The Role Of Lucie Manette In A Tale Of Two Cities

Although neither Madame Defarge nor Lucie Manette are well-developed as characters in themselves, both symbolize opposing forces. Lucie is lovely, golden-haired, and good, a symbol of light. By her very presence she draws the people together and brings them to their full potential. She enables Dr. Manette to return to health and peace, and inspires Sydney Carton to find redemption for his degenerate living in the ultimate sacrifice of his life. Madame DeFarge, however, is the symbol of evil and the inevitable forces of the French Revolution. Driven by the ravages of the aristocrats to an inconsumable hatreds she patiently knits the names of the tormentors soon to be

Sydney Carton, “one of Dickens’s most loved and best-remembered characters” (Stout 29), is not just another two-dimensional character; he seems to fly off the pages and into real life throughout all the trials and tribulations he experiences. He touches many hearts, and he even saves the life of Charles Darnay, a man who looks surprisingly similar to him. In Dickens’s A Tale of Two Cities, Sydney Carton is a selfish man of habit, a cynic, a self-loathing drunk, and an incorrigible barrister until he meets Lucie Manette; throughout the novel Sydney is overcome by his noble love for Lucie and transforms from a cynic to a hero as he accomplishes one of the most selfless acts a man can carry out.

“ A strong woman is a woman determined to do something others are determined not be done”(Piercy). The women in A Tale of Two Cities show this rare type of strength just being who they are. The author, Charles Dickens, creates them as individuals who break barriers with their masculine behavior. Each, in effect of their special qualities, are determined in all they do. Madame Defarge, is a sinister middle-aged woman who strikes fear in all from her keen brute. But due to this uncivilized aggression, she becomes a key-figure in the choreography of the French Revolution in the book. Miss Pross is Lucie’s house maiden, and is closer to her than anyone else. She goes out of her way to roughly and shaggily

While the Victorian people called for romantic intrigue and petty drama in the literature of their time, Dickens’ added complexity to his novels not to satisfy the frivolous needs of Victorians but to further the theme of irony in his novel. In A Tale of Two Cities, irony is an ever-present theme and is woven into the plot seamlessly by author Charles Dickens. Coincidence is a complementary theme to irony in this novel. Dickens’ constant implementation of situations of coincidence and chance leads to a greater sense of irony throughout this book. Dickens adds complexity to the plot and further enforces the theme of irony in the novel through circumstances of coincidence, including the indictments of Charles Darnay, the life and associates of Dr. Manette, and Madame Defarge’s need for and path to revenge.

Charles Dickens uses the ambiguity of Madame Defarge, Sydney Carton, and Charles Darnay to demonstrate how passion for something or someone can dictate our actions and ultimately bring about a new persona in his novel A Tale of Two Cities.

A Tale of Two Cities, a book written by Charles Dickens in 1859, describes the situation of France and the French Revolution. At the end of Chapter Six, Dr. Manette, Lucie Manette, Charles Darnay, Sydney Carton, and Miss Pross are at a Tea Party. A turbulent storm occurs and incites an eerie mood within the characters. Charles Darnay starts telling a story about a paper he found. After telling the story, Dr. Manette begins to feel ill. Following this is a section which contains multiple literary elements. In Chapter Six, Dickens utilizes descriptive literary devices, such as imagery, personification, and anaphora, to foretell the French Revolution and set the mood of the passage.

Charles Dickens’ extensive use of foil characters in A Tale of Two Cities also includes the duo of Mr. Stryver and his business partner, Carton. Although the characters in the novel are spaced apart among various chapters, meaning certain characters only appear on occasion, the few scenes involving both Carton and Stryver undeniably indicate their status as foils. Both Carton and Stryver wish to marry Lucie Manette, although they go about it in much different ways. Carton, “the fellow of no delicacy,” obtains a personal discussion with Lucie, in which he, already defeated, acknowledges the hopelessness of his situation (148-153).

Lucie Manette is a compassionate and benevolent character that aids in the resurrection of Sydney Carton and Dr. Manette. At the beginning of the book Lucie is only

Love has the power to change the world. It can do far more than any speech, treaty, or war. Love, on a smaller scale, can especially impact the lives of those who communicate and receive it. This passion has the ability to assuage, provide comfort, and provide life. In particular, one girl dedicates her life to spreading love, even when she must sacrifice a large amount of her time. This woman is Lucie Manette. In the novel A Tale of Two Cities, Charles Dickens uses the character of Lucie Manette to prove that love and sacrifice can impact one’s life.

Sydney Carton is the most memorable character in Charles Dickens’ A Tale of Two Cities, a story of redemption, resurrection, self-sacrifice change and love, all of these words have to do with the extreme transformation of. Sydney Carton had such great love for Lucie Mannette that evolves from a depressed loaner that can only attempt to substitute happiness with alcoholic indulgence to a loyal caring friend who makes the ultimate sacrifice for the ones he loves.

After eighteen years of solitary confignment in the Bastille prison, Lucie’s father (Alexander Manette) has gone insane and is unaware of the life around him. With Lucie's patience and compassion Mr. Manette is restored to his old self. Now that Lucie and her father have reunited their bond cannot be broken. Lucie’s good-hearted nature is brought up once more when she shows her understanding toward Sydney Carton as he confesses his feelings about her, even though he has been nothing but a bitter, confused drunk around her. The first time Lucie met her father: "With the tears streaming down her face , she put her two hands to her lips, and kissed them to him; then clasped them on her breast, as if she laid his ruined head there" (Dickens

Although the “rebirth” does not take place right then Lucie’s love for her father is never doubted for even a second. In chapter six, when she sees her father for the very first time Lucie says to him, “…that your agony is over...I have come here to take you from it...” (49), this marks the beginning of the doctor’s rebirth. Through this statement Dickens has Lucie promising that she will do anything for her father out of pure love. As the Manette’s travel back to England, in time it becomes clear that Lucie’s love towards her father is beginning to have an impact on his behavior. In chapter five, of the second book Dr. Manette is able to carry on a complete conversation, which shows the readers that he is regaining his sanity. Later on in chapter seven of the third book, Dickens reminds his readers again of how far Dr.Manette has come since that first day in the Defarge’s attic, “No garret, no shoemaking, no One Hundred and Five, North Tower, now! He had accomplished the task he had set himself…" (285-6). It is at this moment that the reader knows he has been resorted back to his old self before he was in prison. Throughout all the hardship and pain the doctor has to endure, his daughter Lucie never leaves his side.

Dr. Manette is resurrected, or recalled to life, multiple times in A Tale of Two Cities. Lucie Manette, Dr. Manette’s daughter, always helps in saving him. Dr. Manette’s story begins with him being imprisoned in the Bastille. He gets out after eighteen years and stays at Monsieur Defarge, an old servant’s house. This is where Lucie meets him for the first time.

Charles Dickens wrote A Tale of Two Cities in order to enlighten the average Briton about the events of the French Revolution. The novel compares and contrasts cities of London and Paris, which represent French and British society, through the eyes of Dickens’ human characters. The two cities play such a large part in the novel that they become characters themselves, and the contrasting societies of the two cities become a conflict. In Charles Dickens’ classic, A Tale of Two Cities, the individualistic society of London champions the first feudalistic and later socialistic society of Paris.

Throughout the course of the novel A Tale of Two Cities, numerous comparisons and contractions can be made between the main characters. The showcased women, Lucie Manette and Therese Defarge, differ exceedingly for their response to opposition but relate strongly for their definitive influence on others. Compassionate, humble, and raised as an orphan, Lucie Manette is depicted as a strong young woman who became a savior to her. Madame Defarge distinctly contradicts Lucie’s state of mind for she feeds off of revenge. The author, Charles Dickens, presents them in part to reflect the prevalent theme of resurrection, characterizing them through actions, attitudes, desires, and values. Breaking down their characteristics and relation to the