The Role Of Women In Edgar Allan Poe'S Life And Writings.

As a child, Poe would watch his mother perform on stage every night. He would be sitting front row watching the beautiful actress commit suicide every night due to her role as Juliet from Shakespeare's famous play. After the curtains closed, Poe’s mother would take young Edgar and go on with her evening (Edgar Allan Poe). Now, as an impressionable young child, Poe would see his mother die on stage and then see her “come back to life”. This led to Poe’s fascination with death. In “The Raven”, “Annabel Lee”, and “The Cask of Amontillado”, death is the main component. In “The Raven”, Poe talks about a man who was going mad while trying to forget his love who had just died. The fact that this woman is dead contributes to Poe’s theme of death. Now, this is not the only piece of literature that has to do with a man’s love dying, in the poem “Annabel Lee” Poe

Edgar Allan Poe is regarded as one of the most famous writers of all time. He is known for his sinister and horrific tales and his seemingly pessimistic view on life. This overwhelming theme is rarely questioned by other writers and fans alike because of his personal tragedies; it is only fitting that a man as disturbed as Poe would write such troubled stories. It is common knowledge to most that Poe had a heartrending life; he lost his biological mother, adoptive mother, and wife all before he went to college. Poe used the tragic premature endings of his family members as inspiration to write his trademark literature, lengthy eloquent works revolving around fatality. It is atypical for one of his stories to not mention death in one way

Men 's relation with women always plays an important role in men 's lives. Life of Edgar Allan Poe was not exclusion. Moreover, it influenced on his works too. For example, the famous poem “The Raven” has an image of a woman Lenore. It is difficult to say who was a prototype of the lost woman for Poe. First woman whom he lost in his life was mother, Elizabeth Arnold Hopkins. It is better to say – which he never really knew. Later Edgar Allan Poe had a deep need to have close relations with women who could play the role of mother to him. They were Frances Allan, Mrs. Stanard, the mother of his friend Richard, who became a “substitute-mother” to him; Mrs. Maria Clemm, his aunt who became his mother-in-law; her daughter, Virginia, who became his “wife-mother”; Mrs. Shew, his physician-nurse; Mrs. Whitman, the poetess he tried unsuccessfully to marry; Mrs. “Annie” Richmond, the married woman he deeply loved but could not have for a wife; or Elmira Royster Shelton, former childhood sweetheart (Benton, 1-2).

n the world of Edgar Allan Poe, the women in his life have treated him significantly better than the men. To Edgar, men were figures of abandonment and cruelty, but women were angelic figures of kindness and grace, and this greatly affected his life and his writings. In Poe’s own words, “Women have been angels of mercy while men have sat at the edges and mocked,” and there are several examples of this throughout his life, whether it be the kindness of his aunt, his adoptive mother, or his wife. First and foremost, the primary example is when the Biography of Edgar Allan Poe text suggests that he had his aunt, Maria Clemm, move in with him, and that she was a great role model and mother figure to him. (2) This shows that Edgar was inspired

He was not always convinced that simplicity was a desirable aesthetic and did not believe that you could find elegance in it. He still liked reading simple writings and appreciated all styles from the viewpoint of a writer. The death of Poe’s wife put resentment in Poe’s heart. In “Annabel Lee,” he writes of a love so deep that even “the angels not half as happy in heaven went envying her and me.” (Pollin 288) The only way he knew how to ease his pain was to put it into words. Annabel Lee became the expression of his very soul. Poe wrote that everything in the natural world reminded him of his beloved wife. The final stanza shows the true feelings of Edgar Allen Poe. He pours his entire soul into this single stanza.

Young, beautiful, and doomed; In several, if not all, works of Edgar Allan Poe, there is a not so subtle theme that is found. One of the death and beauty. How is the death of a young woman romanticized within selected works of Edgar Allan Poe? In such works as “Lenore”, “Ulalume”, popular “Annabel Lee”, “The Raven”, and short story “The Oval Painter” ,the “death of a beautiful woman” theme is prevalent and strongly noted within context, word choice, and imagery. In the eyes of Edgar Allan poe, death, especially that of a woman, to be lamented and mourned by a “bereaved lover”, is the most valued tool to have and utilize when writing. In his own life, Poe was able to relate to the subject matter, as many of his heroins are believed to be based upon his wife Virginia, who had died at a young age. Unraveling the methods to how Poe romanticized death of young women in his literature might give insight to not only Poe’s life, but humanity in general..

Poe never truly knew his folks — Elizabeth Arnold Poe, a British performing artist, and David

The style of Edgar A. Poe fills itself with biblical allusions, similar characterization, and a reoccurring idealization of females, making his narratives a look at his own life when it comes to how he writes.

With a life marred by tragedy at the very young age of three with his parents death, thus leaving him an orphan, his works reveals his darkly passionate sensibilities—a tormented and sometimes neurotic obsession with death and violence and overall appreciation for the beautiful yet tragic mysteries of life. Poe’s creations illustrate a powerful faculty for both the technical and abstract beauty linked with an inveterate inclination toward nocturnal themes.

In the nineteenth century, society’s standards of gender roles were extremely biased towards the idea of male superiority. Men were the ones who were meant to be successful by having a job, and women were only meant to be a housewife, starting a family and taking care of the household. Men were considered superior to women during this time period, and this is extremely evident in Edgar Allan Poe’s writing. The concept of gender is a significant point of interest especially in Edgar Allan Poe’s “The Murders in the Rue Morgue.” The women characters in Poe’s writing are often vastly underdeveloped, and in the case of “The Murders in the Rue Morgue,” they are the ones who are victims of murder.

This essay will discuss the themes in Poe’s writing that mirror his personal life and, in addition, the fear and supernatural motivators for his characters. First, I will discuss Poe’s background and explore how he became best known as a poet for his tales of mystery and macabre.

Sadness, guilt, and fear are some of the most negative emotions that humanity can experience, however they are also the strongest. Edgar Allan Poe, a nineteenth century author and poet, is known primarily for his use of these emotions, as well as the results that may come from these emotions, such as substance abuse, depression, and death. However, the ability to write such elegant, sophisticated works that delve into the very dark recesses of the human mind reflects greatly upon the author himself. Repetitive themes found both in Poe’s stories and in his life deliver insight on the inspiration for this author’s stories. Poe uses themes of death, illness, and depression in order to reflect his own experiences within his writing.

The death of Edgar Allen Poe’s young bride prompted a wealth of bitter resentment in the writer. While this is evidenced in many of his works, nowhere is his antipathy more explicit than in the poem, “Annabel Lee”.

Poe’s works have received criticism as well as much praise, over the years. Numerous professionals who researched Poe’s life and his writings, knew that his writings were reflections of his real life situations. However,

Edgar Allan Poe was a fictional writer that astonished readers with his many mysterious poems and his tales of horror such as “The Raven”, “Annabelle Lee”, and “The Fall of the house of Usher”.