself of the guilt associated with his mother’s suicide. In an attempt to not have the same short comings as his father, Art associates his most prized work with the most prized people in his life. Richieu is often disregarded in the book however he is vital in Spiegelman’s eyes. The book in its entirety is highly important as it is a dedication to a whole race.

In the book called Maus by Art Spiegelman, it tells the story about a mouse named Valdek Spiegelman, who is a Holocaust survivor, and his son Artie. Artie writes a book on his father and the terrifying experience he dealt with when surviving the Holocaust.

What if you were a holocaust survivor and asked to describe your catastrophic experience? What part of the event would you begin with, the struggle, the death of innocent Jews, or the cruel witnessed? When survivors are questioned about their experience they shiver from head to toe, recalling what they have been through. Therefore, they use substitutes such as books and diaries to expose these catastrophic events internationally. Books such as Maus, A survivor’s tale by Art Spiegelman, and Anne Frank by Ann Kramer. Spiegelman presents Maus in a comical format; he integrated the significance of Holocaust while maintaining the comic frame structure format, whereas comic books are theoretically supposed to be entertaining. Also, Maus uses a

The Maus books are award-winning comics written by Art Spiegelman. They are the non-fictional stories of Art and his father, Vladek. In the book, Art Spiegelman is a writer, planning to portray Vladek’s life as a Jewish man during WWII Europe in comic book form. While Art gathers information for his story through visits to his father’s house, much is learned about their relationship and individual personalities. Through this analysis, Maus becomes an example of how the Holocaust has effected the lives of survivors and their children for decades. Survivors suffer from Post Traumatic Stress Disorder (PTSD), which impairs their ability to live normal lives and raise their children. By

Art Spiegleman's comic book within the comic book Maus is titled "Prisoner on the Hell Planet: A Case History." This text within a text describes, in horrific detail through pictures, Artie's failed effort to get through the painful loss of his mother due to suicide. This text also in a way, represents a part of Artie's mind where he expresses his feelings of loneliness, doubt, fear, anger, and blame through the form of a dark, gloomy, depressing cartoon.

After the Holocaust on May 8th, 1945, a book called Maus was released which is revolved around survival. The author, Art Spiegelman intended the story was to reflect upon his past and express his feelings world how he had to deal life was at the time.The book is a story of Art’s father named Vladek, he tells his point-of-view to the world to show multiple struggles he had to withstand. The theme of Art Spiegelman’s book Maus is survival; Art Spiegelman shows the theme of survival by using tone, mood, and point-of-view throughout the graphic novel. Vladek is the main character of Maus and shares his point of view. Vladek tells a true story about how he survived the Holocaust and the things he had to accomplish to make it through alive. This book is based on a true story of what had happened during the Holocaust.

“Maus: A Survivor’s Tale”, and “Maus: And Here My Troubles Began”, are hit graphic novels about World War II, and tell the fictional stories of a soldier who survived the Holocaust. These two books are both purely about survival, but not in the way that you may think. Maus I and Maus II are both essentially telling us that survival may mean that you live through something horrific, but you may be a different person by the end of it.

Whether Mark likes it or not, The Holocaust becomes central to how he comes to term with how his own personal identity, and how it is to be shaped. It later becomes the enforcer of the

Maus has an interesting way in approaching a historical account such as the relationship with his father and the Holocaust. One of the most interesting aspects of Maus is the way in which Spiegelman uses animals to distinguish the various races within the comic

Comics exist to expose the ethnic representations that seek to control the development of collective perceptions, memories and emotions and especially fear by investigating the techniques through which this control is maintained. Maus I is a true account of a Holocaust survivor, Vladek Spiegelman, and his experiences as a young Jew during the horrors leading up to the confinement in Auschwitz. Maus II is about Vladek recounting his own history to his son Art

The books Maus I and Maus II are biographical comic books written and illustrated by Art Spiegelman. In these books Spiegelman tells his father’s story of survival through the horrors of the Holocaust. Spiegelman simultaneously presents an inner story of the conflict between him and his father, Vladek Spiegelman as both he and his father try to come to terms with the past, and work to have a normal life. This feelings of tension and conflict suffered by Vladek and Art in Maus I and II is caused by a transitional and rebounding feeling of survivor’s guilt caused by Vladek’s passing down of his own guilt, Art’s guilt of neglect, and Art’s attempts to come to terms with his own guilt of survival.

Born in Stockholm, Sweden, in 1948 and eventually moving to New York City in 1957, Art Spiegelman made a name for himself at a young age drawing cartoons at his school. By the time he started high school, he was making money with his comics and selling his art to the local paper. He attended Harpur College for four years, where he studied art and worked as a cartoonist for the school paper. In 1971, he moved to San Francisco where he began his career as a creator of underground commix that included The Compleat Mr. Infinity and The Viper Vicar of Vice, Villainy and Vickedness. In 1986, he released the book about his father’s memory of the Holocaust, entitled Maus: A Survivor’s

“Experience demands that man is the only animal which devours his own kind, for I can apply no milder term to the general prey of the rich on the poor” (Thomas Jefferson). In the graphic novels Maus I: A Survivors Tale & Maus II: And Here My Troubles Began by Art Spiegelman, he uses animal imagery to portray the predator-prey relationship that the Nazi regime shared with the Jewish population. Based on the alienation of the Jewish “race” albeit “not human” and the superiority that the rest of the populations begin to feel, these depictions of races, countries, and ethnicities as animals is both appropriate and effective to illustrate the various groups during the Holocaust. This resembles the Nazi belief that certain populations have a conventional character and will retain their inborn predator or prey status by characterizing the Jewish as Mice and the Nazis as Cats.

The books Maus I and Maus II, written by Art Spiegelman over a thirteen-year period from 1978-1991, are books that on the surface are written about the Holocaust. The books specifically relate to the author’s father’s experiences pre and post-war as well as his experiences in Auschwitz. The book also explores the author’s very complex relationship between himself and his father, and how the Holocaust further complicates this relationship. On a deeper level the book also dances around the idea of victims, perpetrators, and bystanders. The two books are presented in a very interesting way; they are shown in comic form, which provides the ability for Spiegelman to incorporate numerous ideas and complexities to his work.

Art Spieglemans graphic novel Maus showcases deep parent-child relationship divisions deriving from the horrors of the holocaust. Spiegleman does this by illustrating his strained relationship with his parents, Vladek and Anja’s whose personality traits were forged by the unfortunate events of their pass. Vladek’s cleanliness, his inability to get along with his son, and his cheapness exemplify this, as well to go along with Anja’s emotional issues all have a clear link to the events of their past and continues to effect lives negatively generation by generation.