Essay on The Role Of Nurse Glauce In The Faerie Queene

Children often learn about their society’s ideals of love and relationships from fairy tales. Told from a female perspective, the poem Puce Fairy Book by Alice Major challenges and disproves the unfeasible and degrading expectations that women are held to, specifically by men in relationships. The motivation of the speaker, addressing a male counterpart, is to say that she does not care for other’s opinions of her faults and does not desire such unaccepting people in her life. Major’s use of fairy tale allusions and metaphors play an important role in establishing the central message that is the “perfect” ideological image that society has created for women to conform to are unrealistic and

She is the most perdurable female figure in King Arthur and his Knights. Without her the suspense and the plot flow could not have been achieved. Her influence has enabled her to penetrate into men’s world a trait that distinguishes her from the rest of the women. Knights are referred to as the queen’s knights. We could say the same of the ladies who accompany the queen and keep the knights in good company (pg.52) .Queen Guinevere, as the King’s wife, is acknowledged by males.

Envy is a sin that poisons the sinner and is self-destructive in nature. The common perception of envy is that it is an emotion that, much like jealousy, that comes from a desire to possess something that someone else has. However, envy goes a step further and causes an individual to not only desire what someone else has, but to also wish that the other person did not have it at all. Spenser uses the conventional view of envy stated above in conjunction with some unconventional imagery in order to elaborate on the nature and implications of being an envious person. In doing this Spenser is able to teach to reader an aspect of envy that they may not already know or understand. In his portrayal of envy in book one of The Faerie Queene, Spenser is trying to convey to his readers that people who are envious are trapped in and endless cycle of envy that leads to nothing but unhappiness and misery. Spenser’s interpretation of envy, like the other deadly sins in the house of pride, can be broken down into 4 images: the animal that he rides, his appearance, how he behaves, and the ailment he has. This paper will use the first three of these images to show how Spenser’s depiction of Envy is meant to teach the reader that the sin of envy can only lead to perpetual unhappiness and misery.

The tone of this poem effects the internal message as it starts off somewhat calm then takes a sadistic turn. Even though Gretel had achieved the life she essentially wanted, the remembrance of the witch makes it unbearable for her

One of Queen Guinevere?s main objectives of cleansing her soul was allowing her to forgive herself for the courtly love expressed between her and Sir Lancelot. Courtly love was a secret part of the chivalric code.

The fairies and the fairy realm have many responsibilities in this play. The most important of which is that they are the cause of much of the conflict and comedy within this story. They represent mischievousness and pleasantry which gives the play most of its emotion and feeling. They relate to humans because they make mistakes but differ in the fact that they do not understand the human world.

In the hospital patient and the health professional that patients have a certain specific right and must be treated as a person with dignity. They are neither mere objects to be manipulated by a professional nor subservient individual who has waived their right simple by becoming hospital patient. In Confucius ' teachings, ritual encompassed both moral practices, respect and traditional values. Confucius taught that there were mutual obligations arising between members of social relationships, for example, as between Husband and Wife, Parents and Children, Older Brother and Younger Brother, and so on. From the reads, Lisa’s articles and confess it seems both theories describes the values and morals and the relationship of humanity. However, in the article in defense of the traditional nurse, writing by Lisa H. Newton, she shows that nurse should be fully traditional become a nurturing synthetic mother of the patient.

During the Medieval times of England, society was created as a pure patriarchy by the Christian church, and nearly everything was made male-dominated where the men held the power and their female counterparts held little to no power at all. Arthurian texts such as Sir Gawain and the Green Knight showcase many of the characters mostly following these traditions with the men being portrayed as strong-hearted knights who follow a code of chivalry, and the women as passive and submissive beings to the men. However, Arthur’s half-sister Morgan Le Fay is featured in Sir Gawain, and she does not play any parts given to her as a woman, as she is portrayed as an enchantress and an evil, manipulative woman, which is an archetype that was given to women who did not follow their given gender roles. Morgan Le Fay subverts the traditional roles for women by having her own power in the play, and overall presents herself as the antithesis to the church and the patriarchy of the Medieval times.

Due to this flaw, Lear has given way to the two older daughters to conspire against him.  Lear is finally thrown out of his daughters’ homes and left with a fool, a servant and a beggar. This is when Lear realizes the mistake that he has made and suffers the banishment of his two eldest daughters.  Lear is caught in a storm and begins to lose his sanity because he can not bear the treatment of his two daughters as well as the error he has made with Cordelia and Kent.  Lear also suffers from lack of rest when he is moving all over the place and the thing that breaks him is the death of his youngest daughter, Cordelia.  This suffering can be contrasted with other happier times like when Lear was still king and when he was not banished by his two daughters.

I read Anne of Green Gables by L.M. Montgomery. This book is about a young orphan child, with a never-ending imagination, named Anne. Anne has been taken in and out of orphanages all her life. Until, one day Matthew Cuthbert and his sister, Miss Marilla Cuthbert, are interested in having a young boy to live with them. They called the orphanage and told them to send the child on the train. He goes to the train station to pick the child up, but to his surprise he found Anne. Anne tells Matthew how she imagines living there would be like. She was so set on staying that Matthew just couldn't leave her at the train station. He takes her to his house, and while on the journey, Anne is enjoying every moment of the beautiful flowered valleys.

He calls the painting of her “a wonder” and does not elaborate upon this, suggesting that while he was fond of his wife, their love was quite subdued. This allows him to remain calm and present a dignified front. However, as the poem continues, he becomes more obsessive over her and speaks quite aggressively of what he deems to be promiscuous behaviour. The “bough of cherries some officious fool broke in the orchard for her” seems to be a major part of his outrage, as he is offended that “she ranked my gift of a nine-hundred-years-old name with anybody’s gift”. By telling his companion of this in a conversation that merely started with mention of a painting, the Duke reveals that he is very much not in control of himself. These constant tests of his patience – which seem very much unintentional on the Duchess’ part – seem to weigh heavily on the Duke’s mind as he says “here you miss, or there exceed the mark” showing heavy criticism on the Duchess. He wanted her to “let herself be lessoned so”, which shows the extent to which her behaviour troubles him. It also creates the air of superiority in that he sees himself as a sort of teacher, and her as the student. The loss of control comes where “all smiles stopped together”, suggesting a macabre end to the story. Both Medusa and the Duke seem to cause destruction and chaos around them as a direct result of being emotionally impacted by those they love. This weakness

Two very powerful female figures are presented in Error of The Faerie Queene, and Sin of Paradise Lost. These two characters are quite similar in description, Milton making a clear tribute to Spencer's work. Both characters have the same monster qualities, and both posses allegorical names and qualities.

Edmund Spenser’s epic poem The Faerie Queene is well known as an allegorical work, and the poem is typically read in relation to the political and religious context of the time. The term allegory tends to be loosely defined, rendering a whole work an extended metaphor, or even implying “any writing in verse or prose that has a double meaning”(Cuddon 20). In true Spenserian style, with everything having double meanings, both uses of the term allegory are applicable to his writing.

The poem, "The Faerie Queene", is a story about a courageous knight who goes through great trials and fights monsters. This in itself is entertaining but, it also has many allegorical references to Christianity. Many times Spenser talks about things when in reality he's really talking something closer to home. For instance, this faerie land he talks about sounds like he is referring to England, the country where he's from. Also, the title Faerie Queene itself is seems to represent Queen Elizabeth, the Queen of England. Redcrosse, the hero of the poem, is a major part of this allegory. He is called the "Knight of Holinesse" which is a reference to being holy and worshiping God. He represents the lonely Christian on a journey to put

    Edmund Spenser in his epic romance, The Faerie Queene, invents and depicts a wide array of female figures.  Some of these women, such as Una and Caelia, are generally shown as faithful, virtuous and overall lovely creatures.  Other feminine characters, such as Errour, Pride, and Duessa are false, lecherous and evil.  This might seem to be the end of Spenser's categorization of women; that they are either good or bad.  Yet upon closer examination one finds that Spenser seems to be struggling to portray women more honestly, to depict the "complex reality of woman" (Berger, 92).  Spenser does not simply "idealize women or the feminine viewpoint" as he could easily do