The Role Of Women In Trifles By Susan Glaspell

In Trifles, Susan Glaspell debates the roles between men and women during a period where a debate was not widely conducted. Glaspell wrote Trifles in the early 1900s—a time when feminism was just getting started. In this play, Glaspell shows us her perspective on the roles of men and women and how she believes the situation would play out. Trifles seems like another murder mystery on the surface, but the play has a much more profound meaning behind it. Glaspell presents the idea that men and women analyze situations differently, and how these situations are resolved based on how we interpret them. Research shows that women’s brains “may be optimized for combining analytical and intuitive thinking.” On the other hand, male brains are predominately “optimized for motor skills and actions” (Lewis). In the play, this research shows true when the women, Mrs. Hale and Mrs. Peters, analyze details rather than looking at the apparent, physical evidence, and they find out the motive of the murder. The men, on the other hand, look at broader evidence that does not lead to any substantial conclusion. When Glaspell was writing this play, she wanted the women to be the real instigators, the ones that would end up solving the mystery. While the men in the story laugh at the ‘trifles’ that women worry about, these details mean a great deal in Glaspell’s eyes. Glaspell presents the idea what men and women are different in the way they live their lives through detail.

All the men notice is clutter. The men do not look deeper behind the meanings of this disarray. However, the women do. The women understand that the reason that things such as the towels are not clean is because she more than likely was busy doing her many other chores of the household. They also considered how much trouble Mrs. Wright went to fix the preserves. The women reason that the uncaring concern John had for Minnie and the attention he paid to the house perhaps forced Minnie to resort to killing. Even the County Attorney, Sheriff, and Mr. Hale could not understand all the difficulties women go through. They criticize Mrs. Wright as well as insult all women. Mr. Hale says, "Well, women are used to worrying over trifles." The actions of just these men show how women were taken for granted in this era. Inevitably, the men are unable to prove that Mrs. Wright murdered her husband but are going to convict her anyway. However, the women have solved the case. They come to the conclusion that Mrs. Wright was not treated very well by her husband and was not able to withstand the mistreatment anymore. They could tell the lack of attention he paid to his wife. The men still have a hard time accepting this concept because they do not believe that men treat women badly.

The county attorney does not give a second thought about how John may have treated his wife. Instead, he’s focusing on Mr. Hale’s testimony regarding the alleged “scared” look on John’s face. The men’s bias is often and openly expressed to the women verbally. In accordance to the dialog of the play, the men show they don’t consider what women say vital or pertinent. The Sheriff fires back, identifying with his partners, “Well, can you beat the woman! Held for murder and worryin’ about her preserves.” (Glaspell 1412). The men agree in general about the sheriff’s remark. Mr. Hale comes along and says, “Well, women are used to worrying over trifles.” (Glaspell 1412). The dialog of the play demonstrates the obliviousness and general absence of appreciation given to women’s comments. Even the sheriff addresses his wife openly as if a woman’s role in the home was insignificant. The prejudice from the men is evident and once a reader or audience starts inquiring about how the men treat women, a pattern is seen regarding the men’s standards. The court attorney kicks his foot against the pots and pans below the sink in the wake of discovering no clean towels, telling the ladies “Not

Gender roles throughout history have been portrayed in many works of literature. We imagine that in 2016 our world would be at its absolute best regarding the roles of women considering we just had our first woman from a major party run for the highest office in the nation. Unfortunately, we still seem to have a way to go. Oscar Wilde said, "Women have a much better time than men in this world; there are far more things forbidden to them." It has only been in the past few years that women have stood up and demanded equal pay and equal treatment. There are still many places in the world where women are still very oppressed. In Susan Glaspell 's "Trifles," written in 1916, the theme throughout is that the men are the smart, dominant ones, and therefore very chauvinistic, and the women only concern themselves with sewing and cleaning which is, therefore, insignificant and trifle. The women from the start of the play very clearly see clues to the murder that the men do not ever see. Glaspell tells the story of the murder of Mr. John Wright, who was found strangled in his bed. His wife Minnie is the main suspect. The men in the story, the County Attorney Mr. Henderson, the Sheriff Mr. Peters, and the neighbor who found the body, Mr. Hale, look for scientific clues and totally overlook what is right in front of them. In the 1900 's roles were clearly defined by the men and this is carried throughout the play. The women in this play are the unsung heroes while the men who are

Susan Glaspell’s one-act play, Trifles, weaves a tale of an intriguing murder investigation to determine who did it. Mrs. Wright is suspected of strangling her husband to death. During the investigation the sheriff and squad of detectives are clueless and unable to find any evidence or motive to directly tie Mrs. Wright to the murder. They are baffled as to how he was strangled by a rope while they were supposedly asleep side by side. Glaspell artfully explores gender differences between men and women and the roles they each fulfill in society by focusing on their physicality, their methods of communication and vital to the plot of the play, their powers of observation. In simple terms, the play suggests that men tend to be assertive,

In the kitchen, the dishes are dirty, bread is sitting out on the counter, and everything is in disarray. The County Attorney is disturbed, because the kitchen is not clean. The men assume that Mrs. Wright must have not been a very tidy person. In this time era, men expected women to keep the house tidy and clean, cheerful, and decorated according to the County Attorney in Trifles; he states, “It’s not cheerful. I shouldn’t say she had the homemaking instinct” (1031). Men during this era think that women should only be in the house worrying about what the inside of a house should look. In the County Attorney’s mind, the house should have been warm, clean, organized, and presenting a happy feeling. This is a demonstration of how hard a woman’s life is when she is expected to be when a man’s views think of how a woman should be in the household, for example a slave to cooking, cleaning, and sewing. As shown in the beginning of the play, the men leave the women in the kitchen to gather some of Mrs. Wright’s items she requested as if this is where these women belong. The men go upstairs and out to the farmhouse to investigate for clues for a motive to prove that Mrs. Wright is guilty of the murder of her husband. The men never investigate the kitchen for any clues since they feel there is no significance in the kitchen. The kitchen is an area for women to do cooking and cleaning, which makes them feel there is nothing important in this area. Men

The two women are collecting items to bring to Mrs. Wright. It is Mrs. Wright’s house that is being probed through. She is the suspected murderer. There are also three men investigating in the house at the same time. To give credit to the men, one did say, “What would we do without the ladies?” However, he did it in the same breath as accusing Mrs. Wright of being a bad housekeeper. The men leave the women in the kitchen and stop though a couple of times. During one of the passing’s the men laugh at the women. The women were wondering if Mrs. Wright was going to knot or quilt a quilt she was piecing. The men mock this query. Shortly after that, the women piece together the events that likely caused the murder. Incidentally, the women do not reveal the probable narrative to the men. Did they keep it a secret to protect Mrs. Wright? Did they keep quiet because they didn’t think that the men would believe them? Or did the women keep it to themselves for fear of being

In “Trifles”, a division between the two sexes is quickly established as the men enter the house and huddle by the stove while the women remain still by the door. As the men start their detective work the women wander around the house to gather some of Mrs. Wright’s belongings. While searching for her belongings, the women discover an empty birdcage and find a dead bird in a “pretty box” (Glaspell, 956) inside of Mrs. Wright's sewing basket. Mrs. Hale jumps at the sight of the bird’s neck and Mrs. Peters points out how “somebody-wrung-its-neck” (Glaspell, 957) similar to the way Mr. Wright was found earlier. Mrs. Wright's murder of her husband can be seen as an act of feminine revolt against the male-dominated society. Another example of women defying against patriarchy is of Mrs. Hale and Mrs. Peters hiding the evidence that can prove Mrs. Wright to be guilty of her husband’s murder. Before their departure from the Wright’s house, as the men are returning, the sheriff suggests that the county attorney take a look through the items Mrs. Peters had collected for Mrs. Wright. However, he decides that anything collected by the women cannot have much significance and overlooks it. His assumption that the women would have came forward if they saw any possible evidence costs him. The sheriff’s belief is that women derive their identity solely from their relationships with men; the dominant gender.

The gender differences in the play are obvious and important to the story. The men in this play exhibit some traditional stereotypes of men during the time period, such that they were aggressive and self-centered. The women seem to be more cautious, intuitive and sensitive. These traits allow the women to come a lot closer to figuring out the murder than the men do. At one point in the play the women find a quilt that Mrs. Wright had been working on. Mrs. Hale asks Mrs. Peters, “I wonder if she was goin’ to quilt it or just knot it?” (658). Just then the sheriff comes down the stairs and once again ridicules the women for worrying about such little things. “They wonder if she was going to quilt it or just knot it!” (658), he exclaims. This is actually an important piece of evidence in the story, as the ladies find out later. They realize that she was extremely nervous about something while she was sewing, because she usually sews “so nice and even” (658), but the piece she had been working on was “all over the place” (658).

"Trifles," a one-act play written by Susan Glaspell, is a cleverly written story about a murder and more importantly, it effectively describes the treatment of women during the early 1900s. In the opening scene, we learn a great deal of information about the people of the play and of their opinions. We know that there are five main characters, three men and two women. The weather outside is frighteningly cold, and yet the men enter the warm farmhouse first. The women stand together away from the men, which immediately puts the men against the women. Mrs. Hale?s and Mrs. Peters?s treatment from the men in the play is reflective of the beliefs of that time. These women, aware of

Glaspell develops the theme of gender roles by what Mrs. Hale and Mrs. Peters fret about at the crime scene. For instance, the first concern that Mrs. Peters voices revolves around Mrs. Wright’s fruit preserves and implies that the women are housekeepers. Both the Sheriff and Mr. Hale remark about how the women are “worryin’ about her preserves” and “worrying over trifles” (Glaspell 3). Later, when the men go upstairs to look for evidence, the women decide to bring Mrs. Wright’s apron, fruit, shawl, and quilt for her in prison. To further establish Mrs. Wright as a domesticated housewife, Mrs. Peters suggests that Mrs. Wright wants her apron “to make her feel more natural” (Glaspell 5). Because of what Mrs. Hale and Mrs. Peters discuss at the crime scene, Glaspell verifies that the women play the role of housekeeper and cook.

The women empower themselves through silence, particularly in the kitchen communicating and reflecting upon things around them in the limited space they were given. The men dismiss the kitchen finding nothing that is relevant to the murder case. The men keep crisscrossing through the kitchen, ignoring and not realizing they could find the vital evidence through trivial details. Even though they were having difficulty in finding clues that lead to the murder. While the women were alone looking through Minnie’s kitchen they found the most valuable evidence the “missing piece to men’s puzzle” (Holstein 283). Mrs. Hale found the dead bird strangled in the sewing box telling “Mrs. Peters-look at it! Its neck! Look at its neck!” (782). Mrs. Hale and Mrs. Peters recognize the bird was strangled brutally “their eyes meet. A look of growing comprehension, of horror” (Glaspell 782). Both of them realized the bird was killed the same way as Mr. Wright with the rope around their neck. The strangled bird represents Minnie Foster how her freedom and joy was strangled to death. When the men came in the kitchen, the county attorney noticed the bird cage, wondering if the bird flew away, but Mrs. Hale lied and said “we think the- cat got it” ( Glaspell 782). The county attorney seek only visible evidence for murder he was wasn’t thinking critically what it may mean. Mrs. Hale and Mrs. Peters covered the evidence keeping it between themselves for their own knowledge. They

A trifle is something that has little value or importance, and there are many seeming "trifles" in Susan Glaspell's one-act play "Trifles." The irony is that these "trifles" carry more weight and significance than first seems to be the case. Just as Glaspell's play ultimately reveals a sympathetic nature in Mrs. Peters and Mrs. Hale, the evidence that the men investigators fail to observe, because they are blind to the things that have importance to a woman, reveals the identity of the murderer and are, therefore, not really "trifles," after all. Thus, the title of the play has a double-meaning: it refers, satirically, to the way "trifling" way some men perceive women, and it also acts as an ironic gesture to the fact that women are not as "trifling" as these men make them out to be. This paper will analyze setting, characters, plot, stage directions, symbolism, themes and genre to show how Glaspell's "Trifles" is an ironic indictment not of a murderess but rather of the men who push women to such acts.

Mr. Hale remarks, "Well, women are used to worrying over trifles" (1174), and Sheriff Peters assumes the insignificance of "kitchen things" (1174). Hence, women are forced into a domestic, secondary role, like it or not, and are not even respected for that. Mr. Hale, Sheriff Peters, and the county attorney all dismiss the dialogue between Mrs. Peters and Mrs. Hale as feminine chitchat. Further, the county attorney allows the women to leave the Wrights' house unsupervised because he sees Mrs. Peters as merely extension of her husband.