The Role Of Women In Othello

“Othello” begins in middle of an argument between Roderigo and Iago. Desdemona and Othello’s wedding is the main topic of their argument. Desdemona is a Venetian beauty who is treated as a possession of her father, Brabantio, but by marrying an outsider Othello, she goes against the tradition of venetian custom which she is expected to marry a rich man to maintain her family’s honour. Iago reports Brabantio that his daughter is being stolen by Othello. “Awake! What ho, Brabantio! Thieves, thieves!” (1.1. 76). This quote depicts how unmarried women were treated back in 16’s century. However, while everyone in the play thinks that Othello has stolen Desdemona to marry him, Desdemona speaks herself to prove that she truly loves Othello. “That I love the Moor to love with him” (1.3. 246). Also, she even asks for her permission to go to Cyprus with Othello because she can’t stand the thought of remaining at home, which doesn’t have any adventure. There is a comparison between her social class and her

In the play ‘Othello’ written by William Shakespeare, we see not only the main male character leads. But we also see the female characters, Desdemona, Emilia, and Bianca. These three women were portrayed in ways that showed them being inferior to the other male roles as well as society during the Elizabethan Era. But Shakespeare made each of these individual ladies characteristics quite unique to one another having the traits of a feminist. Even though in the play we read how the male characters did somewhat control them and made them look weak compared to them, there were moments where Desdemona, Emilia and Bianca stood up for themselves.

Feminist critical lens examines certain texts with a primary focus on both gender’s relationship with each other and how such relationships demonstrate effects towards beliefs, behaviors, and values. This critical lens also examines a patriarchal-centered society and how such society define and interact with women with an emphasis on stereotypes of both genders that are present and evident in the text being analyzed. William Shakespeare’s Othello can be scrutinized through the feminist critical lens. A deep analysis focused on feminism of the play Othello paves way for the judgement of different societal status of women in the period when the play took place, the Elizabethan society. Othello is a best fit that demonstrates how men were

Othello is set during the Elizabethan era, where men were considered to be the leaders and women their inferiors. Women were often regarded as the ‘weaker sex’. This patriarchal society and theme of male superiority is portrayed throughout the play. These themes are depicted through the relationships between the characters. Brabantio and Desdemona’s relationship shows how he believed the traditional Elizabethan view, that men were to control and dominate their wife’s or daughters. He is furious at Othello for stealing his daughter from him. Also, Othello’s masculinity is destroyed through the poisoning of his mind against Desdemona, his wife. Iago also treats his wife

As a woman in both Elizabethan and Victorian eras, not only do they face being a man’s property, but it is also evident that they are only necessary in order to benefit a man’s social standing. Women in Othello, such as Desdemona, are praised for being the ideal Elizabethan women, beautiful, fair and reticent. Which is why Othello, a man of colour, one that many do not consider part of society quickly manages to elope with Desdemona without permission. Furthermore proving that besides treating her like a possession, he understands Desdemona is a high class women and so if he marries her many will respect him even further now. This is why Brabantio questions the roots of the relationship when he states “Of years, of country, credit, everything-/to fall in love with what she fear’d to look on!” (1.3.97-98). This is evident in proving that Desdemona marriage with Othello is extremely questionable, and it happened only to benefit Othello's social standing. Thus making the fact that men not only wanting women is important, but them being desired for beauty and class makes one women better than another. In Frankenstein, it is conspicuous that men marry women for a better social standard, as Elizabeth is already

    In William Shakespeare’s tragic drama Othello, the wife of the protagonist, Desdemona, is the main female character. Secondly, there is the ancient’s wife, Emilia, who is morally ambivalent. Thirdly, there is the girlfriend of Michael Cassio, Bianca, who makes her appearance later in the drama. This essay will analyze the roles of these three women.

Emilia is often dubbed as “the feminist of Othello” by a scholars and critics because of her, seemingly, fiery independence among a sea of submissive women (Caitlyn, Act Four: The Feminist of Othello). The characterization of a woman who speaks out for herself suggests that Shakespeare thought progressively as during that time women were mere objects rather than human beings. The plot of Othello revolves around the misgivings of poor communication and lack of trust among the characters. Tragedy ensues, as it does in all of Shakespeare's works, but could it have been prevented? Report after report applaud Shakespeare for developing a true feminist role model, however sometimes a character who has attitude gets mistaken for honorable. This poses the question, does Emilia truly deserve the title as of a feminist?

Othello, by William Shakespeare is well known for its richness in literary content and elements pertinent to societal ideas. Moreover, women are portrayed in Othello in ways that confirm, but also contradict their treatment in Shakespeare’s time. Both female action and language represent these ideas such as expectations for a wife and expectations for how a woman is to act. That said, there are many other lines spoken by these characters that defy the expectations placed on women at time. Overall, the feminist critical lens allows a reader to understand Othello and the manner in which it is slightly sexist and controversial. This lens allows the reader to observe both discrepancies of how women are treated, and common characteristics found

In order to succeed requires taking chances. Taking chances requires courage. Many are held back from expressing their courage because of what society has shaped civilians. Women, especially, are entitled with fragile or emotionally unstable compared to men. Therefore, women rely heavily on men in order to achieve happiness. However, Mary Wollstonecraft, a feminist who wrote From a Vindication of the Rights of Women, who beliefs are opposite from society believed that all women have the full potential to do the same challenges as men. Having said that the play Othello, by William Shakespeare, only has three female characters throughout the play which can conclude how women are overshadowed by men.

   Throughout the length of Shakespeare’s tragedy Othello there is a steady undercurrent of sexism. It is originating from not one, but rather various male characters in the play, who manifest prejudicial, discriminatory attitudes toward women.

In William Shakespeare’s tragic play Othello there are numerous instances of obvious sexism aimed at the three women in the drama -- Desdemona, Emilia and Bianca – and aimed at womankind generally. Let us delve into this subject in this paper.

In “Historical Differences: Misogyny and Othello” Valerie Wayne presents Desdemona’s reaction to Iago’s verbal expressions concerning women’s role as sexual objects:

In the play Othello , Othello strongly represents feminist criticism because he cares so much about their relationship that he couldn’t handle the thought of her cheating on him. He played a big role in the play from being a powerful governor along with being a deep lover. Othello and Desdemona, the daughter of A senator from Venice, fell for each other and are married behind her father’s back. The father, Brabantio, finds out and says that Othello used his magic on her, but yet he still sent the two to Cyprus together. Othello captured Desdemona with his stories about his past and Desdemona quickly falls in love with him. Even though the love of the two is strong Othello lets his ensign Iago draw him into his lies about his woman showing

In “The Story of an Hour” and Othello, women are a key part in the developing plot in both stories and the idea of authors from both respective stories portray women as dependent on men and creates a negative image for women but was never looked down upon in those times. In “The Story of an Hour”, Choppin focuses on the roles of women had to hold in marriages in the time period the story takes place and suggesting the feeling of feeling ‘free’ after the narrator’s husband is found dead. In the play Othello, Shakespeare drives the conflict of the play using all three women of the play, which creates the depiction of the women being deceitful, ‘whores’ and ‘streetwalkers’, and having one role in society without any opportunities to advance their roles. Both stories are insightful of the set expectations societies across the world still idiotically depict women of needing to fulfill, which creates a giant disadvantage compared to men in today’s generation.

Main Idea: Shakespeare was not a sexist: All though the main three females in the play were seen as important and contributed tremendously towards the plot of the play. The readers see Shakespeare pushing the ideology of men and women being equal with the slow occurrence of many plots towards the play, and how it all unravels itself. These were proven in the play by when;