The Role Of The Supernatural In Richard III

Richard, the main character of the Shakespeare’s play, Richard III is portrayed as socially destructive and politically over-ambitious. His destructive potential is depicted by the way he relates with the other protagonists in the play and also by what he confesses as his intentions.

Except for the episode of Hercules leaving Antony, where mysterious music is heard again, there is nothing really supernatural in Shakespeare's tragedies that is not connected with the murder of the order-figures. In Macbeth we have Banquo's ghost instead of Duncan's, partly because of the emphasis on the repose that Duncan has gained by getting murdered, and partly because the line of the reigning monarch descends from Banquo. (24)

Shakespeare's tragedy, Macbeth, is a play that transcends time due to its timeless and universal themes. The themes presented in this play are just as relevant to modern audiences as they would have been to contemporary Elizabethan audiences. The play has been able to maintain its textual integrity, withstanding the fact that it is now performed out of its original context to remain a successful play for modern audiences. The issues of heroism, abuse of power and the deceptiveness of appearances are all key within the play, conveyed through the use of dramatic and literary techniques, are issues which still resonate with contemporary audiences. Shakespeare has tested the parameters of the conventional tragedy that was extremely popular during his lifetime and in doing so has created text, which is still relevant today.

Superstition in William Shakespeare's Macbeth Throughout Elizabethan times, Witches and witchcraft were considered to be in existence. Seeing a large proportion of the female community being condemned to death, which involved either drowning, hanging or being burnt at the stake was quite plausible at this time. Such savage practices were urged on by macabre and fevered fantasy of the supernatural. In my essay I intend examining how Shakespeare deployed this obsession of superstition in Macbeth and how it is a crucial element of the play. To begin with, the tone of the paranormal theme is set right from the beginning when

Macbeth, an ironic tragedy of the 17th century, is perhaps one of the most appraised works by renowned playwright William Shakespeare. Such fame, though, can be justified through the play’s effective utilization of themes and their evocative subtext; however, Shakespeare particularly focusses on the theme of power and has done so with intent. Macbeth visualises power in two forms, being that of divine and supernatural. The play forms a representation that, alike with the socio-cultural beliefs of the Elizabethan era, divine power should not be tampered with. Otherwise, the consequences can be detrimental, as demonstrated by the painful ends of characters Macbeth and Lady Macbeth. Both individuals use the process of illegitimate power to

The texts King Richard III and Looking for Richard both accept the centrality of power and the yearning for it, as a central plot driver and an assumed part of the human condition. However, each presents a different perspective as to the nature of power; its origins and morality.

In William Shakespeare's Macbeth, the supernatural and the role it plays in motivating characters is present throughout the duration of the play. The supernatural causes conflict in the play and the prophecies from the witches in act one is the inciting action. The apparition, Banquos ghost, and the dagger are examples of how the presence of the supernatural causes conflict. The theme of the supernatural causing conflict in Macbeth plays an important role in the plot of the play.

In Shakespeare's play The Tragedy of Macbeth, Shakespeare uses an underlying motif of the supernatural to control the characters and add a new dimension to the play.

One would question the credibility of the enigmatic apparitions within Macbeth's renowned Act IV, Scene i. Shakespeare gains the audience's acceptance of the three mystically summoned apparitions through methodically foreshadowing a supernatural event is about to occur. Each stance of Shakespeare's foreshadowing -- cauldron potions, Hecate, the second witch's awareness of MacBeth, and stage direction -- contributes to the believability of the apparitions' appearance in the play.

In the Elizabethan Era, society was highly suspicious of the power of supernatural forces and it was commonly accepted that one’s life was governed by fate and was predetermined. Shakespeare’s Macbeth challenges the Elizabethan ideology of fate by privileging that although Macbeth was a victim of his “vaulting ambition” (1:VII 27), he was ultimately responsible for his villainous actions. Shakespeare has foregounded certain events to privilege that a person has free will and a concience and the cosequences of going against one's conscience, thus challenging the assumption of the Elizabethan Era. The audience is invited to sympathise with the protagonist, Macbeth, and see him as a tragic hero. Before his descent into evil, Macbeth

I believe supernatural elements were included in Richard III to add a sense of dread that matches the malice of Richard, to show that divine nemesis exists. Shakespeare created Richard as a machiavellian who takes delight in governing through fear and force. He is a character of sheer evil; however Shakespeare provides a contrast to Richard’s villainy via the voices of the female characters. Margaret and Anne contribute by predicting the dire consequences of Richard’s acts; they also express their intense hatred through curses.

It is human nature to be intrigued by all things mystical and dangerous. We fear the unknown but seek it nonetheless out of greed. Most of Shakespeare’s works hold an element of the supernatural and the play Macbeth is no exception. In this play we see a contemporary morality that warns of the dangers of trafficking with instruments of darkness; the witches in the play prophesize of Macbeths future as king, and Macbeth blinded by his hunger for power fails to recognize that the witches prophecies are luring him to evil . In act 1 scène 3 we see the effect that the excitement of the prophecies has had on his imagination as he begins to contemplate murdering the king. As Macbeth gets closer to

Complicated consequences result from the abuse of power that is central in William Shakespeare’s play ’Macbeth’ following immoral manipulation. Macbeth was written in 1606 during the reign of King James I and was used as a warning to potential threats of the King. It is a form of praise and admiration towards the King by Shakespeare as those who immorally seize power will ultimately possess a destroyed fate. Through analysing the text, we can see that abuse of power through supernatural manipulation on human nature is evident therefore guilt and delusions are consequences of that power abuse.

According to the Oxford Advanced Learner dictionary, `supernatural' refers to things that cannot be explained by natural or physical laws. The presence of supernatural forces in "Macbeth," provides for much of the play's dramatic tension and the mounting suspense. In this paper we shall look at some of supernatural elements in the play.

In William Shakespeare’s The Tragedy of Macbeth, Macbeth, a once honored and valiant Thane, abandons all virtue after three meddling witches prophesize his ascent to the Scottish throne. Consumed by his ambition and encouraged by his malevolent wife, Macbeth sets forth on a downward spiral of murderous treason and tyranny that subsequently leads to his own demise. This Shakespearean tragedy explores betrayal, manipulation and the blood lust that adjoins a relentless climb for power. Hovering behind the narrative are various supernatural forces and visions that seem to be present during each terrible act. Subsequently, a question prevails whether Macbeth’s downfall is result of his own flaw or if these forces possess a vice-like hold over