The Role of Mother for Slave Women in Harriet Jacobs´ Incidents in the Life of a Slave Girl and Harriet Beecher Stowe´s Uncle Tom´s Cabin

Incidents in the Life of a Slave Girl by Harriet Jacobs strongly speaks to its readers by describing the brutalities of slavery and the way slave owners can destroy peaceful lives. After reading and rereading the story have noticed certain things regarding how Jacobs tries to educate her readers and her intended audience which is the women of the North. As if we do not know enough about how terrible slavery is, this story gives detailed examples of the lives of slaves and provokes an incredible amount of emotions. She uses several tactics in her writing to reach her desired audience and does so very well.

“Incidents in the Life of a Slave” by Harriet Jacobs is an autobiographical narrative. It gives us a look inside in how the lives of slave women were, the troubles they faced and how they met them, especially the sexual abuses they suffered by their masters. She tells us how her master had the “right” to impregnate the slave and then that child would have to follow in its mother’s life as a slave. It took a lot of courage to stand

Slavery was common in the eighteenth century. Slaves were seen as property, as they were taken from their native land and forced into long hours of labor. The experience was traumatic for both black men and black women. They were physically and mentally abused by slave owners, dehumanized by the system, and ultimately denied their fundamental rights to a favorable American life. Although African men and women were both subjected to the same enslavement, men and women had different experiences in slavery based on their gender. A male perspective can be seen in, My Bondage and My Freedom by Frederick Douglass. A female perspective is shared in Harriet Jacobs’ narrative titled, Incidents in the Life of a Slave Girl. Upon reading both of the viewpoints provided, along with outside research, one can infer that women had it worse.

Harriet Jacobs wrote, “Incidents in the Life of a Slave Girl” using the pseudonym Linda Brent, and is among the most well-read female slave narratives in American history. Jacobs faces challenges as both a slave and as a mother. She was exposed to discrimination in numerous fronts including race, gender, and intelligence. Jacobs also appeals to the audience about the sexual harassment and abuse she encountered as well as her escape. Her story also presents the effectiveness of her spirit through fighting racism and showing the importance of women in the community.

Harriet Jacobs and Emily Dickinson convey the female experience in very different ways. Dickinson was a white-American poet known for and secluded because of her eccentric nature. Jacobs was an African-American writer enslaved and isolated because of her race and gender. It is easy to see the differences in Dickinson and Jacob’s personal lives, but it is also easy to draw parallels between Dickinson and Jacobs as their work shares a very common theme; the power of silence. While Dickinson suggests that a woman who understands how to use silence can be powerful, Jacobs finds empowerment in silence itself, but what is most interesting is how the two women navigate silence in order to become powerful.

In these two tales of brutal bondage, Harriet Jacobs' Incidents in the Life of a Slave Girl and Frederick Douglass' Narrative of the Life of Frederick Douglass, the modern reader can decipher two vastly different experiences from circumstances that were not altogether that dissimilar. Both narratives tell the story of a slave gaining his or her freedom from cruel masters, yes, but that is where the most prominent similarities end. Not only are they factually different, these stories are entirely distinct in their themes.

In the Incidents in the Life of a Slave Girl, Harriet Jacobs argues that her master had an undesirable obsession for her. An obsession she did not want, but could not escape. When Jacobs turned fifteen, life changed drastically; she had gained an unwanted eye of her master. Though her master was afraid to have his inappropriate behaviors and impure thoughts gossiped through town or reported to her grandmother, “he was a crafty man, and resorted to many means to accomplish his purpose” (Jacobs, 52). Despite the fact that Jacobs feared for herself, she felt as if she could not escape her unwanted fate. “My master met me at every turn, reminding me that I belonged to him, and swearing by heaven and earth the he would compel me to submit to him” (Jacobs, 53). Due to his undying

Harriet A. Jacobs Incidents in the Life of a Slave Girl: Jacobs’s construction of black female empowerment despite the limitations of slavery

The feminist movement sought to gain rights for women. Many feminist during the early nineteenth century fought for the abolition of slavery around the world. The slave narrative became a powerful feminist tool in the nineteenth century. Black and white women are fictionalized and objectified in the slave narrative. White women are idealized as pure, angelic, and chaste while black woman are idealized as exotic and contained an uncontrollable, savage sexuality. Harriet Jacobs’ Incidents in the Life of A Slave Girl, brought the sexual oppression of captive black women into the public and political arena.

Your child can be taken away from you in the blink of an eye. “Many slave children were taken from their families as early as three years old. Some were lucky enough to not be separated.” (Lee) they would take them from their parents, and for a kid during that time it has to be mortifying. Therefore in some these cases some of the children and parents didn’t get to have an actual relationship with one another. “They are going to carry my children to the plantation to-morrow; and they will never sell them to anybody so long as they have me in their power.” (879) Harriet had taken her kids away and was trying to protect them. She then has to hide because she knows bad punishments will be coming to her for ruining the owner’s sells. Just goes to show a mother will do almost anything in the world for their child including risk their own

Harriet Jacobs' words in Incidents in the Life of A Slave Girl clearly suggests that the life as a slave girl is harsh and unsatisfactory. In this Composition, Jacobs is born a slave, never to be freed. She struggles through life in many instances making life seem impossible. The author's purpose is to state to the people what happened during slavery times in the point of view of a slave. Her life is so harsh that she even hides from her master for 7 years in a cramped space in the top of a shed without any room to walk. The theme of the story is a statement on how slavery was a much harder way of life than many people may have thought. Many people during these times thought that slaves were happy where they were and that their lives

Wolfe points out that there are two agendas in the mind of Harriet Jacobs while writing the novel Incidents in the Life of a Slave Girl. Wolfe claims that Jacobs has two different audiences that she is addressing in her novel as well. According the article written by Wolfe (518), Jacobs writes in such a way that the black community understands her messages without being offensive towards the white community and this is called double-voicedness. Jacobs's double-voicedness, “enables her to keep clear instructions for her black brothers in the North a secret in such a way that white readers will not find her message obvious or offensive.” After reading Wolfe’s article it seems as though Jacobs wanted her agenda to be known by all the people living in the free states, and be able to convince these people what slavery really is, and how to resist the racism and discrimination that comes after slavery.

Slavery was a horrible institution that dehumanized a race of people. Female slave bondage was different from that of men. It wasn't less severe, but it was different. The sexual abuse, child bearing, and child care responsibilities affected the females's pattern of resistance and how they conducted their lives. Harriet Jacobs' Incidents in the Life of a Slave Girl, demonstrates the different role that women slaves had and the struggles that were caused from having to cope with sexual abuse.

The introductory line of Harriet Jacob’s preface to Incidents in the Life of a Slave Girl, “Reader, be assured this narrative is no fiction”, is short yet serving (Jacobs 224). Although brief in its nature, this statement manages to encompass two major aspects that characterize African-American literature: audience and truth. In all writing, understanding the target audience and how to arrange an argument or essay to appeal to that specific crowd is paramount. However, it is especially important for African-American authors, who typically need to expose injustices or call for social change in their works. In particular, two African-American authors who understood their audience and how to manipulate that understanding were Charles W. Chesnutt and Marcus Garvey. Although they were born only twenty-nine years apart, Chesnutt and Garvey technically wrote for different time periods. While Chesnutt’s work is associated with “Literature of the Reconstruction”, Garvey was grouped with authors and activists from the Harlem Renaissance (Gates and Smith 580 ). The separation of their literary epochs drove Chesnutt and Garvey to write for contradistinctive audiences that demanded unique written techniques and rhetorical strategies, but that both asked for utmost honesty.

While Harriet Beecher Stowe’s Uncle Tom’s Cabin overtly deals with the wrongs of slavery from a Christian standpoint, there is a subtle yet strong emphasis on the moral and physical strength of women. Eliza, Eva, Aunt Chloe, and Mrs. Shelby all exhibit remarkable power and understanding of good over evil in ways that most of the male characters in Stowe’s novel. Even Mrs. St. Claire, who is ill throughout most of the book, proves later that she was always physically in control of her actions, however immoral they were. This emotional strength, when compared with the strength of the male characters, shows a belief in women as equals to men (if not more so) uncommon to 19th century literature.