The Role of Female African American Sculptors in the Harlem Renaissance

     The Harlem Renaissance was a time of racism, injustice, and importance. Somewhere in between the 1920s and 1930s an African American movement occurred in Harlem, New York City. The Harlem Renaissance exalted the unique culture of African-Americans and redefined African-American expression. It was the result of Blacks migrating in the North, mostly Chicago and New York. There were many significant figures, both male and female, that had taken part in the Harlem Renaissance. Ida B. Wells and Langston Hughes exemplify the like and work of this movement.

The Harlem Renaissance was an event that started during World War One and lasted until the 1930’s. The Harlem Renaissance reshaped art, music, literature and theatre in the African American community. One debated during the Harlem Renaissance was whether folk art or high art best represented racial pride. Folk art best represents racial pride because it does not imitate other people’s art it shows the lives of everyday people, and people could relate to it.

The Harlem Renaissance was an intellectual and literary period of growth promoting a new African American cultural identity in the United States. The years of 1920 and 1990 and “were clear peak periods of African American cultural production.” During these years blacks were able to come together and form a united group that expressed a desire for enlightenment. “It is difficult not to recognize the signs that African Americans are in the midst of a cultural renaissance” (English 807). This renaissance allowed Blacks to have a uniform voice in a society based upon intellectual growth. The front-runners of this revival were extremely focused on cultural growth through means of intellect, literature, art and music. By using these means

There were many notable events taking place in the years 1900-1940, some being Pablo Picasso painting one of the first cubist paintings is 1907 , the sinking of the Titanic in 1912 , the 18th Amendment being added to the Constitution (prohibiting the use of intoxicating liquors) and then being repealed in 1933 , the 19th Amendment guaranteeing women the right to vote in 1920 , Amelia Earhart becoming the first woman to fly across the Atlantic in 1928 , and the list continues. Undoubtedly one of the most influential of events during this time was the Harlem Renaissance. Even with its many leaders and innovators, it wouldn’t have been nearly as effective had it not been for Alain LeRoy Locke: black writer, philosopher, and teacher who influenced black artists to look to African sources for pride and inspiration. Without Locke’s contribution, the Renaissance would not have flourished as much as it did, and black pride would have taken longer to develop and accept.

After WWI, black people began to portray pride and respect for their race, sparking “The New Negro.” This revolutionary movement is more commonly known as the Harlem Renaissance- a social, cultural, and artistic explosion that took place Harlem, NY. Harlem became the cultural center and attracted many black writers, artists, musicians, photographers, poets, and scholars. Those from the South began to flee from its’ oppressive caste system to escape cruelty. The goal of this movement was to face all the hate they received by accomplishing their freaks and desires without anyone getting in their way.

History.com (2009) describes the Harlem Renaissance movement as “a literary, artistic, and intellectual movement that kindled a new black cultural identity.” The 1920s and 1930s emcompass a time in history where blacks found themselves ostracized from mainstream society. It was uncommon to see the expressions of black artistry in everyday life, especially on a literary level.

The Harlem Renaissance was the name given to the cultural, social, and artistic explosion that took place in Harlem, New York between the conclusion of World War I and the middle of the 1930s. During this period, Harlem was a cultural center, drawing black writers, artists, musicians, photographers, poets, and scholars. Many had come from the South, fleeing its oppressive caste system in order to find a place where they could freely express their talents; this became known as The Great Migration. Among those artists whose works achieved recognition were Langston Hughes, Claude McKay, Countee Cullen, Arna Bontemps, Zora Neale Hurston, and Jean Toomer. The Renaissance involved racial pride, fueled in part by the violence of the "New Negro" demanding civil and political rights. The Renaissance incorporated jazz and the blues, attracting whites to Harlem speakeasies, where interracial couples danced. However, the Renaissance had little impact on breaking down the rigid barriers of Jim Crow that separated the races; while it may have contributed to a certain slackening of racial attitudes among young whites, perhaps its greatest impact was to reinforce race pride among blacks. The importance of the social movement we refer to as the Harlem Renaissance cannot afford to be overlooked. Like the musicians of their day, Harlem Renaissance poets advocated for an equal society, and incorporated personal anecdotes and historical snippets into their compositions to make the

Many African American artists of the 19th century were very talented, prominent and successful during their careers. Through their artwork and artistic style some artist followed very similar but yet very different techniques during their time. For example, looking at the artworks of Robert Duncanson and Edward Bannister, the two shared the same interest in their artistic style and subject matter while also remaining to stay original. Both, Robert Duncanson and Edward Bannister, were well-known landscape artist able to capture

I will be writing about the Harlem Renaissance taking place in 1920’s New York. Specifically, I will be discussing the influence African American women have on art, music and literature during the Harlem renaissance. The argument of the paper will be identifying the importance of African American women participating in the Harlem Renaissance and how their participation has influenced modern day African American trends: showcasing media, literature and art. Another major point of my argument is how African American women developed after slavery and into the women of the Harlem Renaissance.

The Harlem Renaissance The Harlem Renaissance was an significant era for African Americans. It indicates the beginning of equal rights for the African Americans. African Americans created a cultured past in art, literature, and music because of their unique style. The Harlem Renaissance was a period between the 1920s and mid-1930s when African Americans blossomed in the world of art, literature, and music.

The Harlem Renaissance was one of the greatest times of artistic expression for African Americans in American history. The Harlem Renaissance was a cultural, social, and artistic explosion that took place in Harlem between the end of World War I and the middle of the 1930s. During the time it was known as the "New Negro Movement" named after the 1925 anthology by Alain Locke. Locke wrote many famous works that focused on African and African American identity. He published The New Negro in 1925 which soon became a popular classic.

The tensions between an art that referred to people’s social conditions and an art that transcended race and class politics are represented by the works of two artists active during the 1860s and 1870s: sculptor Mary Edmonia Lewis and landscape painter Robert S. Duncanson.

The Harlem Renaissance was mostly focused on African Americans. Many Artists made High art which meant they used upper class vocabulary or painting skills to show them that they’re equal. African Americans who made High art wanted to see beyond the ordinary person. They wanted to see what their lifestyle could be if they were treated like a high class Caucasian.

During the late 19th and 20th centuries Blacks in America were debating on the proper way to define and present the Negro to America. Leaders such as Alain Lock, W.E.B. Dubois, Marcus Garvey, and Tuskegee University founder Booker T. Washington all had ideas of a New Negros who was intellectually smart, politically astute, and contributors to society in trade work. All four influential leaders wrote essays to this point of the new Negro and their representations in art and life. In “Art or Propaganda”, Locke pleas not for corrupt or overly cultured art but for art free to serve its own ends, free to choose either "group expression" or "individualistic expression.” (National Humanities Center) In W.E.B. Du Bois speech "Criteria for Negro

Du Bois and his NAACP colleague James Weldon Johnson asserted that the only uniquely “American” expressive traditions in the United States had been developed by African Americans. They, more than any other group, had been forced to remake themselves in the New World, Du Bois and Johnson argued, while whites continued to look to Europe or sacrificed artistic values to commercial ones. (Native American cultures, on the other hand, seemed to be “dying out,” they claimed.) African Americans’ centuries-long struggle for freedom had made them the prophets of democracy and the artistic vanguard of American culture.