The Role of Women in Hesiod's Theogony and Works and Days Essay

The story of Pandora is one of the main stories mentioned in Works and Days. Pandora was created as a punishment for men by Zeus because Prometheus tricked Zeus and stole back the gift of fire after Zeus deprived mankind from it. Hence, he ordered Hephaestus to craft a creature out of clay that Athena then supplied with ‘womanly skill’ of weaving while Aphrodite was in charge of ‘pouring grace’ desire and heartbreak. Hermes added ‘thievish nature’ and the ‘mind of a bitch.’ Since she was given all these gifts

Greek creation myth highlights how men and women differ in their status and roles. Women were the inferior sex when compared to men, they were seen as intellects, and child

The Odyssey, by Homer, was written with the Greek mindset that women were supposed to be submissive. If the woman in question was not submissive enough, she was depicted as cruel, selfish, a monster, or a whore. This is true for both mortal women, such as Penelope, and immortal goddesses, such as Calypso. Mortal women were expected to be good faithful wives who listened to everything the head of the household said, while goddesses were expected to follow the gods every order and were called sexist slurs if they ever got involved with a mortal man.

The myth of Pandora starts with two brothers, Epimetheus and Prometheus, who were Titans that tasked themselves as spokespeople for their creation from clay: mankind. Epimetheus was in charge of creating the creatures that were to roam the Earth while Prometheus was to distribute them. While most animals were armed or protected by their physical attributes, man stood alone naked and bear to all those that may attack. Thus, Prometheus, the mischevious of the two, deceived Zeus one day into giving mankind the best portion of a sacrificed bull, leaving behind bare bones and fats for the gods. Outraged and offended, Zeus then took the gift of fire away from mankind to leave them in the cold and darkness. However, Prometheus once again outwitted Zeus and stole unwearying fire for men to have the intelligence necessary to sustain their lives. As punishment, Zeus chained Prometheus to a rock in Caucasus where an eagle ripped apart and devoured his liver every day, which then regenerated each nightfall as result of his immortality. Although Prometheus caused him the most angst, Zeus believed the kind-hearted Epimetheus deserved to struggle as well in a form that would not only punish him but also the brothers’ creation of mankind. Zeus called out for Hephaestus to construct the most beautiful, intelligent, and brave women named Pandora to be the new companion of Epimetheus in place of Prometheus. However, he also graced her with one other quality: curiosity. So, Zeus delivered his

In the Hebrew Bible, the Book of Genesis and the Greek play Medea, by Euripides, contain female characters that can be seen as complex and have significance and meaning in the text. There are many interpretations involving the female characters, some characters may be portrayed as weak and irrational or strong-willed and wise. I will argue that, women are portrayed in the Hebrew Bible and Medea as irrational and senseless, in order for the men to be portrayed as superior and for women to be seen as inferior. This idea of the female characters being irrational and senseless can be seen in Genesis 4, Genesis 18, Genesis 29, and throughout the Medea play.

Greek and Roman women lived in a world where strict gender roles were given; where each person was judged in terms of compliance with gender-specific standards of conduct. Generally, men were placed above women in terms of independence, control and overall freedom. Whereas men lived in the world at large, active in public life and free to come and go as they willed, women's lives were sheltered. Most women were assigned the role of a homemaker, where they were anticipated to be good wives and mothers, but not much of anything else. The roles of women are thoroughly discussed in readings such as The Aeneid, Iliad, Sappho poetry, and Semonides' essay.

In the poem written by Homer, "The Odyssey", there is evidence of these views as pointed out by Sue Blundell. In her book, Women in Ancient Greece, she gives many examples but I would like to just touch on a few. Sue suggests many of the monsters encountered in The Odyssey are unmistakably female. Woman are to be seen as having a sexual power to engulf and obliterate men if they become to closely involved with them (Blundell, 51). This might explain why women are kept in check in Greek society and why men are not to be blamed for their

The duty of women portrayed in Greek society is a major subject in Euripides Medea. In old Greek society, ladies are delicate and compliant as per men, and their social position is viewed as exceptionally mediocre. Feminism is the hypothesis of men being viewed different in contrast to women and the male predominance over ladies in the public eye. Women's lives are spoken to by the parts they either pick or have forced on them. This is obvious in the play Medea by Euripides through the characters of Medea and the medical attendant. During the day and age which Medea is set ladies have exceptionally restricted social power and no political power by any stretch of the imagination, despite the fact that a ladies' maternal and residential power was regarded in the protection of the home, "Our lives rely upon how his lordship feels." The constrained power these ladies were given is diverse to present day society yet parts are as yet forced on ladies to acclimate and be a devoted spouse. Ladies have dependably been dis engaged because of their sex in present day and antiquated circumstances alike. In Corinth they are required to run the family unit and fit in with social desires of an obedient spouse. Medea, being an eternal and relative from the divine beings has a specific power in insight and guileful keenness. Being an outsider, Medea's wayward nonsensical conduct was normal in this play as she was not conceived in Greece and was viewed as an exotic foreigner. She goes over to the group of onlookers as an intense female character regarding viciousness. Some of Medea's responses and decisions have all the earmarks of being made a huge deal about as creators for the most part influence characters to appear to be overwhelming; this makes a superior comprehension of the content and the issues which are produced through the characters. Medea's ill-conceived marriage and the double-crossing of Jason drive Medea to outrageous vengeance. Medea acts with her immortal self and confer coldhearted demonstrations of murder instead of legitimize the results of her actions. Medea see's this choice as her lone resort as she has been exiled and has no place to go, "stripped of her place." To make sensitivity for Medea, Euripides

Another example of how the rules and expectations for women did not apply to men in The Odyssey is when Eumaeus, the loyal swine herdsman of Odysseus, recounts how he came to Ithaca as a captive of a slave woman, Phoinikia. This woman was seduced by a roaming seafarer who, '…made such love to her as women in their frailty are confused by, even the best of them.'; The god Artemis later kills Phoinikia for her 'treachery.';

Women form an important part of the folk epic, written by Homer, The Odyssey. Within the story there are three basic types of women: the goddess, the seductress, and the good hostess/wife. Each role adds a different element and is essential to the telling of the story.

The Roman epic of Virgil's Aeneid describes the hardship and misadventures of Aeneas and the Trojans quest from Troy to Italy. Like Homer’s famous epics, the Iliad and Odyssey, Virgil’s narrative style and structure portrays similar attributes in the finding of Rome. Aeneas encounters several women on his journey who play a significant role throughout this epic in assisting or destroying his journey to Rome. His representation of female characters provides the readers with a better understanding of gender politics and reasons why some female leaders failed. Each of Virgil's female characters demonstrates a combination of traits throughout the epic; however, such behaviors of these women tend to develop unwanted conflict due to emotions.

Further on, Medea talks about the rules of marriage, about how women have no choice in their own marriage, but if “the husband lives with us and lightly bears his yoke, then life is enviable” (9). According to Medea, the only important thing in a woman’s life is marriage and children, and if women

Prometheus is given a (possibly) eternal torment, to be chained to a column and have his liver torn out daily. His brother Epimetheus is given what we may infer is punishment of comparable magnitude: the first woman. In the Works and Days, we learn she is called Pandora, "The Gift of All." This gift comes with many alluring qualities: she looks "like a goddess immortal, having the lovely shape of a virgin," she is taught by Athena weaving, and Aphrodite has"shed on her charm, …mak[ing] her an object of painful love and exhausting desire" (Theogony, 62-66). She is dressed by Athena in a "silver-white gown (575) and adorned by the Graces and "our Lady Persuasion" with golden necklaces, and crowned by Horai with flowers, as well as an intricately crafted golden crown, which, while a "marvel to look at," depicts "terrible monsters." And if these charms aren’t enough to lure a man into the clutches of woman, men who do not marry and have progeny are doomed to "baneful old age with no one to care for his needs,"(604-5) and his collateral heirs will divide his goods.

The groom’s choice in bride was largely determined by the amount of dowry the bride would bring with her. Although the wedding was a happy ceremony, it was only the beginning of a woman’s loss of independence. Not only did women possess no independent status in the eyes of the law; she always remained under the supervision of a male. If her husband died, she was returned to her father’s or brother’s home where they would take charge of her. After the wedding, the wife’s duties were centered on the management of the home. She would overlook the slaves, mend and make clothing for her family, usually done by spinning or knitting, weave rugs and baskets for the home, or just fold and refold the clothing kept in the family chest. The wife was also responsible for maintaining her attractiveness for her husband. A proper Athenian wife would adorn herself with jewelry and use rouge upon her husband’s arrival home. Sometimes she might spend an entire evening sitting next to the couch where her husband lay reclining. Most importantly the Athenian women were seen as “fine upstanding matrons” fit to bear a race of excellent athletes” (Everyday Life in Ancient Greece, pg. 86). An Athenian man married primarily to have children. These children were expected to care for him in his old age, but more importantly to bury him with the “full appropriate rites” (Daily Life in Greece, pg. 57). Moreover, Athenian men married to have male children in order to perpetuate the family

How much control do women have over their emotions in the Aeneid? In his poem, Virgil frequently shows women in situations where irrational thoughts lead to harmful choices. Specifically, Virgil presents women as being easily influenced by their emotions. Consequently, these characters make decisions that harm both themselves and those around them. Throughout Aeneas’s journey, divinities such as Juno and Venus are seen taking advantage of the emotions of different women, influencing these characters to act in ways that ignore important priorities. Not only does Virgil present women as completely vulnerable to their emotions, but he also shows the problems that arise when these women engage in decisions where they put their own feelings