The Roles Of Children And Youth Actors Essay

The past four years, I have breathed, slept, eaten, thought and immersed myself in all thing pertaining to theatre. This is where I discovered to truly work in a team, where I could be without fear of being something I am not, and where I have found peace in the maddening swirl of day to day life, ironic in the fact that theatre is a hectic world. This world is where I have made my best friends and found people I know I can count on and that I insist can depend on me. If I have learned one thing from my experiences in theatre, it is to strive and achieve

“What do you want to be when you grow up?” is a question that children get asked quite frequently. Most of the time, a child aims big and chooses an extravagant career, like an astronaut, a police officer, or a doctor. Obviously, it is impossible for a child to obtain one of those jobs at such a young age. However, acting in Hollywood is a possible career for a child. If a child is talented enough to be a star, then why not let them pursue their passion? While the life of being an actor in Hollywood seems like a dream to most children, fame comes with many terrible obstacles for some stars. Over the years, there has been a large debate on whether or not acting in Hollywood as a child is as picture-perfect as it seems. Hollywood is filled with tons of secrets. Why should a child be put into such an untrustworthy environment? Acting in Hollywood is in no way safe for children.

I’ve adored theatre for as long as I can remember. From writing plays throughout elementary school, to being involved in Drama Club in middle school, to performing in community theatre in high school, and to visiting the theatre as often as I could from the very beginning, theatre has always been a part of my life. Every aspect of it engages me: the directors working to bring their vision of the show’s scenes, choreography, or music to life, the actors transforming into different characters through their expression of dialogue, song, or dance, the costumers and set-builders transporting the audience into the setting and time period with their artistry, the backstage tech and crew working quickly and precisely to keep the show flowing to curtain call, and the orchestra bringing the show to life through music. There is nothing like the experience of live theatre, both as a member of the audience and as a member of the cast and crew.

Above all, I wouldn’t be where I am today without theatre. Without the chance to perform throughout my life, I would be disconnected from the wide array of communities and histories that’s been imbedded in my daily routine. Unfortunately, it’s speculated that the theatre is a dying art form, because of the expanding popularities of movies (“Is”), but I think that it’ll remain a well renowned part of expressing imagination and interpreting history as years pass; it only takes cooperation with school faculty and young students that go above and beyond to change their

Theatre has evolved over the many years. As it has grown, it moved to include more diverse performers, crew, producers, and audiences. This is an exploration of the expansion of diverse theatre.

MU 2.9 1.1 Explain why working in partnership with others is important for children and young people

Ever since I can remember I have loved theatre. It’s been a constant presence, and an important touchstone, in my life. However, for as long as I’ve loved theatre, I have also been ridiculed for my enjoyment of it. As a child, my interest was tolerated as something precious, something I was bound to grow out of. My parents and teachers would sit in the audience, clapping and cheering me on, all the while thinking to themselves “I bet she’ll make a great lawyer one day.” They thought, like most of society, theatre was an unnecessary luxury; a pastime for the rich and powerful, for those who didn’t have to worry about putting food on the table, or clothes on their children’s backs. Certainly not

I have loved theatre for as long as I can remember. The thrill of knowing anything can happen and the sense of belonging has always fascinated me. The summer before I came to college, I took an internship with a theatre company run by Christians, and it completely changed my approach to theatre. I hope to keep Jesus first not only in theatre, but in every area of life. I have so much more to learn, but I’m excited for what the future holds. Although there are some limitations and challenges as a Christian, theatre is a beautiful and fulfilling art form that Christians can study and practice.

During the 19th century, theater adopted a realistic viewpoint by romanticism but also a rise in modern nationalism to give people a sense of belonging in a community or culture (Carlson 2014: 21). In the 20th century, realism in theater was challenged and plays were now easier to attend due to the improvements of communication and the ability to reach other areas of the world by travel (Carlson 2014: 23-24). Theater is another addition to the world of art that is continuously evolving and adapting to the world and cultures influencing its

Running, wrestling, singing, forging, and working with my hands to create works of art are all interests that contribute to who I am. But any description of myself would be incomplete without discussing my involvement in theater. Over the last four years, I have had the amazing opportunity to become adopted into a family of loving, talented actors, who make up the Nooksack Valley Drama Department. This has been the greatest influence for growth in my life to prepare me for college and my future. It has directed me on my current path to becoming a confident leader and a reliable worker.

This past week, I had the opportunity to experience a magnificent play called Born Yesterday by Garson Kanin. This performance was the third of three plays I saw at the Arizona Repertory Theatre. The other two plays were Epic Proportions by Larry Coen and David Crane and Hands on a Hardbody by Doug Wright. These were the first plays I have been to, not only while attending the University of Arizona, but in my generation as a teenager. All together, these performances were amazing and have brought a newly improved insight to my perception of theatre. The hard work and dedication by the actors, directors, producers, cast members, and sound developers were absolutely incredible and I have tremendous respect for their efforts during the overall sequence of producing the plays. The most recent performance I saw, Born Yesterday, can be described and reflected on through various topics such as lighting, sound, directing and producing.

At the theatre at which I do most of my work, previews are a little different than the classic type. The audiences at our previews are comprised of people who may otherwise not be able to see the show- the School for the Blind, foster families, teen moms, kids on the autism spectrum, and many other people lacking the privilege to attend live theatre at all. The audiences at those shows are always the most boisterous, sometimes the hardest to perform for, but always the most grateful. My mindset about theatre for a long time was that the reason I love it so much is because it gives me more joy than anything else I’ve ever experienced. It got me through my dad’s death in 2012, it helps me stay positive through depression, and is overall a therapeutic experience for me. The first preview I ever did made me realize that theatre isn’t for the actors at all, not once performances start- it’s for the audiences. Art is a medium that allows ideas to be brought to light that no one wants to talk about, or don’t know how to. Theatre is my most beloved method of art because of the way I’ve seen it so tangibly transform the lives of those around me. The fact that we, as theatre artists, have the opportunity to bring light to the lives of people who don’t see it much otherwise, is extraordinary. Deaf West’s Spring Awakening revival is a brilliant example of this- it makes such

Since I was eleven years old, I have known that I wanted to act. It was something that my parents never particularly encouraged, nor supported, but the seed was planted. I was sixteen when I first stepped into my high school’s theatre for my first day of drama class, and it changed my life. I felt at home and I would even call it the point of my salvation. From discovering the theatre and joining the world of the performing arts, I have grown so much as a person and have found a sense of self and purpose that I didn’t have before. I could not have imagined that I would, or even could, have the immense passion for acting and theatre that I have today, and it is beyond me how I became so lucky as to find something that makes me so incredibly

There is no theatre without an audience. The audience is as much a part of the playmaking experience as the artists—so how do we incorporate them more actively into what we do? We must work with them – and I’ve learned, in so doing,

The Representation of Children in the Media I am writing about how children are represented in the media, after a group investigation carried out to see how they are portrayed in different papers; local newspapers, tabloids and broadsheets. We were looking to see if newspapers showed positive or negative images of children and how they portrayed them in general.