I was so drunk last night that I cheated on my girlfriend, but I don’t remember it, so does it count? People instinctively try to place blame on anything but themselves, and alcohol presents itself as the perfect escape route for a guilty conscience. People often find themselves making impulsive decisions more frequently while under the influence of alcohol. However, how much poor behavior can alcohol excuse before a person must accept the consequences for their own actions? Tennessee Williams delves into the theme of alcohol dependence throughout his play, A Streetcar Named Desire. Throughout the play, both Blanche and Stanley seem to rely heavily upon liquor. Alcohol is used as both a crutch and an excuse for poor behavior in A …show more content…
Feeling dejected, Blanche turns to alcohol to numb the unforgiving feelings of loneliness and despair. She used alcoholism to “...blot out the ugliness of her life” (Marotous). Whiskey seems to be the only thing that is constant in her life and she uses it as a crutch to avoid the circumstances of her reality. Although Miss Dubois seems to grab the spotlight in terms of alcohol abuse, the reader must not overlook the play’s other abuser: Stanley Kowalski. However, Stanley’s dependence is quite different from Blanche’s as noted in a literary critique, A Streetcar Named Desire and Other Plays:
Stanley’s drinking is social: he drinks with his friends at the bar, during their poker games, and to celebrate the birth of his child. Blanche’s drinking, on the other hand, is anti-social, and she tries to keep it a secret. She drinks on the sly in order to withdraw from harsh reality. (“Drunkenness”) Stanley drinks frequently to escape the lack of control he has had in his average life upon the arrival of Miss DuBois in Elysian Fields. The male dominance of the American household in the 1940’s served as a societal predisposition that Stanley would always be in control. However, when Stanley lost control in his household he became enraged and used alcohol to drown out his frustration with his circumstances. Blanche soon becomes an outlet for this anger in both a verbal and physical manner. It is
The most ostentatious of the group, Stanley is a flawed man that is forced into the role of husband and father by the women around him. Stanley enjoys avoiding his real life and problems by socializing with his other equally macho friends playing poker and drinking excessive amounts of alcohol which in turn makes him stereotypically violent towards his wife. Stanley’s actions to Blanche as well are possessive and domineering as he looks through her things and criticizes the gifts she has garnered from the various suitors she had. “After Stanley's rummaging around in the trunk, Blanche exclaims: "It looks like my trunk has exploded" (38). When he violates that space - "Stanley crosses to the trunk, shoves it roughly open, and begins to open compartments" (41) - he betrays Blanche's intimacy. Rapaciously investigating the love letters, "He rips off the ribbon and starts to examine them, Blanche snatches them from him, and they cascade to the floor." Furious, she shouts: "Now that you've touched them, I'll burn them" and then starts scooping "the floor, gathering
It was not just her self that put her in the lime light of being a victim; it is also her new change of environment and people. Stanley is Stella's husband; he is described to be very masculine and aware of his sexual magnetism. “Strongly, compactly built”. He is mostly at ease with people however, if they lack loyalty and affection to him, he will bully them. Especially women, as he believes them just to be easy conflict. It is seen in scene 3 that Stanley has little respect for women. “I said to hush up!” This is addressed to his wife who is seen emotionless and impassive in this play. As for Blanche how is fussy and at edge, she would be very effected by the crude attitude that Stanley presents and so tries to hysterical take Stella away from her husband. Stanley does not forget of this act of interference and makes him all the more determined to be rid of Stella’s “charity case”. The real reason for Stanley’s bulling is that Blanche immediately received all Stella’s attention. “How about my supper huh? I’m not going to no Galatorires’ for supper” This made Stella dominant in power over Stanley and Blanche, something Stanley was not used to. “I put you a cold plate on ice”.
Blanche’s and Stella’s reliance on men and inability to support themselves are used to illustrate the subliminal pressure for women to follow society’s norms. Women without men are seen as weak, and those who break away from their rigid social classes are looked down upon. Since these social norms have been instilled into Blanche, she believes that she has to have a man fawn over her feet at all times. She realizes that she is aging and thus by engaging in sexual trysts with men, she thinks that she is still wanted and that she still has a place in society despite her current status. “After the death of Allan - intimacies with strangers was
This play takes place in New Orleans Louisiana. New Orleans is a very lively town that is known as a party town and for it being a rough town. New Orleans is a town in which inhibition is suppressed and people try to have fun all the time, while not worrying about the little things in life. This is especially true for the French quarter of New Orleans, which is the setting for this play. New Orleans is know for Mardi Gras and illusion, but it is also a city of reality. Blanche does not
One of the roles of this excerpt is to provide the background towards understanding Blanche, and the justifications for her mental state and actions. It is evident that in the past she belonged to a higher class where extravagance was common. But when her family in
Blanche repeatedly lied to make herself look pure to others. It only served as a masquerade to hide her dirty, sinful reality. She lied about her age, alcoholism, promiscuity, and why she had to leave Laurel. When Stanley asked her if she wanted a shot, she replied, “No, I—rarely touch it” (Scene 1, page 1548). She could not confront her reality, so she retreated to her world of illusion. This was Blanche’s most prominent flaw. If she could have accepted things for what they are, she could have salvaged her sanity. If, from the beginning, she had been truthful to Stanley’s friend Mitch, he could have forgiven her. Dismally, Mitch would not trust her after finding out everything she said was fabricated. “I don’t want realism. I want magic! Yes, yes, magic! I try to give that to people. I misrepresent things to them. I don’t tell truth, I tell what ought to be truth. And if that is sinful, then let me be damned for it” (Scene 9, page 1590). Blanche feared lights which symbolized her fear of reality. She claimed that with Alan’s death, all light had gone out of her life. “And then the searchlight which had been turned on the world was turned off again and never for one moment since has there been any light that’s stronger than this—kitchen candle.”
He likes to possess and control everything around him, he almost ‘owns’ Stella, and he has changed from her days at Belle Reve, pulling her “down off them columns and how [she] loved it”. But the arrival of Blanche, and her aristocratic ways annoys Stanley, as Stella begins to revert to her old ways. Blanche encourages her to stand up to him, and continually stresses the difference in their levels, although Stanley is not ashamed that he “was common as dirt”. Therefore, the only way that he can overcome Blanche and restore his authority is to beat her and triumph over her physically, which he eventually does. Although ironically, it is the effect of Stanley and his actions on her mind that finally provokes her downfall.
Men used to take major initiative in most households during the early 20th century therefore, making wives, female siblings, or basically women in general highly dependent for a man’s authority. The theme of dependency for men continuously occurs throughout A Streetcar Named Desire and most noticeably when Blanche DuBois claims how Stella and her needs a man like Stanley Kowalski who can take command in terms of bravery and fearlessness. Literary features such as foreshadow, indirect characterization and metaphor creates the theme of dependency for men that Blanche significantly shows. She suggests through the use of metaphor that although Stanley is “just not the type that goes for jasmine perfume” by claiming Stanley’s unsophisticated traits such as the ignorance to appreciate poetry or scents like a “jasmine perfume” doesn’t cope with the DuBois’ traditional act of being refined and courtly which is currently what the DuBois family desperately need in their family in order to “survive”
She tries to hold on to him but is unable to keep him attracted. Blanche is lost, confused, conflicted, lashing out in sexual ways, and living in her out own fantasies. She has no concern for anyone’s well being, including her own. Thus, this is her utter most harmful demise. She has no realistic outlook for the future.
There is a great deal of alcoholism in the play. Blanche DuBois drinks often and drinks in excess. Alcohol abuse further distinguishes Blanche's character because in the 1940s, it was atypical for women to drink so much, and even more rare for women to be so publically alcoholic as Blanche. Those behaviors were stereotypically reserved for women. Blanche is very much aware of her problems and her social isolation. She uses her alcoholism as a way to escape from facing herself directly as well as to escape from other aspects of her reality that she perceives too difficult to bear or change.
Finally, Stanley rapes Blanche because “he has tried and tried to keep her down to his level” (Kagan 26) but she cannot go there. The rape is his way of getting her there. In the powerful scene where Stanley loses total control of his actions and strikes the person whom he has sworn to protect, love and cherish, William's shows Stanley's lack of control and hatred of the new threat in his life, Blanche. What makes this scene so important to the topic is the way that the three characters react once the party has broken up. Blanche is in her usual state of panic; Stella has retreated upstairs, while Stanley stumbles around calling out 'Steeelllaaa' in a drunken sweaty animal-like manner. Surprisingly Stella answers her mate's calls and embraces him, the two of them exchanging words of compassion and kisses. Stanley then picks up Stella and carries her off to his den to make love, which is Stanley's way of apologizing. Stanley has to be the dominant male figure in all his relationships, not only with Stella and Blanche, but with his friends as well. He is a leader and instantly rises to the challenge whenever his status is threatened.
Stanley’s and Blanche’s worlds are opposite to each other. Stanley and his peers live in a working-class world. Life is simple for them. They work and entertain themselves with beers and card games in their spare time. On the contrary, Blanche is from Old South of luxury, where white people are
Stanley shreds the dreams of Blanche DuBois, revealing her ugly past to her sister and her beau. He refuses to
Blanche’s unexpected arrival at the entrance of the play is what stirs an even bigger monster in Stanley. Upon her entrance, she immediately causes trouble due to her and Stanley’s differences. Blanche is a southern belle from a very wealthy background. She is very proud of being brought up in the upper class while Stanley is proud that he lead his own life through the working class. This makes him a very rude and animalistic man with a lower level of education. Even their first conversation
While drinking heavily after Mitch’s refusal to marry her, her delusional madness worsens. With very little self esteem left Blanche begins to pretend that there are people