Essay on The Role of Women in Beowulf

A further example of Wealctheow being treated as a sexual object is right before Beowulf fights Grendel. If Beowulf kills Grendel, then Hrothgar will reward him with prizes. Hrothgar says to Beowulf, “If you destroy my Grendel for me, she’ll be yours forever and ever and ever.” The king is going to reward the hero with his precious horn and his precious queen. Wealctheow is clearly treated as an item in this situation. Later when Hrothgar commits suicide, the queen is passed on to Beowulf. She goes from king to king like an object. Wealctheow would be nothing without a king. As she gets passed along, the queen becomes a pawn and becomes more and more detached. Her resistance dies down as she is passed from king to king. When Beowulf is king, she acts very gloomy the younger woman tells Weachtheow, “What happened to us? Too many secrets.” Also, Weachtheor’s expression and tone of voice is very disconnected. Her resistance to Hrothgar ends up being useless because she still doesn’t gain equality at the end of the movie. The queen looses power because she isolates herself from the king and society.

Women have had many different roles in the history of European literature but have generally been restricted to the roles assigned to them in a largely patriarchal society. As a result of this society, these roles have often been powerless ones. This calls into question the constitution of a powerful woman in literature: in Beowulf, being a powerful woman means becoming the bond between families and alliances; in Lanval, power comes from assertion and control-- a powerful woman is a woman in charge. The primary difference between the representation of women in Beowulf and Lanval is that the latter transcends overarching patriarchal boundaries, and the former does not; the reason for their respective representations lies in the literary time periods in which the stories were written. From this, one can see that the introduction of romance as a central theme gave way to new representations and roles of women in predominantly heteropatriarchal English literature and gives new meaning to the analysis of stories like these.

Within the pages of the well-known epic poem are many extraordinary and warring narratives of the Middle Ages. Beowulf is important because it is one of the most ancient European epics written in the vernacular, or native tongue. The seemingly super natural heroes of this exciting and famous writing have a great impact on the typical roles of their women. As declared through out the many lines of the astonishing poem, the women have many purposes and serve a variety of roles. Wealhtheow, Hygd, Hildeburh, Freawaru, and Grendel’s Mother give examples of the historical roles that are expected of the women of this ancient time. The women in “Beowulf” have the significant roles of hostess, peaceweaver, and mother.

    Throughout the epic Beowulf, the importance of male heroism is far exceeding than that of the significance of women. The idea that women are obedient and docile is a likely thought in medieval Britain, although the women of Beowulf  are different, being known as noble, powerful, and assertive. Throughout the text there are major women that play integral roles in society: Grendel's Mother, and Hildeburh. “These women entertain, bring peace, and contradict societal expectations of the female gender, either directly or indirectly, … and illustrate the major roles for the women in the society: the Peace-weavers, and the Goaders ” (TheDomesticBeast). Although there is little mention of women throughout this epic, their fundamental roles within the society were clearly immense.

In Beowulf, varying treatment among each gender is common. Therefore, mistresses are not allowed to perform actions that men were permitted and are required to enact based on society’s standards. Females are not retained from doing heroic deeds because of the structure of their body or the estimated weightlifting qualifications. However, the weakest of males are expected to excel through rigorous parts in their life to represent heroic traits they possess within unearthly powers as men of the Gods. Savage animals were not figurative in the passage, but were viewed just as real as a man’s sword. Without these monsters, the men could not have slain enough to be seen as inhumanly or superior compared to the average man. Males were constantly competing against each other in order to have a place among the Gods.

Although traditional Anglo-Saxon society emphasizes on patriarchal views, women play significant roles in “Beowulf”, challenging the masculinity presented. This is portrayed through Wealhtheow, Hildeburh and Freawaru, and Grendel’s mother through their hospitality, their peace weaving, and their anger. In contrast to the stereotype of women being submissive and compliant, “Beowulf” brings new light to the idea of women. An example of hospitality is when Wealhtheow, queen to Hrothgar, is a hostess for people in the hall, allowing all the nobles there to drink and have an appropriate celebration for the event.

Before the story of Beowulf was written down, the tale was spoken through the oral traditions characteristic of Anglo-Saxon Literature. This oral ritual was mindful not only of the particular event and time in which it was recited, but also of the receptive nature of its audience. Moreover, these stories contained repetitions of key elements and themes as a way to stress their significance. Ultimately, however, all the stories told through the oral tradition usually mirrored the principles and ideals of the Anglo-Saxon culture at the time they were told. This tradition remains ever-present within the modern text of the medieval poem of Beowulf. Two notable tales of character in the poem gain deeper nuance when placed in Beowulf’s

their husbands die the temporary peace is broken and the fighting clans resume war. The women of Beowulf also played he role of hostess. They knew there place in the Middle Age world.

As the poems of Beowulf and Sir Gawain and the Green Knight show, women have always had power, yet not as overt a power as wielded by their masculine counterparts. The only dynamic of women’s power that has changed in the later centuries is that the confines and conditions in which women have wielded their power has become more lax, thus yielding to women more freedom in the expression of their power. The structure, imagery, and theme in the excerpts from Beowulf (lines 744-71) and Sir Gawain and the Green Knight (lines 2309-30) support the concept of more power in the later centuries, by contrasting the restriction of Wealhtheow and the power she practices in Beowulf with the Lady’s more direct assertion of power in Sir Gawain

After Grendel’s death, “Grendel’s Mother, intent on avenging the loss of her son, attacks Heorot, her masculine aggression contrasting with the feminine passivity of both Hildeburh and Wealhtheow” (158). Wealhtheow fulfills her role as the peace-weaver by creating harmony between the Danes and the Helmings. When Hildeburh’s son dies, she appropriately mourns in a passive state. In both events, Wealhtheow and Hildeburh behave statically, which is the ideal feminine reaction in their circumstances. Contrastingly, Grendel’s Mother is enraged and infuriated for the loss of her son, thus she intends to avenge Grendel’s death. Due to Grendel’s Mother’s pride and impulsiveness, she is compelled to seek revenge and kill Aeschere, which ultimately brings upon her own downfall. Since Grendel’s Mother is a woman, she is not justified to crave revenge or to act in an aggressive state. Additionally, a female should remain loyal to her husband not her son, yet Grendel’s Mother is obsessively devoted to Grendel. Because this quote explains the contradicting attitudes of Grendel’s Mother compared to the other women in the poem, it demonstrates how Grendel’s Mother opposes the Germanic ideals, therefore leading me to my agreement with Chance’s

Beowulf is known for displaying the importance of male heroism via Beowulf, but what about the significance of the women in the poem? The significance of women in Beowulf is overshadowed by the great heroism of the character Beowulf, but the women each have a reason for participating in the epic. The ideal woman was someone who was a noble, a mistress and loyal. An ideal woman is described in Maxim I: “at mead drinking she must at all times and places approach the protector of princes first, in front of the companions, quickly pass the first cup to her lord’s hand”. The significance of women in Beuwolf is a minor detail in the epic, but proves to be vital to Beuwolf. The epic of "Beowulf" illustrates three major roles for the women in the society: the hostess, the peacemaker, and the monster. Five women in Beowulf play the major roles throughout the epic: Wealhtheow, Freawaru, Thyrth, Grendel's Mother, and Hildeburh. These women entertain, bring peace, and contradict societal expectations of the female gender, either directly or indirectly.

As an epic tale of heroes and monsters, Beowulf gives its readers much excitement and adventure, but Beowulf's importance is more than just literary. It offers many insights into the beliefs and customs of seventh-century Anglo-Saxon culture. Among these insights is the Anglo-Saxon view of women and their role in society. Good Anglo-Saxon women are peaceful and unassertive, greeting guests and serving drinks to the warriors and other men in the meadhall. Wealhtheow, the queen of the Danes, represents a typical subservient Anglo-Saxon woman. As a foil to Wealhtheow, Grendel's mother is a strong and combative monster whom Beowulf must kill. By analyzing these two characters in Beowulf, we can understand the

The most prominent role of women throughout the poem is devoted wives and queens, which is reflected in the portrayal of Queen Wealtheow. When she is first introduced, Wealtheow “went on her rounds, queenly and dignified, decked out in rings, offering the goblet to all ranks, treating the household and the assembled troop” and then “with measured words she welcomed the Geat and thanked God for granting her wish that a deliverer she could believe in would arrive to ease their afflictions” (lines 620–28). The anonymous poet paints a picture of Wealtheow as gracious, regal, and put together, everything that an ideal queen should be. Not only is she physically perfect, but she is also an ideal hostess – one who tends to everyone, welcomes guests warmly, and ensures that everything is running smoothly for her husband. Later in the poem, Wealtheow gives a toast, “enjoy this drink, my most generous lord; raise up your goblet, entertain the Geats duly and gently, discourse with them, be open-handed, happy and fond” (lines 1168–71). Similar to this one, Wealtheow often gives speeches or toasts throughout the poem, something that, though not entirely masculine, is usually reserved for kings to give to his

The Anglo-Saxon wife was in charge of the store-rooms of the house; offering the cup may have symbolized the generosity of the royal couple (Page 72). Wealhtheow and Hrothgar's daughter, Freawaru, also shares in the cup-bearing, perhaps as a sign that she is of age to take on the duties of managing the household (she is already engaged to be married to the king of the Heathobards). While presenting Beowulf with the gifts, Wealhtheow takes the opportunity to ask Beowulf to be a "kind counselor" and "kind friend" to her sons. She also speaks to Hrothgar, telling him that she had heard that he was considering "having this hero [Beowulf] as a son" and to "make use of generous rewards... but leave the people and the kingdom to your kinfolk" (Hieatt 47). In other words, she asks him not to take gratitude too far and name Beowulf heir over their own sons. That she is bold enough to make both requests without hesitation or question shows that she was accustomed to authority and had some power of her own. Another indication of the power wielded by queens is the respect accorded to Hygd. She is beautiful, wise and young. Beowulf gives her the necklace that Wealhtheow had given him as well as three horses. That may have been a gesture meant to win her support within the court.

Another female character in the poem is Wealhtheow, and without a doubt we notice that she is a female who is respected and admired, being the wife of King Hrothgar, Queen of the Danes: “Applause filled the hall./Then Wealhtheow pronounce in the presence of the company” (1214-1215). There is a great contrast between Grendel’s mother and Wealhtheow.