The Romanticism Of George Gordon : The Great Or Lord Byron

‘When we two parted’ is an elegy of the loss of love, Byron is reflecting and analyzing a relationship that has already ended. His grief, anger and despair, intensifies his use of first person, which maintains a strong impact on the audience throughout. The poem is powerful, personal and unreserved, the emotion and passion is definitely felt through his writing. Byron’s message is ambiguous; so the reader is able to make their own assumption this is the beauty of the poem,

There are many poets that have been writing some of the most amazing poems in the world for years upon years. Poetry is a great way to write about some of the most meaningful things in one’s life, without directly having to state what you’re trying to say some of the times. A lot of poets write about events within their lives as well as things in everyday life in the lives of everyone in the world. The poems “Do Not Go Gentle Into That Good Night” by Dylan Thomas (1914-1953) and “Psalm of Life” by Henry Wadsworth Longfellow (1807-1882) both use great diction and varying tone in their poems to portray their individual perspectives about life.

A third way in which the poets present ideas of patriotism in their poems is through the different references of the legacy that the soldiers carry. This is presented by Tennyson through his last stanza, which states ‘When can their glory

On the other hand, Rubia expresses her perspective of how one should flow with the cycle of life, seen when the speaker “would not wish it” (line 2) any other way then him, an anonymous character, going gently into that good night, completely unlike Thomas. The slight character personality description given in stanza 2 allows the reader to understand this man as one who gently approaches, rather than raging. Instead of fighting for more, he is willing to cherish what he is given, and deal with obstacles humorously. Applying this character description to the remainder of the poem, it can be inferred that the poet is trying to convey her feelings regarding death. It is to be taken as it comes, similarly to how this gentle character goes seemingly without any tantrums or qualms into the phenomena of death. Thereby, Rubia views death as inevitable and something to be gently embraced, similarly to that of the cycle of life, where as Thomas sees it as an obstacle and heinous; it is a Minotaur that must be fought violently against. Rubia is settled with the understanding that life ends, therefore adopting a more mature perspective in comparison to Thomas, who, like an optimistic child wishing for another answer, refuses to accept that life co-exists with death.

     The third verse moves to a serious tone. Terence is saying how the world is full of evil that there is less good than evil. For instance he says, “Much good, but much less good than ill . . .Luck’s a chance, but trouble’s sure . . .”. This is the theme of the poem. He is describing his view of the world, which is his poetry. He goes on to say that “And I will friend you, if I may . . .In the dark and cloudy day“. He is saying that through his poetry that he will befriend you.

without warning”. Then in the third stanza, where he illuminates the allure of letting go of

As the poem goes on it gets deeper with meaning, sadder even. Lines four and five are the most crucial lines of the poem. Line three ends with the head giving the heart advice. “You will lose the ones you love. They will all go,” this isn’t the first thing someone wants to hear, especially not someone who is aware that they have just lost someone they love. But this is classic, logical advice that your emotions need to hear. What it means is that one day everyone you love will be gone, it is the sad truth of the world we live in. Nothing is forever. “But even the earth will go,

The first stanza concludes by stating, “The carriage held but just ourselves/And Immortality” (Lines 3-4). These lines are used to acknowledge that there is a difference between death and time, because while they work in unison they still are not one and the same. Time has control over our lives during both mortality and

Imagine ink like darkness for the rest of your life, never to see the light again. Imagine never hearing the words of love oozing out of your beloved’s mouth and wrapping your body with warming comfort. Imagine never feeling the gentle touch of a man or woman ever again. Imagine slumber but for eternity where your organs decay and you are no more than a mere frame of bones. Imagine death. Byron states, “all tragedies end in death” and I agree wholeheartedly. In prolonging unhappiness of life there is still peace that one’s life is still whole and that they are alive, however in death there is no light at the end of the tunnel, it is just pure darkness. Vivacious, colorful and musical, Moulin Rouge and dreary, dark and full of betrayal Shakespeare’s King Lear, though very contrasting texts have one thing in common, they both end in death. This essay shows the similarities between these two texts in order to prove that Byron’s statement “all tragedies end in death” is indeed true.

This is expressed by the multiple examples of old men whom regret certain aspects of their lives and defy death even when they know their time is up. The speaker is urging his father to fight against old age and death. The meaning and subject of the poem influence the tone and mood. The tone is one of frustration and insistence. Thomas is slightly angry and demanding. His words are not a request, they are an order. The mood of the poem is is serious and solemn due to the poem focusing mainly on the issue of death. This mood and tone is created by words such as “burn”(2), “Grieved”(11) and “rage”(3) along with phrases such as “crying how bright”(7), “forked no lightning”(5), “near death”(13) and “fierce tears”(17). The insistent feeling is also created by the repetition of the lines “Do not go gentle into that good night”(1), and “Rage, rage against the dying of the light”(3). The figurative language used also affect how the meaning, tone and mood are interpreted.

Contrary to Frost?s peaceful, luring diction and images, Dylan Thomas uses forceful, irate words to deter death. "No poet gives a greater sense of the feel of life" as Thomas, who provokes the reader to "rage" against death (Ackerman 407). Thomas conveys a resistance towards death with images of fury and fighting, as in "do not go gentle." Vivacious words as "blaze" and "burn" intensify desires to live on and to the fullest. With images of "good night" and "dying of the light," Thomas conveys death as the "end where only darkness prevails" (Savage 381). He takes his "stand within concrete, particular existence, he places birth and death at the poles of his vision" (Savage 381). "Life [for Thomas] begins at birth and ceases at death" therefore leaving no room for a previous life or an after life (Savage 381). Excessive images of anger and rage towards death exemplify the passion Thomas feels for life. His villanelle repeats the theme of living and fury through the most forceful two lines, "do not go gentle into that good night" and "rage, rage against the dying of the light." Contrasting images of light and darkness in the poem create the warmth of living and the coldness in death, so as to shun people from choosing the bleak, bitter frigidity of death.

The Poem begins with a personification of death as "kindly" (3). By doing this, the speaker introduces a portrayal on death that might have conflictions. Most of the times, death has a negative connotation. Whether it is an inevitable or tragic view, it opposes to what is seen in the poem. The speaker accepts death as a friendly invitation when the time is right, rather than something that is bound to happen. The speaker then joins immortality, personified as a passenger in a carriage. Immortality simply cannot be a passenger as it is a non-living thing. The reasoning for this could be that immortality ties together the link between the speaker and death, ultimately introducing the voyage to come. The first stanza sets a precedent of a meter to follow throughout most of the poem. The first line contains eight

The second stanza of Lord Byron's poem focuses on the woman's perfect face. The beautiful shades and rays of the womans complexion make her a “nameless grace” (2, 2). This conveys the idea that her inner beauty is reflected in her outer beauty in the sense that she is pure and innocent on the inside so she radiates that beauty on the outside. This stanza reveals her serene thoughts:

The descriptions in Byron's text seem, largely, distant emotionally and physically. He doesn't attempt to revisit his

People would not want to hear that their loved ones merely gave up and died passively. This poem in itself is a celebration of life, the poem is not only about death but it is an affirmation of life. To further emphasise the points being made Dylan Thomas utilises a wide range of literary devices. Parallelism is used from lines seven to fifteen to juxtapose the different attitudes of the so called “genres” of men at their death. This is used to outline that if you continuously lead one set type of lifestyle whether it is as a “wild man”, a “grave man” or a “good man” you will not be satisfied when your time comes to die. The only true way to be satisfied is to live a life of balance; only with a good contrast can you be at peace.