The Role Of Mary Warren In The Crucible

Before the play starts, the girls go into the woods with Tituba and start dancing, but in the background Mary looks feared and hides behind a tree and watches Tituba sing a ritual and the girls dance, therefore this shows that Mary is too afraid to break away from the girls and do what she thinks is right. Mary goes along with almost everything that the girls do because if she doesn’t she could die. Additionally in the play Mary states “I never done none of it, Abby. I only looked!(Act I, 13)”

Mary Warren, a young woman living in Massachusetts during the Salem witch trials, shows no exception to differing viewpoints. Throughout The Crucible, in which Mary Warren is a character, the very children whom the town considers holy, appear also to perpetrate the vicious crime of murder through false allegations of witchcraft. Unable to recognize the children’s crime because of their innocent appearance, citizens of Salem conduct dozens of

In 1952 a play was written by Arthur Miller, about events that happened in Salem in 1692. The play was about affairs, accusations, and innocent people being accused of witches. In The Crucible by Arthur Miller, Abigail and Mary Warren are introduced as two separate people. Although people might see Abigail and Mary Warren as two separate people and nothing alike, they are more alike than meet's the eye. Abigail and Mary Warren have three things in common; they are both are deceitful, they both dishonest, and they are both apprehensive.

In The Crucible, by Arthur Miller, justice and injustice is portrayed through the characters of John Proctor, Elizabeth Proctor and Abigail Williams. It is also shown through the minor characters of Mary Warren and Mercy Lewis, followers of Abigail Williams, and through Danforth and various townspeople.

In the play, Mary Warren was one of the girls that was seen in the woods by Reverend Hale. When they go caught she told him that she was not participating she was just watching. In the book she felt guilt for the poppet, and it causing suspicion on Elizabeth. She was also scared of Abigail, because of the things that she did and she she wanted John Proctor to love her the way she loved him. ( Miller 2)

How many times has an action by one person influenced crowds of people to follow? This scenario has taken place numerous times throughout history. This psychological occurrence is known as “mob mentality”: when a group of people is influenced by a person’s actions to change their behavior and think as a group. During the time period that The Crucible by Arthur Miller and “Half-Hanged Mary” by Margaret Atwood took place, the people worked together to deal with any threats to their beliefs. The communities relied on the judgment of their peers, hence why mob mentality was an important aspect of both works. In both pieces of literature, the authors illustrated the hysteria the people of Salem and

In the beginning of the play, Mary Warren’s character is well known as being wimpy and afraid. She is under Abigail’s control and will do everything she says. According to Sara Constantakis in Literature Resource Center, “she is weak and easily influenced. She is one of the girls who took part in the voodoo ritual and is terrified when the talk of witchcraft begins, as she knows people who are convicted of being witches are hanged.” This opinion of Mary is further proven by her action of not telling the truth about what happened in the woods because she knows Abigail would kill her. Abigail even screams “I say shut it, Mary Warren!” (Miller, Act I). Mary is always listening to Abigail’s demands, even when she knows the right thing to do. Mary Warren is seen as a poor little mouse who is too quiet to ever stand up for herself. In addition to this, Mary wants to confess about what happened in the woods, but Abigail won’t let her. Mary cries, "Abby, we've got to tell. Witchery's a hangin' error, a hangin' like they done in Boston two year ago! We must tell the truth, Abby! You'll only be whipped for dancin', and the other things!" (Miller, Act I). Mary knows she is innocent and for that reason, she is ready to own up to her sins, however Abby knows that she

“Abby, I may think of you softly from time to time. But I will cut off my hand before I’ll ever reach for you again,” happens to be a quote from John Proctor whilst he was speaking to Abigail Williams in Act One of The Crucible. John Proctor happens to be a hard-working farmer from Salem with strong Puritan beliefs. Although John is a religious Puritan man he has some downfalls within the play The Crucible. His first downfall would be him committing adultery with a seventeen year old named Abigail Williams, who was his servant at the time. After committing said adultery with the teenage girl, he keeps it a secret from his wife until she fires Abigail and kicks her out of their house. After that his wife is accused of being a witch by Abigail because of him not wanting to be with Abigail anymore. He finally tells the truth about the affair while in court and is accused of being a witch after screaming “God is dead,” he then was hung three months later. So, if there is one character I can most closely relate myself to it would be John Proctor. Three character traits that I share with John Proctor is that we are both honest, hard-working, and caring.

Mary resorted to self- preservation because of the ear instilled by Abigail. Mary wanted to confess to faking and tell the truth. Mary was a loyal worker for the Proctors and when Elizabeth Proctor was accused of being a witch Mary’s conscience weighed upon her heavily.When one of the girls that was caught dancing, Betty, fell ill Mary felt guilty, “MARY WARREN: Abby, we’ve got to tell. Witchery's a hangin' error, a hangin' like they done in Boston two year ago! We must tell the truth, Abby! You'll only be whipped for dancin', and the other things!” (Act 1, p.144-147). Mary Warren felt the blood of the hangings on her hands and wanted to come forward and tell the truth. Abigail would not let that happen because she was too concerned about the repercussions and her reputation getting ruined. Mary was stuck between John Proctor begging her to confess and Abigail threatening her life if she did. Marry ended up taking Abigail’s side in order to save herself in the end by incriminating John Proctor, “MARY WARREN, hysterically, pointing at proctor, fearful of him: My name, he wants my name. “I’ll murder you,” he says, “if my wife hangs! We must go and overthrow the court,” he says!””(Act 3, p. 110). At this point Mary was so confused by the violence in the situation she cracked under the pressure. Then, Mary Warren turned and accused John Proctor of threatening murder, twisting the truth in order to save herself. By saving

Lastly, Abigail Williams threatened all of the girls to admit only that they were dancing in the forest, but nothing else. They knew that she had drank blood as a charm to kill John Proctors wife. The only reason for this was that she wanted John Proctor for herself, and she didn't want her uncle to find out about it. Also, she didn't want her name to be blackened in the village, seeing that she was the niece of Reverend Parris. If they found out she had drank blood, she would be convicted of witchcraft and then hanged. All of the girls began accusing women as a group after Beth woke up towards the end of Act One. They did this to keep themselves from being accused by each other, and also to draw attention to themselves. Abigail said she had seen things done by the Indians that were unspeakable. If any of them were to talk about what actually happened in the forest, she would do some of those things to them.

There are various ways you can portray women throughout, The Crucible. Some are raised with high expectations, morals, and the majority are raised in a Christian household. And some are raised the complete opposite. In The Crucible, women are viewed in many different ways based on their actions and behavior. In Margaret Atwood’s poem, “Half-Hanged Mary,” she often views women the same way. The author in The Crucible, Arthur Miller, uses very important women to characterize the certain roles of women. The author of the poem, “Half-Hanged Mary also shows how women portray the roles of how women were treated in the poem, as well as the story, The Crucible. Both of these authors, Margaret and Arthur, compare the similar roles of women based on their well being and moral upbringings.

Defense of Mary Warren When it comes to Arthur Miller’s allegorical work, The Crucible, very few characters can be deemed completely innocent. While just about every person in this story has a flaw of envy, pride, or selfishness, characters can often be sorted into the “accuser or accused” categories. One exception to this is Mary Warren. Throughout the story, her loyalties switch back and forth between these two sides. Due to this, she may seem like a selfish and unsympathetic character; that is not the case, however. Mary Warren is an abused and manipulated child, whose decisions in the story are certainly justified, given her situation. The first we see of Mary is when Betty falls ill after the the girls are caught congregating in the woods. Immediately, we see she is terrified, fully aware that them being accused of witchcraft would be “a hangin’ error” (1268). Abigail responds to her fear with an order to lie; she threatens them with violence should they not obey her. Abigail is one of Mary Warren’s main abusers in the story. John Proctor, Mary’s employer, enters the scene next. When he sees her away from his house, he scolds her in a humiliating fashion, even threatening to whip her. From the stage directions, we see she tries “to retain a shred of dignity” (1269), when this happens, leading to the belief that this reproach from Proctor is common in her life. We don’t hear from Mary again until the beginning of Act II. She

The townspeople of Salem feared that they would be called witches so they lied and blamed their family and friends. Mary Warren being one of those people feared being hung and Abigail’s vengeance. When John tells Mary to go to court and confess, Mary refuses, knowing that Abigail will act out of revenge and in court she faces what she had been avoiding “ABIGAIL. Her eyes fall on Mary Warren. MARY. Abby!”(101). Mary Warren knows that Abigail will claim she is a witch so Mary goes along with it to escape death and she blames John Proctor by saying “You’re the devil’s man!”, instead of possibly ending the trials once and for all.

In Arthur Miller’s play, The Crucible, Miller demonstrated that it was Abigail’s flaws- lust, jealousy, and mendacity- that led her to be responsible the most for the tragedy of the witch-hunt in Salem. The Crucible focuses of the finding of young girls and a slave messing around in the woods, trying to conjure spirits from the dead. Rather than admit to their actions and face the consequences, the girls accuse everyone else of the crimes they were guilty of. Abigail Williams is the person who caused much of the drama in this story. She bears much responsibility for everyone meeting with Tituba in the woods. Once Parris discovers this meeting, Abigail attempts to keep her actions a secret because it would possibly reveal her affair with Proctor. Abigail lies to cover up her affair with proctor, and to stop the charges of witchcraft in order to prevent the terrible punishments that go along with the accusations.

The roles of the women in the drama are significant because of the way they shape the story and help the reader understand the nature of one of the strangest events in human history. Throughout the novel, women are portrayed in many different ways. Some are shown as being good and moral people while others the complete opposite. Arthur Miller's treatment of women in this play show women as weak beings who give into their husbands. Each women in the drama plays a significant role in showing the different archetypes there were among women especially Mary Warren, Elizabeth Proctor, and Abigail Williams. In addition, Kohlberg’s Moral Stages are six developmental stages of human moral reasoning which can tie into the view in which we have of the women in the play.