The Role Of Media In The Vietnam War

Write an essay that offers a critical examination of the concept of the ‘guilty media’ thesis in respect of any war of your choice

This essay will discuss to what degree the media can be blamed for the United States’ loss in the Vietnam conflict ending 1975. It will be based predominantly on key written resources on the subject, but it will also contain - by means of an interview - certain first-hand observations from a Vietnam War veteran.

During the Vietnam War, Americans were greatly influenced by the extensive media coverage of the war. Before the 1960’s and the intensification of the war, public news coverage of military action was constrained heavily by the government and was directed by Government policy. The Vietnam War uniquely altered the perception of war in the eyes of American citizens by bringing the war into their homes. The Vietnam War was the first U.S uncensored war resulting in the release of graphic images and unaltered accounts of horrific events that helped to change public opinion of the war like nothing it had ever been. This depiction by the media led to a separation between the United States government and the press; much of what was reported flouted

Everybody made a good attempt as they could to not appear like communists, but rather even famous people and government officials who were not communists were blamed for being Russian spies. Blacklists were created by movie executives to expose more communists due to pressure from the negative publicity aimed at their studios. This got people to lose their jobs. A few individuals who were blamed for being called a communist were fired from their occupations, captured and researched by the police, and assaulted by people. The Red Scare was a major part of the Cold War because of the vital events that occurred and heightened it. During the Cold War the Soviets and America had great tension between each other and since some Americans were terrified of the spread of communism, many other Americans, and even government officials gave the public attention to the

At the end of the 1940’s and the beginning of the 1950’s, the United States were in the midst of the Second Red Scare and a fear that Communism might over throw the American way of life. Cold War tensions were at an all time high, which only fueled the widespread fears of Communist subversion. It was here that Senator Joseph McCarthy became a public face when he began making claims that the U.S. Government, as well as many other areas of the country, including the entertainment industry, had been invaded by Soviet and Communist spies, looking to destroy America from within. Hearings before the House Un-American Activities Committee, Hollywood Blacklisting, and anti-communist activity from the FBI soon followed. McCarthy was under intense analysis

At this time both the democratic United States and the communist Soviet Union believed that successful advancements in technology would enable them to assert strength and superiority. According to Achieve 3000, “Case Against Rosenberg Falls Apart,” “In 1949, The Soviet Union test-launched an atomic bomb, an act that raised suspicions within the U.S. government” (1). Also, the thought of the Soviet Union having the ability to relinquish such a devastating weapon on the United States frightened the people of America as well. When the Cold War developed in the late 1040s the U.S. government again feared that the communist revolution in the Soviet Union would influence many people in the U.S. to do the same. According to the text,”The fear of communism even spread towards Hollywood when a congressional group called the House Un-American Activities Committee (HUAC) investigated communist influence in the entertainment industry, issuing subpoenas to writers, actors, directors, and studio executives and asking them, ‘Are you or have you ever been a member of the Communist party’”(1).

Americans feared Soviets-so much it took over lives. Some has lost their careers because they were accused. For example, in 1950, 151 actors, writers, directors, producers, musicians, journalists, and other people involved with entertainment were accused of being reds with no evidence. The list was called the Hollywood blacklist. This list ended careers and took them off television or radio possibly forever. Some of the most famous entertainers in America could not get jobs because of this. "The Cold War Home Front: McCarthyism." states “When the TV series Danger tried to use one of these actors [on the list], Johnson [an official in the National Association of Supermarkets] told the show’s sponsor, the makers of Amni-dent toothpaste, that all grocery stores would put up a sign next to Amni-dent suggesting their programs employed communists. Meanwhile, they would put a sign next to a competitor’s toothpaste, Chlorodent, saying, ‘Its programs use only pro-American artists and shun Stalin's little creatures.’ The actor in question was quickly

“For the first time in modern history the outcome of a war was determined not on the battlefield but on the printed page and, above all, on the television screen”

Red Scare as it is known is used to describe a time that had dealt with extreme anti-communism in the United States. Red comes from the color of the communists flag color of the soviet union. Scare simply comes from the fact that many people were scared that communism would come to the United States. Communism, which was commonly feared by most U.S. citizens is a system of social and economic organization in which property is owned by the state or group, to be shared in common or to be distributed among members of the community equally or in proportion to their respective needs. In 1919, 1/10 of the American population consisting of adults belonged to the new Communist movement, and even this small percentage was greatly affected.

The first red scare took place during ww1, after the Bolsheviks revolution in Russia during the First World War, where fear of communist reached its height. In the period after the second World War, Americans were increasingly concerned that the anti-democratic and the nature of communism would spread and even infiltrate the United States. Accordingly, one of the common tracts shared by both red scares was “Red-Baiting”, know as the practice of identifying and attempting to out or uncover suspected communist within the United States government. One of the chief conduits for bringing out communist was the H.U.A.C “House Un-American Activities Committee”, although it had first been formed in 1938, it reached its insidious purpose in the 1950s. Southern politicians often branded political arguments with whom they disagreed as communist. The second red scare perhaps took its greatest toll on artists, like Arthur Miller, who was unable to work because of being branded as a suspected

The 1950s marked an incredible time in United States history. Many events that lead to the inspiration of future generations were revolutionized in economic and social expenditures of paramount proportion, most notably the manufacturing of war related materials for World War II. With an economic surge that catapulted the US even further into a position of world power, several industries flourished and suburban America took shape. Of these industries, film was one of the most substantial influences on the public and subsequently sparked a multitude of emotions. The culmination of entertainment adjoined with pressing issues allowed for designations of many political agendas. Some agendas proved to be melodramatic in nature regarding social reform while others were seen as substantial regarding national safety and protection.

“When a great democracy is destroyed, it will not be because of enemies from without but rather because of enemies from within” said Joseph McCarthy, on February 9, 1950 (Enemies from Within). McCarthy may have missed the mark in claiming that communist infiltration was the enemy from within, but his statement was accurate: the rise of demagogues can erode the rights and freedoms upon which democracy is built and without which they could not gain power. From the 1920’s on, ‘red baiting’ had produced anti-communist sentiments in the American populace that had largely eradicated most communist organizations in the United States (Hillstrom 17). The culmination of over thirty years of hysteria over communist infiltration bred an atmosphere of suspicion and agitation. Combined with the Alger Hiss conviction and the Hollywood blacklisting period under the House Un-American Affairs Committee, the 1940’s and early 50s represent a climax of the Red Scare (Hillstrom 36). The Truman administration’s “Loyalty Order” requiring the FBI to investigate government employees suspected of disloyalty, and actions like it created fear of being labeled as disloyal and bred a populace that was inclined to accept the word of authority. The emergence of McCarthyism was the failing of society’s core institutions: the entertainment industry (satisfying the people), the government (serving the people), and the media (informing the people). It is easy to stand up for the cause of justice when the

war the enemy would be in uniform and it was clear who to kill who not

Vietnam was a country divided into two by communism in the North and capitalism in the South. The Vietnam War, fought between the years 1959 and 1975, was, in essence, a struggle by nationalists in the north to unify the nation under a communist government. This was a long standing conflict between the two sides that had been occurring for years. It wasn’t until 1959 when the USA, stepped in, on the side of southern Vietnamese, to stop the spread of communism. It was a war that did not capture the hearts and minds of the American people as it was viewed as a war that the US army couldn’t win and so the government lost the peoples support for the war. This ultimately led to the withdrawal of the US army from Vietnam. Some people, like

In times of War, the media plays a crucial role both in reporting, monitoring and giving updates. During the Vietnam War of 1955-1975, the American press played crucial roles of reporting until it ended up shifting its tone under the influence of occurrence of some events like the Tet Offensive, the My Lai Massacre, the bombing of Cambodia and leaking of Pentagon papers resulting into lack of trust in the press (Knightly 1975). From the beginning of the war up to present times there have been undying debates over the role of media in the war. The have been various criticisms over the American News Media’s actions and influences on the outcome of the war. The debate is embedded on the particular political assumptions perceived across the