The Role of Belonging in Dickinson's Poetry and Jules' Music

Dickinson’s This is my Letter to the World raises tension between exclusion and the human conditions’ longing for belonging. Dickinson’s “letter to the world” is an extended metaphor of her deliberate attempt to establish an affinity with her society through art- her literature just like Grossman’s essay. Her vulnerability and isolation, is evident in her personal tone with “my letter” being exposed to the wider “world”. This disclosure juxtaposed with the next line “that never wrote to me” further emphasizes her reality filled with isolation. The juxtaposition encapsulates her position as an outsider, interplaying the themes of inclusion and exclusion, seen through her desire for her art to be reciprocated and appreciated by the open distant world. Furthermore, Dickinson covets for a sense of connection through the reoccurring motif of the natural world, personifying “her” as a feminine persona with a nurturing capacity emphasizes through the accumulation of endorsing imagery “tender majesty… hands I cannot see…for love of her”. Despite her lack of relationship with her environment, she elevates nature to be majestic further denigrating her own self status as her writing will still be “judged” no matter how “tenderly”. Thus Dickinson seeks a sense of belonging through nature deriving from the human condition, yet in this driving process towards inclusion is met by exclusion from her sense of identity

Emily Dickinson was an exceptional writer through the mid-late 1800’s. She never published any of her writings and it wasn’t until after her death that they were even discovered. The complexity of understanding her poems is made prevalent because of the fact that she, the author, cannot expound on what her writing meant. This causes others to have to speculate and decide for themselves the meaning of any of her poems. There are several ways that people can interpret Emily Dickinson’s poems; readers often give their opinion on which of her poems present human understanding as something boundless and unlimited or something small and limited, and people always speculate Dickinson’s view of the individual self.

“I’m Nobody! Who are you?” by Emily Dickinson reveals the invaluable aspect of remaining a “Nobody”—a person of little fame and stature. The poem examines the short monologue of a speaker as he or she confides with another “Nobody” and pities the life of a “Somebody”—a person with fame. The speaker finds the life of the famous boring; he or she finds being unrecognized much more comforting. This can be seen through the author’s varying tones in the first and second stanza: the first being more secretive, and the second being more pitiful. The secretive tone is present in the line “Don’t tell!” and brings about a sense of excitement as the speaker remains out of the public’s eye. In contrast to the excitement, the second stanza reveals the speaker’s viewpoint of the life of the recognized: it is mundane and “dreary” (Dickinson 838). The distinct contrast between the secretive tone and the mundane tone reveals why the speaker has a fondness towards being a “Nobody”: the life of a “Nobody” is—ironically—more exciting than the life of a “Somebody.” Another use of irony in “I’m Nobody! Who are you?” is the companionship found within being unrecognized versus the loneliness created from being famous. The speaker finds another “Nobody” to share his or her opinions with, stating that “there’s a pair of [them]” while being “Somebody” results in being a frog alone talking to an “admiring Bog” (Dickinson 838). The significance in this irony is that the speaker identifies the

Emily Dickinson demonstrates how identity is something she envies as reflected in poem 260. This poem talks about how an individual

Ralph Waldo Emerson, a leader of the Transcendentalist movement in the nineteenth century, once expresses his opinion on nonconformity when he wrote, “To be yourself in a world that is constantly trying to make you something else is the greatest accomplishment.” His words express what many people have aspired to be. These words from Ralph Waldo Emerson highlight the idea of nonconformity which is one of the main pillars of the . Humans, having naturally social instincts, find it challenging to risk going against the crowd for fear of isolation, so Transcendental ideas can be difficult to execute amid the pressures of society. Ideas from this movement, particularly nonconformity, are some of the main themes in Dead Poets Society directed by Peter Weir. While Neil’s character in Dead Poets Society initially displays characteristics of Ralph Waldo Emerson’s Transcendentalist ideas from “Self-Reliance,” he fails to continue his Transcendental endeavors proving that while Transcendentalism is possible, society ultimately causes individuals to conform.

This provokes the readers' psyche of a lonesome, fragile individual, standing isolated at the end of an dark, treacherous road. This imagery is successfully used to illustrate a portrait of Dickinson, or even the individual reading the piece themselves, as they’re yearning for their new life, which right now is filled with darkness and sorrow. The poem is comprised of five stanzas, each consisting of four lines. The monotonous nature of the poem is nothing gleaming or eye catching, and this is purposely done for the conspicuous fact that sometimes, precious values and things you love are vaporized. With the abandonment of something important, the world does not stop revolving around you and seemingly mold itself for you. It will continue to revolve in the same way it always has for four and half billion years, but now only seeming to be filled with darkness, difficulty and

Dickinson’s poem unfolds truth to society’s power over a woman’s identity. The poem has an angry tone read from the first line, “I’m ceded- I’ve stopped being Their’s-” (1). A defiant and condemning voice aimed at an ambiguous, authoritative figure who is embodied by the capitalized, plural pronoun “Their.” Dickinson’s refusal to exactly specify who “Their” is, demonstrates the power and relationship “Their” has over the speaker. Dickinson interchanges this pronoun with “They” (2) as the poem progresses on, and this larger entity is associated as the church, family, society, etc. because of Dickinson’s references to “church” (3) and “childhood” (6) within the opening stanza. Dickinson’s narrator is tired of being put aside or controlled by others. This angry tone begins to grow louder as Dickinson beings conveying this message and while the poem moves through stanzas uncovering the narrator’s identity.

Emily Dickinson is one of the most important American poets of the 1800s. Dickinson, who was known to be quite the recluse, lived and died in the town of Amherst, Massachusetts, spending the majority of her days alone in her room writing poetry. What few friends she did have would testify that Dickinson was a rather introverted and melancholy person, which shows in a number of her poems where regular themes include death and mortality. One such poem that exemplifies her “dark side” is, “Because I Could Not Stop for Death”. In this piece, Dickinson tells the story of a soul’s transition into the afterlife showing that time and death have outright power over our lives and can make what was once significant become meaningless.

“In a world where we are forced to conform to society, it is necessary to have personal chaos”, said Alan Armstrong. The movie Edward Scissorhands spotlights society’s structured rules and one man who refuses to be like the rest. Edward and I are comparable in the sense that we’ve both suffered conformity, been swallowed for our diversity and shocked by the intensity of love.

In Justin Pearson's memoir, From the Graveyard of the arousal Industry, he recounts the events that occured from his early years of adolesence to the latter years of his adulthood telling the story of his unforgiving and candid life. Set in the late 1970s "Punk" rock era, From the Graveyard of the Arousal Industry offers a valuable perspective about the role culture takes in our lives, how we interact with it and how it differs from ideology.

Music has been a long standing form of expression for hundreds of years. More recently however, it has become a way for artists to make social commentaries on the society they live in. During the 1970s, Punk bands and Ska bands emerged in England and rose to become a major source of social commentary through their upbeat music. Specifically looking at music from The Stranglers, The Specials, and The Clash, it is clear that lyrics clouded with anger and passion can be best communicated through upbeat sounds and melodies. Each of these groups communicates a need for radical change in society; but each one goes about this in a different way. Through the songs, “I feel like a Wog,” by The Stranglers, “A Message to you Rudy,” by The Specials, and “White Riot,” by The Clash, these bands point out that there is a common enemy in Society. They are forcing the mainstream to realize unpleasant truths about the culture that they inhabit. The future of England was unknown, and these songs were written during a time where people were worried about their place in the world. Faith in the system was dying and these bands gave way to a future generation to improve upon society that will present a more positive and equal multicultural Britain. Through the music it is clear that multicultural Britain was complicated; there were tumultuous times that these bands were commenting on, which pitted races against each other but also brought them together in fighting back against suppressive societal

The last two lines of the poem are a timid reflection on what might happen “Had I the Art to stun myself/ With Bolts—of Melody!” (23-24). The idea that creation is a power that can get loose and injure even the creator illuminates why in this poem the artist positions herself firmly as a mere spectator. In these first two poems, we meet a Dickinson who is not entirely familiar to us—even though we are accustomed to her strong desire for privacy, these poems can be startling in the way they reveal the intensity of Dickinson’s fears. She is, after all, shrinking from what is dearest to her—nature, one of her favorite subjects, becomes a harsh judge, and poetry, her favored medium of communication, can suddenly render the reader “impotent” and the writer “stun[ned]” (19, 23). The extremity of her positions in shrinking from the small and beautiful things she loves creates the sense that this is just the beginning of a journey by leaving so much room for change.

(14, 18). During this poem, Dickinson wants us to simply see her version of a person's trip during death. The imagery is supposed to lead us into seeing what the author is describing.

Person cannot afterward presume that uniqueness may be a subject of commensurate vitality Previously, Dickinson 's poems. Her outflow from claiming it will be exhibited through the utilization about various abstract gadgets (e.g. , analogies, metaphors), and the liable might identify with

The meaning and impact of Dickinson’s work hinges on her employment of a single personification which extends throughout “The Soul Selects Her Own Society”. The personification begins on the first line with “The Soul selects her own Society —”. A soul, on its own, is not something that can select anything, or even have a society. Since it is immaterial, it certainly cannot “shut the Door —” as is stated in line two. This personification continues with lines such as, “she notes the Chariots —”, “Upon her Mat —”, and “close the Valves of her attention —”. The personification of “The Soul” immediately makes the poem feel more intimate. The word “soul” infers a deeper, more authentic, and closely guarded part of oneself. By personifying a soul, having it perform actions and make decisions, it is communicated that the events of this poem are neither an intellectual nor surface level matter. The decision to select those with whom you will be close with, and subsequently shut others out, is one which is based highly on feeling, emotion, and deep personal desires. Dickinson’s decision to write “The Soul Selects Her Own Society” in the context of a soul rather than the whole person allows the reader to pick up on the intended intimacy and depth the poem intends.