Only the mango tree that soared and sprawled over the native scrub seemed out of place in the otherwise familiar scene. A bush clearing, a tent, a campfire, and an old bushie — an artist might title a painting The Romance of the Aussie Bush. In fact, an observer would soon sketch a likeness, though not with artistic intent and the drawing later lost amid the chaos of a murder investigation. On Monday, 4th September 1905, an assailant raised a knife in the air and plunged it deep into Peter Lumberg's throat. The blade skewered through his chest almost to the heart. Blood gushed onto nearby bushes. Probably a fatal injury, but not enough for the attacker who unleashed a frenzied assault, punching the knife so deep into the flesh it struck bone. …show more content…
Instead of a killer, his reconnaissance unearthed another body. In this instance, not one he could dispose of in the mud. Noticing wounds on the head and neck, he marched off to summon help. At the nearby Royal hotel, he recruited George Dunwoodie. "Put your hat on and come over. I think there's a man dead." Even before they turned off the road, George glimpsed the tent, a tent he suspected belonged to Peter Lumberg, and beyond the tent, a swarming cloud of flies. Although the body lay face down George recognised the man he met two days before. George worked at his mother's hotel, the Royal, dubbed by the patrons either the Parramatta after a predecessor which burned down years before or Dunwoodie's in honour of the publican. On the previous Sunday afternoon, Peter Lumberg and two friends stopped at the pub for a drink. Beyond any doubt, Peter's appearance scorched the memory of those he met. Almost twenty years before an author depicted him as, "all skin and bone, matted beard and hair forming one tangled mass, with the last twelve month's dirt accumulated on his hard, weather-beaten old face, he looked the very personification of a... missing link." All these years later, he was no prettier. Later that night Peter returned to the pub alone and chatted with George's mother on the verandah. Over the weekend, he said, he moved from the shed where he bunked down in town and set up camp near …show more content…
In hushed tones, they conjectured on the cause of death. "I suppose a drunken kanaka did it," said one woman. 'Kanaka' was the common term for South Sea Islanders imported to work in the sugar industry. Fanny McDaniel, the nearest neighbour, said she'd seen no coloured people in the area for weeks. She rejected the presumption a coloured person committed the crime, "A white man could as easily have done this." Any concern about George's custodianship proved unwarranted. He neither interfered with evidence nor brooked interference. Although courteous to inquisitive onlookers, he was steadfast in his refusal to allow intrusion. He examined both the position of the body and the suspect boot prints. He perused the layout of the site. His astute observation later enabled him to sketch an accurate representation of the murder scene, a task none of the investigating officers thought to undertake. Over at the pub, McGuire, Murray, Seaton and O'Shea returned to the cab, fortified by Mrs Dunwoodie's refreshing beverages. A homicide awaited investigation, so the intrepid crime fighters resumed their journey. This day would afford ample opportunity for boozing. The party had only begun. To borrow the official nomenclature of Mrs Dunwoodie's premises, today would prove a right royal
"The night waned, and I worked hastily, but in silence. First of all I dismembered the corpse. I cut off the head and the arms and the legs."
Onus’s works often involved the symbolism from Aboriginal styles of painting, along with recontextualisation of modern artistic postmodern elements. For example in his work: ‘Barmah Forest’. It is a painting of red gum forests of his father's ancestral country, and
The identity of Australia as a place comes from both its physical features and the atmosphere, which is often created by its physical appearance. Three artists who have depicted the Australian landscape in different styles are Arthur Streeton, John Olsen and Sally Morgan. Streeton’s works are in a realistic but lively style typical of the Heidelberg school. He was intent on recreating the light and warmth of the land. Olsen and Morgan’s works, on the other hand, offer more abstract interpretations of the land. During the 1960s and 1970s, Olsen captured the essence and the energy of the landscape with his bold and bright brushwork whilst Morgan’s work from the 1980s portrays Australia from an indigenous perspective, which she achieves through her use of Aboriginal symbolism and cultural imagery.
This essay aims to portray each individual party’s viewpoint on the incident that occurred regarding The Macgregor Hotel and the claimants Peter and Beatrice, in addition the Crown Prosecution Court will also be scrutinising the events which took place that evening.
During the early settlement of Australia, art was primarily used for documentary purposes by ammeters and pioneers (Splatt and McLellan 1986, 1). The arrival of trained European artists yielded a wave of Colonial oil paintings (Manton 1979, 58), however, these artists were “…trained to regard the landscapes of Europe as the norm.” and therefore their work could not accurately portray the Australian identity and atmosphere (Splatt and McLellan 1986, 1-2). These Colonial artists “…retained the smooth, anonymous surface established by academic procedures and practice.” (Manton 1979, 58). As such, their European eye and techniques distorted the Australian landscape into picturesque, “park-like green hills and bubbling streams bathed in a gentle light.” (Australian Government, 2009), often grounded “….in the middle distance…” (McCaughey 1979, 7). In a stark contrast, the landscapes produced by Heidelberg School artists were lauded for their portrayal of the Australian landscape “…experience(,) realized fully in paint.” (McCaughey 1979, 7). Frederick McCubbin’s Bush Study (1902) exemplifies the difference between the work of Colonial artists and those of the Heidelberg School with its use of Impressionist techniques becoming “…an essential and explicit part of the painting.” (Manton 1979, 58). Within this work, the bush is treated as a familiar abundance and brought “…forward, virtually right up on to the picture plane.” (ibid). The “…iridescent palette and roughened paint texture…” of the work immerses the viewer allowing them to gather a sense of the heat dulled, melancholic Australian bush landscape (ibid, 54-58). McCubbin’s work, as with other Heidelberg School paintings, depict “…a world which is 'natural', self-contained, self-sufficient and paradigmatically Australian.” (Hills 1991,
His mother found his body and
An analysis of bothersome mysteries that were left behind in the short story “A Fever in the Blood”: it being the untold reasons of why the Marchetta’s both attack Mr. Strang biting both of his ears off, his lack of customers, and his imperative loss of hearing. The strange blood curdling event when Johnny Marchetta latched his jaws onto Mr. Strang’s right ear in the alleyway for no apparent reason. He seemed to be like a rabid dog gone crazy for the thirst to bite a human, immobilizing him to finish him off. The thoughts that could be going through Mr. Strang’s could be endless; he did not know the man or the reason of led him to attack his ear.
Before lunch, Dr. Armstrong finds the general dead of a blow to the head. The guests meet together and assume that one of them is the killer, considering they have looked about the island for any one person who might inhabit it. The tiring long day soon sends them to bed.
After this many of the other officers were persuaded by the 'sweet' Mrs Maloney to have a sip too. I thought this was completely inappropriate of the police officers as they were supposed to be investigating a murder. I was confused about the investigation protocol in this story which made it very hard for me to believe. The author manipulated the investigation procedure as he would have known that such actions would not have occurred in real life. In society police officers would not of acted in such manner as murder investigations are treated very
A short moment of fear filled him, nonetheless he needed to remain calm. He didn't want any unnecessary mistakes. Through the mask he still saw the bandit smile, he saw it in his green eyes. The enemy commenced closing in, and the man was now on the ground as he stumbled back when he threw the daggers. The enemy strokes his dagger with his left hand, as he is holding it with his right. On the dagger there was an emblem, it looked like a circle with a K. However, the man needed to stay on task. He thought quickly of a plan, some sort of scapegoat. The bandit was closing in, and the man's heart began to beat faster and louder. It was all he could hear. Come on grab your knife! His arms were disobedient. They wouldn't move. The throwing of the initial knives had taken their toll, and now he is facing the consequences. The bandit lifts his knife up high, and a spark lights in the mans mind. Mistake. The man kicks off from the ground sending dirt towards the bandit and sending the man backwards far enough to escape the bandit. The bandit stumbles back a little bit dazed. Perfect. At a quick pace the man sprung up with all his might, his leggings ready to give in and fall. His arms limp at his sides. However, now was his chance. He pulled his right arm back preparing for a punch, and sends it right into the bandits face knocking him straight back. The bandit fell with a thud and a crack. The man held his fist with his left hand as he fell to the ground. There was an unbelievable amount of pain in his hand, and blood covered his
Distinctive images created by Henry Lawson in ‘In a dry season’, allows individuals to establish new perceptions and values of the natural world. In the short story, Lawson brings his experience to life, a journey from Bathurst to Bourke, exploring the inhospitable setting of the outback. He emphasises on the emptiness of the Australian bush through the distinctively visual, allowing the responders to empathise with the desolated outback. The imperative voice Lawson adopts in ‘Draw a wire fence, a few ragged gums and add some scattered sheep running away from the bush’ invites the audience to visualise an empty, remote setting of the outback. This creates a connection between Lawson and the responders, enriching them with provocative insight
The 28-year-old, Catherine Genovese, was pulling up to her built-up neighborhood from a late shift at a bar in Queens, New York, when she was suddenly attacked by a man with knife named Winston Moseley. “Oh my god, I've been stabbed,” she screamed aloud as people as people heard her and did nothing no one wanted to get
Wright’s 1945 poem, The Hawthorn Hedge, is a representation of the predatory power of the Australian landscape over those who refuse to unite with it. It details an unspecific persona’s attempts to establish security by planting a hawthorn hedge, separating her from a harsh, imagined landscape. The specificity of “the hawthorn hedge” reveals that this is introduced British species. As the hawthorn hedge is traditionally used as a natural fence, this clarifies that the persona is attempting to block out the landscape around her. Secondly, the fact that the hawthorn hedge is a British species suggests that the persona is also attempting to establish a reminder of her homeland, Britain. A tenet of Wright’s poetry is the strength of the true Australia and the concept of Australia’s break-away from Britain, exemplified in
Nell passed out trays to the customers, just like she usually did, but this time, it was quietly and sadly, not like her usual self. Even though the coffeehouse the packed full with men, the whole place was filled with sadness and despair. “Poor Mattie, why did she have to go?” cried Nathaniel, leaning over the ornate coffin.
An Australian Short Story, written by Ryan O’Neill, is such an in-depth piece of literature. The story’s artistic format brings a new meaning to Australian literature, and the typical stereotype. Ryan O’Neill took a chance on this story, because he isn’t an Australian. But after living in Australia for many years, he took the time to really notice things. And with that, he chose to write what he saw and