The Role Of Femininity In Hamlet, Othello

At one point in time, Ophelia was one who Hamlet truly loved and trusted. Ophelia comes and speaks to hamlet to return his gifts from her but Hamlet immediately realizes that something is wrong and finds out that Ophelia is being used by Claudius and Polonius to spy on him to find out the real reason of Hamlet’s facade of madness. After realizing this, Hamlet is incensed and acts as if he is truly insane. Hamlet is clearly hurt because of the fact that Ophelia has been as a pawn in Claudius’ game. The effects of the matter cause him to verbally abuse Ophelia and rejects her love by saying that they will never get married and also degrades women. At this point Hamlet is raged and does not understand how harsh his words can be to a woman, especially a human being in general. In conclusion, the death of Hamlet’s father had looked like as if it has not even affected his mother which he so dearly loved and the one true love he thought he had, seems to him as deceiving and just a pawn for his enemies. These factors continue to diminish the subordinate attitude that Hamlet has towards

Hamlet can be viewed through a feminist lens by focusing on Ophelia and Gertrude and how various other male characters treat them. Ophelia and Gertrude are dismissed as characters through the entire play because they are women. Hamlet refers to women as “frailty,” implying that they are weak and are dependent on men. Reason suggests that with out the males, Ophelia and Gertrude would simply have no story.

In the play ‘Othello’ written by William Shakespeare, we see not only the main male character leads. But we also see the female characters, Desdemona, Emilia, and Bianca. These three women were portrayed in ways that showed them being inferior to the other male roles as well as society during the Elizabethan Era. But Shakespeare made each of these individual ladies characteristics quite unique to one another having the traits of a feminist. Even though in the play we read how the male characters did somewhat control them and made them look weak compared to them, there were moments where Desdemona, Emilia and Bianca stood up for themselves.

Perception of Women in William Shakespeare's Hamlet In Hamlet, Shakespeare carefully represents Getrude and Ophelia. Individually, Gertrude is essentially seen as weak and immoral whilst Ophelia is seen as meek and a victim of society. Collectively, they are seen to fulfil a conventional 16th century role, and it is as our beliefs and views of women change that we are able to perceive the characters in a different angle.

Hamlet is not only angered with the fact of his father’s death, but also with his mother’s decision to marry Claudius. Devastated by his mother’s decision to marry so soon after her husband’s death, Hamlet becomes skeptical about women in general. He shows a particular obsession with what he perceives to be a connection with female sexuality and moral corruption. He almost develops hatred towards women because of his mother’s decision. This hatred occurs and is shown with his relationship with Ophelia. He urges Ophelia to go to a nunnery rather than experience the dishonesty of sexuality. This hinders Hamlet from experiencing a love that is really needed at this time of his loss. One can say that this is another flaw, which Hamlet is unaware of.

Furthermore, the idea of sexuality being connected with Hamlet's mother can be seen in comparison to Hamlet's association between Ophelia and erotic desire. In essence, Hamlet is reverting to a more infantile mind frame when associating Gertrude with Ophelia, subconsciously trying to defend himself against his unresolved Oedipal desires towards his mother. However, when King Hamlet dies and Gertrude remarries, Hamlet's repulsion of his mother is transmitted to Ophelia, causing Hamlet to completely reject her.

Hamlet also manages to both degrade himself and his uncle in another comparison, saying his uncle was “no more like my father / Than I to Hercules” (1.2.152-3). Though such strong comparisons to romanticized and mythical figures could are partially simple hyperbole, they also underscore some of the insecurity in Hamlet’s character. The value in recognizing this comes as Hamlet descends into his madness, whether real or imaginary, where the reader can see that, even before Hamlet deliberately decides to appear to be “mad” he has certain issues and insecurities with his own feelings. Even more significantly, this passage begins to elaborate on Hamlet’s relationship with his mother. Gertrude represents an interesting dilemma for the deconstructionist critic, as she does not create or involve herself in many conflicts or oppositions. She manages to significantly affect the plot and the subtext of the play while seeming almost insignificant as a character at first glance through the deconstructionist lens. She does not overtly affect events, and often plays the victim of circumstance. This very insignificance creates an issue for Hamlet, who is clearly quite disgusted with her behavior. He vehemently disapproves of the speed of her marriage to Claudius, saying that “a beast, that wants discourse of reason, / Would have mourned longer” (1.2.150-1), but can find no other strong criticism of her other than how fast she remarried. This strikes at the

In William Shakespeare play, the chief protagonist hamlet shows a negativity view towards women in his life. Hamlet consider that his mother and Ophelia have deceived him through their action; Gertrude married only a mother after hamlet father died and Ophelia heeds her father right not to see hamlet despite confessing her love to him. In this way hamlet views this two women as a fragile and too dependent on the man in his lives which makes him say “fragily, thy name is woman (page 271). In a soliloquy in the second scene of Act I, deploring his mother’s indecent marriage, Hamlet says “Frailty, thy name is women!” Most critics have interpreted this statement as are mark toward all the women in general referring for their moral weakness and distrustfulness advocating the fact of Hamlet’s being a misogynist. But it is also not inappropriate to say that, Hamlet, in this statement, does not mean “frailty” for moral weakness or distrustfulness. By “frailty” he can also mean the flaw of being dependence upon men in women. Gertrude is a woman who values status and affection more urgently than moral righteousness and respect. She is extremely dependent upon men in her life. That is why after king Hamlet’s death, when she finds her position insignificant; she quickly gets married to Claudius only to restore her earlier status which she values more

Her feelings of confusion and unsure loyalty reflect some of Hamlet's deep-seated weaknesses, while her unnatural sexuality and traitorousness ultimately reflect the darker qualities of Claudius. Gertrude - though distinctly female and independent in her worldview - is in many respects tainted or misguided by the flaws in both her lover and her son.

William Shakespeare’s play Hamlet is perhaps one of his most intriguing and scandalous pieces of work. One character who is liable for much of this excitement and outrage is Hamlet’s mother, Queen Gertrude. To some readers and critics, Gertrude is conceived as an erratic, superficial and sensual woman. Others discern the Queen as an earnest, intellectual and sagacious woman whose tragic fault is her yearning for sexual satisfaction. Throughout the text, there are several legitimate arguments for both sides, but in the end, Hamlet seems to sum up the Queen’s true persona with the words “Frailty, thy name is woman”. Evidence of Gertrude’s true nature can be found in many instances through out the play such

Queen Gertrude is the mother to Hamlet, widow to the late King, and new wife to King Claudius as shown within the first act of Hamlet. Following her marriage to King Claudius, her relationship with her son Hamlet becomes strained. Queen Gertrude symbolizes much of what is considered to be a negative aspect of womanhood. To Hamlet, Queen Gertrude is a failure of a woman. Through his dialogue, it is presented that Hamlet desires a woman and mother to be concerned for her family and place tradition above all else. When Hamlet’s mother makes a decision outside of that realm and marries King Claudius, Hamlet strives to berate her for her choices. Through

Shakespeare was possibly the first writer to portray women as strong, crafty, and intelligent. However, he has still received criticism from feminists about his representation of women. Some have even accused him of misogyny. There are only two female characters in the play Hamlet - Gertrude, Hamlet's mother and Ophelia, daughter of Polonius. Any debate based upon gender roles must therefore focus upon these two characters.

In William Shakespeare's Hamlet, Hamlet spews extremely harsh words against his mother Gertrude and his love, Ophelia. Some people may claim that these venomous statements mean that he is misogynistic, but, in fact, Hamlet's anger towards Gertrude and Ophelia stems not from their sex but from their betrayal. Throughout the play, Hamlet viciously attacks more than just the women; he has contempt for every person that betrays him and his father. After he recognizes the magnitude of Claudius' deceptions, Hamlet describes Claudius as a "Bloody, bawdy villain! / Remorseless, treacherous, lecherous, kindless / villain!" (Hamlet, II, ii, 607-609). Later, when Hamlet kills Polonius, he feels no remorse and calls the corpse a "wretched, rash,

Hamlet’s sexual deviancy is a defining characteristic of Hamlet, and is an often talked about topic when discussing the play. Hamlet is engrossed in people’s sex lives, whether it is his mother, Gertrude, or his ex-girlfriend, Ophelia. Hamlet’s general distrust and disgust with women makes him a misogynist. Hamlet seems mad that his mother, Gertrude, moved on so quickly to Claudius seeing as it had only been two months since her first husband, Hamlet Sr. died. This seems like a logical response, however Hamlet keeps bringing it up. So much so, that his father’s ghost even says "Taint not thy mind, nor let thy soul contrive / Against thy mother aught: leave her to heaven." (1.5.9) Hamlet shows sign of jealousy toward Claudius as if he is the one who wants to be with his mother, because of this Hamlet

Hamlet is one of Shakespeare’s most famous plays. In this essay I will look at Hamlets perception of women in general but particularly Gertrude and Ophelia. I will also look at the historical presentation of women, comparing Hamlets time to today and seeing if the symbolic role that the females characters have is related to the period. Also I will look at Hamlets madness, whether it was real or not and also whether women could be the cause of it. Finally I will look at a possible ‘Oedipus complex’ in Hamlet. ‘Hamlet’ as the title suggests is based around the character Hamlet Prince of Denmark. This is why women are often presented the way that Hamlet sees them. Also Hamlet lives in a very enclosed world