The Role Of The Community In Oedipus Rex

As he jumps to conclusions about Tiresias conspiring with the murderer who killed their former king, he has sharp, forceful gestures and strides closer to the prophet, moving to backstage left. Tiresias does not shrink away from Oedipus’ wrath but becomes fed up with his disrespect and accusations, leans farther toward him, and with a wide sweep of his arm bellows out that the king himself is the murderer. There is a silence on the stage as the Chorus, Leader, and boy are again startled, and Oedipus uses this silence to take in what Tiresias said. Oedipus gapes at him, baffled, processing it, and with a wry smile, breaking the silence he says exasperatedly, “You shameless--” (402), before finally gathering himself and continuing his accusations in anger. As his incrimination persists, Tiresias’ anger ceases as the reality of the king’s future sets in, almost completely calm as he states again the truth he yelled before in ire, eventually becoming solemn and slowly shaking his head as he states, “I pity you, flinging at me the very insults each man here will fling at you so soon”

The pursuit of justice is an endeavor that many find to be challenging and a quest itself, as one will come across various trials and complications that may stop them in their pursuit or may mislead them. As humans, we find moral correctness and righteousness a very appealing state to be in, as justice will act as a platform to satisfy the desire for this correctness. In Sophocles’ Oedipus Rex, we meet our miserable anti-hero, Oedipus, in his pursuit for truth and righting the wrong of the plague that is affecting his people of Thebes. As he makes efforts to solve this problem, he comes to find out that he is the source of the issue, thus exposing the tragic flaw of Oedipus and effectively making this play a very effective Greek tragedy. This pursuit of righteousness ends up being the downfall of Oedipus. In Sophocles’ Greek tragedy Oedipus Rex, Oedipus pursues justice through his realization of his past, his interactions with various characters in the play, and comes to understand more of justice in his situation through his reactions to adversity in this play, in order to portray a questionably successful pursuit of justice.

The relationship between a parent and a child is very important. It is critical to the health and well-being of the child and the overall happiness of the family. Most parent and child relationships follow the same prototype of the parent caring for the child. This continues until they are able to take care of themselves and even after it ends, love and support is still shown from the parent. However, the parent and child relationships in Oedipus Rex and the Importance of Being Earnest differ from this common theme. The relationships seen in these plays are complicated and oppressive.

Ancient Greeks cared deeply about the pursuit of knowledge. Although the truth was often a terrifying concept, they still saw it as a critical virtue. The theater was one way in which the ideas of knowledge and truth were examined.

To describe the world of Oedipus Rex I have selected the phrasing; “false sense of security”. Although it was not the concluding word on my tree, I realized that it was important to describe the play and its world as such. Having a “false sense of security” could be a feeling that the characters have but it could also be an underlying contribution to the play itself. Think of it as that feeling when the characters on stage assume they are overly secure but we, as audience members, start to realize that they are actually not. This describes the world in which the character, Oedipus, lives in. One filled with fate, denial, spirituality, dependence, fear, smugness, and blindness. All of these words which create a false atmosphere.

“Oedipus Rex” was a Greek Tragedy written by Sophocles in the fifth century BC. It was the first of a trilogy of plays surrounding the life of Oedipus. Sophocles wrote over 120 plays approximately 100 years before Aristotle even defined a tragedy and the tragic hero. Aristotle’s definition of a tragedy is “… an imitation of an action of high importance, complete and of some amplitude; in language enhanced by distinct and varying beauties; acted not narrated; by means of pity and fear effecting its purgation of these emotions” (Kennedy and Gioa 2010). According to Aristotle there were six elements to a tragedy: the plot, the character, the

We are all born little happy babies. Then we start to learn words and understand what surrounds us. We are taught to react to certain things negatively, and have a bias towards some things that other family members do not agree with. You get taught things that make life miserable, like doubt, fear and worry. If you were to be living life in doubt, worry, or fear, you would be unhappy. I agree with the choruses statement saying that the human condition is essentially an unhappy one because we get taught things that are supposed to sadden us during our upbringing. In Oedipus the King, Oedipus’s fate shows his sorrowful life when he went through hardships like the curse on Thebes, denial of himself, and the worry about the fulfillment of his prophecy.

Discuss whether or not a hero who is tragic by trait and definition can exist within the structure of the monomyth.

The most famous scene in Sophocles’, Oedipus Rex, is when Oedipus gouges out his eyes. But, that’s not the only example of sight and blindness in this play. In Sophocles ' plays there was always extensive content where he paid considerable attention to the element of “spectacle” in his plays. When observing the theme of vision, it invites the audience to look at the action with a double perspective, through their own eyes and through the eyes of those on stage. Within this play, sight and blindness are the underlying themes. Sight is commonly associated with light or positive overtones, and blindness is attached to darkness or negative undertones. The approach to describing blindness deals with not only physical blindness but also metaphorical blindness. Oedipus ' blindness changes from bad to worse at different scenes of the play. Although the word "blindness" seems quite simple, it can be very debatable. Blindness or the inability to “see” consist of two elements; Oedipus 's ability to see vs his desire to see. Throughout many scenes, the two elements are used in pattern form. Some scholars mention the two aspects of the play in addition to discussing the theme of knowledge. Lazlo Versenyi, Thomas Hoey, Marjorie Champlain, analyze the play from different perspectives. Versenyi says the play was “a tragedy of self- knowledge”, with the use of terms

As illustrated in the play Oedipus Rex by Sophocles, ancient Athenians were concerned over social, political, and the moral well-being of their land. The people looked to their ruler to help them in solving the issues that plagued their land, such as spoiled crops and the lack of fertility. The citizens were worried since their land had been “Stricken in the budding harvest of her soil, Stricken in her pastured hers, and barren travail Of women; and He, the God with spear of fire, Leaps on the city, a cruel pestilence… The blackness of the Grave made opulent” (2). Based on the words from the priest, it is evident that the people looked to their ruler in hopes of finding relief from the terrible plague; the citizens hoped that their king would guide them and show them a way out of the terrible situation that they were in. They begged the king to “...find some way to succour [them]” and to “... build the city in stability” (2-3). The citizens expected their almighty ruler to step up and defend them from any harm, as well as to bring prosperity to their glorious land. They saw their superiors in a god-like way, expecting them to solve any issue that arose within the land. The actions of the ancient Athenians show that they were faithful in the power of their rulers. The citizens of Athens saw their ruler Oedipus as their “... life’s establisher… the mightiest head” (2). The Athenians viewed Oedipus as their savior when he solved the Sphinx's riddle, freeing them from her claws.

The chorus is an essential feature of Greek classical drama. Instances of various types of dance, singing, and speech are some elements of a Greek chorus. “Composed of similarly costumed men, they performed on the orchestra located beneath the stage. The chorus stayed in the orchestra for the duration of the performance from which vantage point they observed and commented on the action of the characters.” Oedipus is a play written by Sophocles, a respected playwright, and it is “generally assumed that the main function of the Sophoclean chorus is a philosophical one; that it serves above all as the spokesman for a certain view of life.” The chorus can be dramatic in the following ways: “through the personality of the group forming the chorus and the appropriateness of their relationship to the action and the characters, through the iambic lines spoken by the coryphaeus, through physical participation in the action and through the choral songs.” The chorus is an important component of the Greek Tragedy Oedipus. Aside from its responsibility to effectively represent the people of Thebes, the chorus in Oedipus has a powerful influence over audience perceptions and emotions.

In the play Oedipus Rex, Oedipus unknowingly murders his father and marries his mother. When Oedipus discovers this he is disgusted with himself and decides to go into exile. The Misanthrope is a play about the self-exile of the main character Alceste. Challenged in court, he refuses to take back the criticism of a sonnet written by a powerful nobleman. Alceste and Oedipus are both convicted by their knowledge of the truth. Although, the United States grants asylum to more refuges than any other country, there is one man who has decided to self-exile.

Sophocles Oedipus the King is a tragic play which discusses the tragic discovery of Oedipus that he has killed his father and married his mother. The story of Oedipus was well-known to the Athenian's. Oedipus is the embodiment of the perfect Athenian. He is self-confident, intelligent, and strong willed. Ironically these are the very traits which bring about his tragic discovery. Oedipus gained the rule of Thebes by answering the riddle of Sphinx. Sophocles used the riddle of the sphinx as a metaphor for the 3 phases of Oedipus' life and to further characterized him as a tragic man. The Sphinx posed the following riddle to all who came to obtain the rule of Thebes: “What is it that walks on 4 feet and 2 feet and 3 feet and has only one voice, when it walks on most feet it is the weakest?” Oedipus correctly answered “Man” and became the king of Thebes. This riddle is a metaphor for the life of Oedipus. As a child man crawls on his hands and knees this is the four feet to which the Sphinx refers. Also, man is at his weakest as a small child. He depends solely on others for his nourishment and well-being. Oedipus was the child of Jocasta and King Laius who was taken to the mountain by a Shepard to be killed so the omen of the god Apollo that Laius' son would kill him and lay with Jocasta would not come true. Oedipus was the weakest of his life at this point.

"Oedipus the King" is a tragic play showing a shift from the belief of fate to freedom of choice. Therefore, Oedipus the king is a great example of those who run from fate ends up fulfilling their fate

Oedipus did not have a fair start in life. His father, Laius, heard prophecy that Oedipus would one day kill his father and sleep with his mother. In order to prevent this, Laius gave Oedipus to a shepherd to be killed. Fortunately, through a string of events, Oedipus's life was saved, and he even went on to become the honored king of Thebes. Despite this feat, Oedipus still managed to make several decisions that ultimately fulfilled the original prophecy told to Laius, and inevitably sealed Oedipus?s fate.