In a perfect world, men and women would live as equals, sharing power in all aspects of life. While this may be an appealing notion, it is nonexistent in society. Strong men are seen by women as abusive and dominating, while strong women are seen by men as castrating and emasculating. The text of Ken Kesey’s novel, One Flew over the Cuckoo’s Nest, in many ways, conforms to the structure of conventional male myth and asks the reader to accept that myth as a heroic pattern. From a masculinist perspective, it offers a charismatic hero in Randle Patrick McMurphy, a figure of spiritual strength and sexual energy, whose laughter restores the patients of the mental institution to life and confounds the combine’s “machines,” or authoritarians. …show more content…
In the struggle between McMurphy and the Big Nurse, good and evil are represented in the form of male and female. This struggle is clearly marked as a sexual one: Nurse Ratched derives a great deal of her power from her ability to infantilize and humiliate the men – to render them sexless. McMurphy calls her a “ball-cutter,” and according to Harding's analogy she is the “wolf” who has turned the men into castrated “rabbits.” As Robert Forrey describes in his article, “Ken Kesey's Psychopathic Savior: A Rejoinder,” “the premise of the novel is that women ensnare, emasculate, and, in some cases, crucify men” (Forrey 224). The events at the end of the novel confirm the text's masculinist perspective, leaving the reader with a disturbing sense that McMurphy's sacrifice is necessary in order to carry out the ritual violation of the “mother” that is demanded by the male community of the ward. This displays the anti-feminist theme of the text.
The masculine approach of the text creates a dichotomy between the males and females of the ward. During his shock therapy, Bromden recalls a tune he used to sing with his grandmother, which provides insight into the division between the male patients and Nurse Ratched:
Ting, Tingle, tingle, tremble toes, she’s a good fisherman, catches hens, puts ‘em inna pens…wier blier, limber lock, three geese inna flock…one flew east, one flew west, one flew over the cuckoo’s nest…O-U-T spells out…goose swoops down and
The choice that a novelist makes in deciding the point of view for a novel is hardly a minor one. Few authors make the decision to use first person narration by secondary character as Ken Kesey does in One Flew Over the Cuckoo's Nest. By choosing Bromden as narrator instead of the central character of Randle Patrick McMurphy, Kesey gives us narration that is objective, that is to say from the outside of the central character, and also narration that is subjective and understandably unreliable. The paranoia and dementia that fill Bromden's narration set a tone for the struggle for liberation that is the theme of the story. It is also this choice of narrator that leads
From the moment that the apple touched Eve’s lips, women have been seen as an embodiment of all that is evil. This reflects misogynistic societal beliefs that women are below men. While many of the prejudices towards women are hidden in modern American society, some misogynistic stereotypes are still present. In Ken Kesey’s One Flew Over the Cuckoo’s Nest, one can see many misogynistic and sexist undertones. Big Nurse Ratched is in a position of authority over a large group of men and is seen as a tyrannical and unjust ruler. Although most of her methods would have been seen as awful when used by any person, the saturation of bad women in the novel creates an unfavorable picture of women in general. The balance of power in the ward is
“We are victims of a matriarchy here my friends…” (Harding). A matriarchy is a social order where women have power. In the novel One Flew over the Cuckoo's Nest the women are portrayed as the power figures and have the power manipulate, or control the men in the ward, as shown by the characters of Nurse Ratched, Mrs. Bibbit, and Vera Harding.
Searching for an archetype, or an example, when trying something for either the first time or something that is daunting is a common train of thought for a person. This same idea can apply to Ken Kesey’s One Flew Over the Cuckoo’s Nest, in which the protagonist essentially becomes an embodiment of a hero. This piece of literature takes place in the 1960’s, and is presented through the vision of Chief Bromden, a patient that is stuck within an figment of imagination where those who fall to the mechanical system become the machines themselves. The novel’s lead character, Randle Patrick McMurphy, assumes the role of a hero, in both a classical and contemporary sense, where he is pitched against Big Nurse Ratched, a tyrannical force within the
Though every period of time, people often find themselves looking for a savior. While most people turn for Jesus Christ or other religious figures, in the novel, One Flew Over the Cuckoo’s Nest, by Ken Kesey, the patients of a strictly-run psychiatric ward turn to Randal Patrick McMurphy. Kesey uses McMurphy to create a Christ Figure, or a character that shows allusions to Christ, in his work. Despite being a patient, McMurphy finds a way to stand out as a Christ Figure through having his individual thoughts and actions, rather than shrinking himself to what the ward wants him to be.
Although the nurse has seemingly won because the patients were not able to achieve their primary goal, in reality, their real victory is their combined resistance against Nurse Ratched. The adventure on the fishing boat also exhibits how the patients aid McMurphy in his rebellion. Though he charges them for their endeavor, they once again decide to accompany him and go against the institution, further implying their admiration for him and his cause. Even though McMurphy knows that the nurse will likely punish the twelve other patients severely for lying and leaving the ward with a prostitute under false pretenses, he does so anyway, showing that he will risk great punishment to help his “disciples.” Finally, the patients support the party that McMurphy has in the ward with alcohol and the two prostitutes. The main reason behind this event was to ensure that Billy Bibbit, one of the patients on the ward who lacked self-confidence, got to have a date with Candy, one of the prostitutes whom Billy liked. This event is another example of how McMurphy would risk trouble for himself for the betterment of others and how they supported him in his actions.
Only a few are able to utilize the power to control and manipulate situations which can lead to drastic outcomes. Those with an assertive and manipulative personality tends to use that to their own benefit and completely disregard the impact their personality has on the surrounding people and themselves. In Ken Kesey’s novel, One Flew Over the Cuckoo’s Nest, he expresses the theme of power and manipulation through two characters, Nurse Ratched and McMurphy. Both characters use their manipulative powers for their own advantage in a deceptive way that causes the patients admitted to the asylum to suffer rather than improve.
Ken Kesey’s One Flew Over The Cuckoo’s Nest is a book in which he dealt with the issues of racism, sex and authority that is going on in a mental institute. In the novel, the women are depicted as the power figures who are able to significantly manipulate the patients on the ward. There are four ways of Ken Kesey’s using of “woman” as a subject: Superiority of male sexuality over female authority, matriarchal system that seeks to castrate men in the society, mother figures as counterpart of Big Nurse and “Womanish” values defined as civilizing in the novel.
In “One Flew Over the Cuckoo’s Nest” by Ken Kesey, Nurse Ratched symbolizes the oppression of society through archetypal emasculation. The male patients at the ward are controlled, alienated and forced into submission by the superior female characters. Throughout the novel, there is a constant fear of female superiority; Randle McMurphy, the sexually empowered male protagonist, states how they are essentially being castrated. Castration, in the novel, symbolizes the removal of freedom, sexual expression and their identity. Furthermore, Nurse Ratched, the mechanical enforcer, represents American society: corruption, surveillance and the deterioration of individuality.
By carrying out the Combine?s orders and imposing a matriarchal system, the Big Nurse has the ability to systematically dehumanize the patients and suppress their individuality. In Group Meetings, the men are forced to talk about personal experiences, a method Big Nurse claims is therapeutic but is actually very humiliating. Billy Bibbit talks about his first love who his mother disliked. Billy?s relationships with women seem to be the root of his problems. Nurse Ratched worsens the situation by ?grinding (his) nose in (his) mistakes? instead of helping him work through his problems (59). The patients let the nurse manipulate them in fear of the consequences of her wrath, and consequently are shamed, weak, and defenseless men. Even the Chief, the biggest man, has become a person so weakened by his society that he loses his ability to speak against the cruelty that surrounds him, ultimately leaving him powerless. The men are victims of their society and lose all their self confidence and individuality as a result of being pressured to conform.
“A success, they say, but I say he’s just another robot for the Combine and might be better off as a failure…”(17).
When the two station attendants try to exploit the men, McMurphy helps them gain the upper hand by posing as criminally insane (Fick). Even though the patients “become men”, adult sexuality is conspicuously absent from the novel. It is mainly the men’s cause to “remain boys on their own terms” (Fick par. 8). McMurphy’s women are boys’ companions. Candy and Sandy are good bad girls. “McMurphy’s sexuality complements a personal consistency that obliterates the distinction between past and present. Returning from the fishing trip, for example, he stops by his childhood house and tells the men of his own sexual initiation” (Fick par. 9).
One Flew Over the Cuckoo’s Nest is a controversial novel that has left parents and school authorities debating about its influence on students since its publication in 1962. The novel describes the inner workings of a mental institution, how the patients are emasculated and mistreated by the terrifying Nurse Ratched, who will go to any length to control them. But in comes McMurphy, a criminal who chose to go to an asylum rather than serve physical labor; he disrupts the order of the hospital with his big personality and loud opinions, undermining the authority of Nurse Ratched and encouraging the patients to live their own lives, until he too, is silenced forever by authority. With his novel, Ken Kesey paints society as an oppressive
In Kesey’s 1950s novel ‘One Flew Over The Cuckoos Nest’ Nurse Ratched’s relationship with male patients is based upon differences they hold about gender and identity. Nurse Ratched is portrayed as a masculine misandrist figure that gains power from emasculation. She carries “no compact or lipstick or woman stuff, she’s got that bag full of a thousand parts she aims to use in her duties” . This implies nothing womanly about her as she prioritises her “duties”, suggesting that she aims to control her male patients by ridding her feminine qualities. In addition, she is shown in robotic with a chilling aura. This is evident when she slid “through the door with a gust of cold and locks the door behind her” . This indicates that as a power figure her only concern is controlling her male patients, making sure they are obedient and abiding by her rules. “Gust of cold” implies that by doing so she wholly ruins her relationship with the males due to her “cold” and callous methods. Daniel J. Vitkus states she is “the Big Nurse, an evil mother who wishes to keep and control her little boys (the men on the ward) under her system of mechanical surveillance and mind control.” Yet, can be argued that she is fulfilling her role of working as a Nurse within a mental institution. However Vitkus’s critique is similar to when McMurphy says “Mother Ratched, a ball-cutter?” McMurphy is a hyper masculine force against Ratched’s emasculating norms. Their relationship is essentially a power
Characters like Billy Bibbit, who is too timid, with a speech impediment and Harding who is a closet homosexual and was less avert in sexuality were seen as having mental problems, and were committed to the asylum. McMurphy demonstrated the treating of these patients like normal people, helped them to become more in line with society then Nurse Ratched’s rules and group therapy meetings, or pecking party as Chief Bromden would call it. Chief Bromden was a Native American and wasn’t insane until he was institutionalized and withdrew himself from everyone else pretending he was deaf and dumb to protect himself. Ken Kesey’s message here with Chief Bromdens silence, was to portray the natives of the time having no voice in the country and to show the controlling and manipulative manner of Nurse Ratched that emasculated and de-socialised these grown men.