The Role Of Religion In The Middle Ages

Early Christian and Byzantine art started after Jesusí death in the first century ranging and ending to the fourth century AD. The art produced during this period was secretive because Christianity was not a formal religion but as a cult; the Romans and rest of Europe persecuted Christians so the artist disguised their work with symbols and hints of Christian aspects. Christianity was the first cult to not involve rituals of sacrifice of animals and refused to worship an Emperor causing the Roman Empire to make Christianity illegal. Byzantine art excelled in the Justinian period in the east during 520-540 AD. The art was produced in Ravenna, Byzantine, Venice, Sicily, Greece, and Russia. The

Christian art and iconography began, about two hundred years after the birth of Christ. Western Christian art and religious iconography was based on the classical art styles and imagery by the Ancient Romans. Medieval art iconography began to relate more to text of the Bible. Religious Christian art was created in the form of illuminated manuscripts, mosaics, and fresco paintings adorned churches. The colors of art were generally muted except those used in manuscripts and stained glass windows. Figures varied in sizes in relation their importance. Unlike artists in the Byzantine period who avoided making sculptures at all costs, Romanesque artists made sculptures which were often large, made of stone, and

The Christian Church was absolutely instrumental in the art of the Renaissance. It was the driving force behind every inspiration; without the Church, there would have been no art. The Church was the only institution powerful enough to be able to support the commissions of all of the artwork, and it was the only institution, in which people had enough faith and devotion to spend so much of their time and money creating pieces that—although beautiful—were not necessities. The role of religion in art actually began during the Byzantine era. During this time, all artwork was religious in nature, and most of it was done in a consistently similar style so that figures from the Bible could be easily recognized by everyone and so that people

Art with biblical themes were popular in the Middle Ages because the artists were also focused on theology. Jesus and Mary were usually the main focus in most paintings. The people in the Middle Ages really appreciated godly looks and tried to incorporate the catholic religion in most if not all of their paintings (class notes). For example, Giotto’s painting Madonna and child displays Mary and Jesus in the center of the painting. Not only are Mary and Jesus in the center, they are also illustrated to be a lot bigger than the angels around them. Giotto wasn’t the only artist to place Mary and Jesus in the center and larger, this was very normal for the Middle Ages. Most artists were very influenced by the church because the church had the highest role in government.

In the lives of saints, we find biographical material that helps to shed light on the way of life throughout the past two-thousand years. The lives of saints show a pattern of spirituality that teaches each successive generation how to follow Christ, according to each individual culture. Saints are the archetypes of the Christian experience and the Christian life. They are role models, and they are our intercession with God in Heaven. It is important for us, as Christians, to never lose our sense of discipleship, which the saints help with, as they are our older brothers and sisters in Christ and can help us learn from the past.1 The depiction of saints is very important to art, and its impact is not small.

With the adoption of Christianity as the official religion, art was able, so to speak, to come above ground in the old pagan city of Rome, and painting, instead of being restricted to the decoration of the walls of the Catacombs or of small chambers and chapels, came into use on a large scale in the new churches that were at once set up. At the same time patronage moved from the hands of the poorer classes to the richer, and artists of outstanding quality came to be employed as well as those of obscurer character, who would work for small fees (www.religion-online.org). To wall painting was added the more luxurious art of mosaic; numerous sculptures were done, and minor objects, often in expensive materials, were in addition produced in the service of the Church, so that art production became at the same time both more extensive and more luxurious (www.religion-online.org ).

There is irrefutable evidence that over the period of the Middle Ages, both Christianity and Islam have been anchors in both shaping and influencing governance of kingdoms and empires comprising Western Europe, the Byzantine Empire, and territories ruled by Islam. Religion during this period was widely used to set laws, influence culture, justify armed conflicts, and pronounce punishment on citizens domiciled within the geographies depicted within this essay. I will attempt to illuminate the geopolitical climate, territorial demarcation, and religious influences that depicted life circa 500 – 1517 CE. From the background material submitted, I will directly answer the following questions:

In the Middle Ages, art was centered around the Church. The purpose of art was to glorify the life, death, and resurrection of Jesus Christ (Altshuler, 2009, p. 127). Art was not made to produce a feeling it was made simply to tell a story. Artists were usually sanctioned by the church to complete specific works. All artists were male with the exception of some women who did embroideries (Altshuler, 2009, p. 127). Many different types of media was used during this time including; paint, embroidery, stain glass, relief statues and more.

The Jewish community started Christianity, but Christianity later spread and convert from all over the Greco-Roman world were attracted by this religion during the progress of the first century CE. Ideas, traditions, ways of worship and traditions were brought along by the new convert of Christianity and it was adopted by their faith. This is through art because Christians who were once pagans of the Roman Empire stick to their artistic heritage when they became followers of Jesus Christ. Roman artistic forms and motifs and also Roman architecture were being used by this new convert to express their new faith. In further explanation, we’ll see how Roman art influenced the developing art of early Christians.

During the Middle Ages, symbolism was a big part of the current day art because of the major focus on the church and theology. Jesus and Mary were big symbols during that time, which is evident in the numerous paintings of them from the Middle Ages (Class Notes). During the Middle Ages, Jesus, Mary, Angels, the devil and the cross were huge symbols. In the painting Duccio, Jesus

Christian art survived 2nd century’s and onwards. According to Beckwith “after 550 at the latest,

Religion experienced a lot of progress and transformation throughout the Middle Ages. Christianity held consistent popularity and other religions such as Islam were on the rise in participation. After the fall of Rome, there was no unified state or government in Europe and the Catholic Church used that opportunity to become a large powerhouse. The Roman Empire had effectively split into three different worlds: Muslim, Byzantine, and western European. Various Kings, Queens, and other leaders looked to the Catholic church for power and protection in exchange for alliances. Meanwhile, the Islamic religion was growing in wealth, power, and people. With the prophet Muhammad’s death in 632, Muslim groups took under large parts of land and united them under a single caliph. The Byzantines were still operating from Constantinople, just under a smaller rule and rural life assumed greater importance in the backbone of their society. Religion was largely involved in the Middle Ages’ art and architecture. Massive Cathedrals were built and even books were a work of art before the invention of the printing press. In addition, their economy was directly affected by religious activity such as missions and conquests. Overall, the general trends marking the progress religion in the Middle Ages are inclusion of everyone, a building of a community, and the opportunity of becoming equals with other practitioners.

Unlike Medieval painting, Roman painting does not have a specific scene to show nor a particular doctrine to teach. Some scenes might denote the same theme, but the artist tries to individualize his work by playing with the elements. In Romanesque painting the iconographical demands do not allow artists to illustrate the same icons in different ways. To spread Christianity, the symbols need to remain the same everywhere to make the message easier to understand. In Christ in Majesty the halo is an example of the recurring iconographic element. A halo around someone's head means that the person is a saint. Christ, the evangelists, and the Twelve Apostles have halos to point out their religious significance. Individualization is no longer important on Medieval works because artists focus on the expansion of the Christian message.

There is irrefutable evidence that over the period of the Middle Ages, both Christianity and Islam have been anchors in both shaping and influencing governance of kingdoms and empires comprising Western Europe, the Byzantine Empire, and territories ruled by Islam. Religion during this period was widely used to set laws, influence culture, justify armed conflicts, and pronounce punishment on citizens domiciled within the geographies depicted within this essay. I will attempt to illuminate the geopolitical climate, territorial demarcation, and religious influences that depicted life circa 500 – 1517 CE. From the background material submitted, I will directly answer the following questions:

Let's take a look at a little history in medieval art. There was a movement towards the end of the first millennium called Iconoclasm. This factor hated images and icons which were believed to be endowed with mysterious powers that could work miracles by intervention from the saints. This Iconoclastic Controversy defined and declined the creation of