Jean Jacques Rousseau states in his Discourse on the Origins of Inequality that natural inequality stems from differences in age, health, or other physical attributes. However, the philosopher makes no mention that men and women are unequal in the “state of nature”. Rousseau defines the state of nature as the period of time before man entered society and each individual lived a solitary life. In his discourse, he argues that along with the formation of the first society came the first difference in the roles of men and women. In Frankenstein, a novel by nineteenth century English author Mary Shelley, there is a stark contrast between the roles of men and women. In the novel, the main character, Victor Frankenstein, attempts to understand the “hidden laws of nature” in order to reanimate the dead. I will focus mainly on Shelley’s portrayal of Victor’s wife, Elizabeth, and his servant, Justine, and how Shelley’s presentation of these characters contrasts with Rousseau’s view of women in society. While Frankenstein superficially adheres to Rousseau’s limited view of women, Shelley’s portrayal of Elizabeth and Justine effectively reject Rousseau’s view. In effect, the tragedies that follow Victor’s attempt to understand the “hidden laws of nature” could be interpreted as Victor’s confounding of women’s societal position as their natural one.
In order to analyze Rousseau’s view of women in society, it is important to understand how Rousseau’s theory on the formation of the first society. Rousseau argues that the societal structure of a family is not a natural one. He states that during this pre-societal period, men and women “each took up [their] lodging at random and often for a single night. Males and females united fortuitously according to encounter, opportunity, and desire… they parted just as readily” (Rousseau). Rousseau argues that families did not exist during this pre-societal period. Instead, he argues that men and women in their most natural state follow a “simple, uniform, and solitary way of life” and therefore,had no interest in forming a family. He continues, "The mother nursed her Children at first for her own need; then, habit having endeared them to her, she nourished them afterward for their
Can you imagine Mary Wollstonecraft Shelley's Frankenstein, the great work of literature, without, for example, such female characters as Mrs. Margaret Saville, Elizabeth Lavenza, and Justine Moritz? In this case the novel will have no meaning. All the women help to develop the plot, and without them Frankenstein will lose its spirit. Although these heroines have a lot in common in their characters: they are all strong-willed, kind, careful, and selfless, at the same time, each of them is unique, and each plays her own role in the novel. Mrs. Margaret Saville is the woman to whom the narrator tells the story. Elizabeth Lavenza is the beloved of Victor Frankenstein. Justine Moritz is the heroine who is accused by mistake of murdering
In “Possessing Nature: The Female Frankenstein”, Anne K. Mellor argues that Victor Frankenstein, an anti-feminist, competes with nature when he attempts to make females obsolete by creating a creature outside of natural birth, thus dooming him to endure nature’s vengeance. To exemplify that Frankenstein intends to strip women of their “cultural power”, Mellor establishes the social division between sexes, then goes on to analyze Frankenstein's fear of women, which leads her to note his favor for male relationships, and lastly cover nature’s revenge (1).
Frankenstein; Or The Modern Prometheus by Mary Shelley conveys that stories are dangerous because they impose social norms by enforcing restrictive gender roles that society makes impossible to reconcile. Gender roles dictate the life one should live and one’s value to society, and these restrictions ruin the creature’s life in Frankenstein due to his inability to find a fulfilling role to play in the world he lives. As William Shakespeare once wrote, “All the world's a stage, and all the men and women merely players” (3.6.80); the creature’s inability to find reconciliation between male or female normative roles he learns through stories leads to his ostracization. He recognizes that the world is a story, and yet he is not even offered
Mary Shelley, author of Frankenstein, lived in a time period of great inequality between men and women where women were restricted in their roles and rights. During Justine’s trial, Shelley not only strives to argue against male dominance in society but also to elucidate irony in the subjection of women through overemphasis on male power over women. Shelley uses abstract diction to show Justine’s presumed guilt and inability to defend herself against her accusers because of her class and gender and also makes a combined emotional and ethical appeal that pokes at women’s gullibility. She also juxtaposes Justine’s innocence and Victor’s guilt in order to accentuate how Victor, a man, negatively influenced the outcome of Justine’s trial. By creating
One such aspect of Shelley’s life portrayed in the novel was the role of women in society. In general, the predominant contenders in literature in the Romantic era were men. Mary Shelley, who was tutored by her father, had to publish her novel anonymously because it would not have been accepted otherwise. In Romantic literature, women were depicted as passive with a sense for nature and intuition. This can be seen in Frankenstein during Victor’s description of Elizabeth Lavenza: “While I admired...pretension” (Volume I, Chapter I, p 39). This quote can be viewed as an oppression of women due to the patriarchal structure of the language, as well as an emphasis on the nature of women. Mary Shelley also criticizes this oppression, but does not criticize overtly. This may be due to the fact that Shelley read her mother’s works as a child, and was influenced by the pro-feminist ideals that her mother advocated for. In addition, Frankenstein, at its core, is an expression of Shelley’s political viewpoints. The years 1811 to 1817 were ones of severe deprivation and hardship for the new working class created by the Industrial
Throughout the book, Frankenstein, the reader can see that there is a prominent gender bias throughout the entire text. Although this doesn’t jump out to all, it is easy to see when conducting an analysis of the text. The reader can see this through the creation of life without a female partner, and the fact that Victor fails to protect his spouse on the night of their wedding as well as the fact that Victor ends up destroying the female partner that he has created for the creature.
The novel Frankenstein by Mary Shelly was published in 1818. Her parent had undoubtedly influenced her ways of writing. Her father, William Godwin is famous with his piece “An Enquiry Concerning Political Justice while her mother, Mary Wollstonecraft wrote “A Vindication of the Rights of Woman” is two prominent radical writers who call for reform during French Revolution. Bringing both feminism and radical views from her parents, Shelley critiques women’s weak, docile and uneducated character. She also shows how women are often degraded and treated unjustly. The reason she brought the issues forward is to make women realize that they should improve their position and women should not conform to the dogma that they are always weak.
Frankenstein by Mary Shelley is a gothic novel that was wrote during the 1800s, or other known as the enlightenment era. During this era, the ideas of discovering the natural law of the universe and the thirst for scientific knowledge were being spread all across Europe. Mary Shelley incorporates these ideas with Victor Frankenstein's thirst for dangerous knowledge, and through allusions of Prometheus and the Genesis story. Shelley not only incorporates other supplementary readings into Frankenstein, but uses feminist literary theory as a way to put to life the idea of women’s inferiority to men.
Social values such as relations with other humans and family values are neglected by Frankenstein. This is made evident early on when Frankenstein becomes absorbed in the creation of his creature and neglects his family, friends and social life. He says “Company was irksome to be... I abhorred society.” As such Shelley is able to symbolise how relentless pursuit of one thing can lead one to neglect everything else. On the other hand, the monster embodies this very value of humanity that is lost to Frankenstein. The monster, unlike Frankenstein, tries to integrate into society. But in doing so he challenges social conventions due to the fact that he was a “fiend with unparalleled barabrity” trying to form relations with humans. However like Frankenstein he too is rejected from society but due to his grotesque appearance. Shelley reflects the humanity expressed by the creature through his love, admiration and self-sacrifice which are characteristics believed to define humanity during the romantic era. Through the acts of the monster helping and regarding the De Lacey family in a positive light before they reject the creature and Frankenstein’s lack of compassion for the monster, Shelley is comparing society’s ability to be civil, compassionate and barbaric. Today these social values of compassion and relations with others continue to be current. Although, today society as a whole is more accepting of individuals on the fringe of society. These changing values and perspectives can be attributed to the differing historical and social context of
In Anne Mellor’s article “Possessing Nature: The Female in Frankenstein,” she focuses on the role that women play in Mary Shelley’s Frankenstein. Mellor explores the patriarchal society by providing evidence for the claim that Frankenstein is a feminist work. Mellor argues that Victor Frankenstein’s downfall is due to his fear of femininity and his need to become the creator of a human being. She begins the article with the argument that the division of spheres (public and private) within the book caused the destruction of many women. Mellor then explored the spheres that men and women occupied. Men would “work outside of the home” while women were “confined to the home”. This division of spheres had negative consequences as much for men as they did for
Next, more masculine men respond aggressively in situations to prove their power and strength, resulting in utter chaos. First, after Dr. Victor Frankenstein’s creation comes to life, Frankenstein responds in great fear and terror, as he quickly realizes the horrible mistake he made. When the monster approaches Frankenstein asking for love and acceptance, the doctor first comments on the monster’s appearance describing him as “almost too horrible for human eyes” (67). Both the monster and Frankenstein possess common masculine characteristics of bravery and determination, causing them to severely clash during their interactions because they both want what they want. Since Frankenstein’s stature is much smaller than his monster, Frankenstein
In “Frankenstein” penned by Mary Shelley, the author depicts the roles of Caroline, Elizabeth, and Justine as passive women by taking action only through the men around them. During the 1820s, when Elizabeth Blackwell saw the deaths of many people on ships being thrown overboard, she became inspired to become a doctor. However, during her time period, women were not allowed to get an education. Finally, Mulan, takes the place of her old father to join the Chinese army, despite her passiveness. A closer look at the roles of Caroline, Elizabeth, Justine, Mulan, and Elizabeth Blackwell reveal a time period where women were treated as objects and followers by men.
The fight for domination amongst the sexes is a battle as old as civilization, where the ideas of gender hierarchies first began. These conflicts often manifest themselves unwittingly through literature, showing subtle signs of deeper tension that has ensued for centuries. The struggle between masculine and feminine becomes apparent through Frankenstein, a battle that results in the death of the potentially most powerful figure in the book. Frankenstein yields characters motivated by complicated thinking, specifically the title character, Victor Frankenstein. Victor is a brilliant 19th century Swiss scientist who succeeds in generating life with electricity, creating a creature that
In the novel Frankenstein, the author Mary Shelley reinforced the role of female nature in a book that is predominantly male-oriented. The female character is an underlying feature throughout the whole novel. For example, when Victor Frankenstein created his Monster from dead body parts, he disregarded the laws of female reproduction. Both Anne K. Mellor and Jonathon Bate argue that Victor defiled the feminine nature when he created his Monster from unnatural means. Mellor argued in her essay, “Possessing Nature: The Female in Frankenstein,” that Victor eliminated the necessity to have females at all (355). There will not be a need for females if new beings are created in a laboratory. The disruption of mother nature is one of the novel’s original sins (479). In Bate’s essay, “Frankenstein and the State of Nature,” he argued that Victor Frankenstein broke the balance between female principles of maternity and mother nature (477). Frankenstein broke nature and undermined the role of females. The argument of Mellor was more persuasive than the discussion of Bate because she was able to provide more evidence that Victor Frankenstein dishonored the role of female nature.
Mary Shelley’s Frankenstein demonstrates a variety of women from distinct backgrounds where the majority faces a doomed fate due to the patriarchal society. Furthermore, the overall representation of women in Frankenstein is passiveness and submissiveness towards the decision and actions of men; they are portrayed as absent due to their minor roles. The “absence” of women could have been the very reason why there are so many downfalls throughout the novel. The death of Victor’s mother due to scarlet fever, the innocent Justine executed, Elizabeth (the beautiful wife) killed by the creature, proves the powerlessness and the passive nature of women that led to their unfortunate death even though, the only woman, Safie broke the chains of the