The Round House By Louise Erdrich

An emphasis on family is one of the central facets of Native American culture. There is a sense of community between Native American. Louise Erdrich, a Chippewa Indian herself, writes a gripping bildungsroman about a thirteen year old boy named Joe who experiences all forms of family on the Native American Reserve where he lives. He learns to deal with the challenges of a blood family, witnesses toxic family relationships, and experiences a family-like love from the members of the community. In her book, The Round House, Louise Erdrich depicts three definitions of the word family and shows how these relationships affect Joe’s development into an adult.

Popular culture has shaped our understanding and perception of Native American culture. From Disney to literature has given the picture of the “blood thirsty savage” of the beginning colonialism in the new world to the “Noble Savage,” a trait painted by non-native the West (Landsman and Lewis 184) and this has influenced many non native perceptions. What many outsiders do not see is the struggle Native American have on day to day bases. Each generation of Native American is on a struggle to keep their traditions alive, but to function in school and ultimately graduate.

“The sight shocked the entire world” (Soviet Union soldier a part of the liberation of

When examining early American history it is commonplace, besides in higher academia, to avoid the nuances of native and colonizer relations. The narrative becomes one of defeat wherein the only interaction to occur is one of native American’s constant loss to white colonizers. It is not to say that the European colonizers didn’t commit genocide, destroy the land and fabric of countless cultures, but rather when looking at history it is important to take a bottom’s up approach to storytelling. We must examine in what ways the native Americans fought English colonization, not just through war, but also through the legal system that was established after the area was colonized.

Lives for Native Americans on reservations have never quite been easy. There are many struggles that most outsiders are completely oblivious about. In her book The Roundhouse, Louise Erdrich brings those problems to light. She gives her readers a feel of what it is like to be Native American by illustrating the struggles through the life of Joe, a 13-year-old Native American boy living on a North Dakota reservation. This book explores an avenue of advocacy against social injustices. The most observable plight Joe suffers is figuring out how to deal with the injustice acted against his mother, which has caused strife within his entire family and within

Many were forced to evacuate to other regions within the country and endure the infamous Trail of Tears. While Native Americans are not forcibly removed from their homes anymore, this story shows a modern-day example of mistreatment or borders that Native Americans deal with. While the mother faced many different conflicts, externally and internally, she readily accepts the challenge and is not willing to step down. She displays the pride of the Blackfoot Indians and is not willing to let the government tell her who she is and let them define her. She sets an example for Native Americans, standing up against a government that has held them down for so long. That they should always have pride in who they are, and where they came

In the Red Convertible by Louise Erdrich, the main character Henry loses his hold on reality. The story takes place in North Dakota on an Indian Reservation where Henry lives with his brother Lyman. Henry and Lyman buy a Red Convertible that later in the story illustrates Henry’s lack of ability to stay sane. The brothers take a summer trip across the United States in the car. When they return, Henry is called to join the army, which turns out to be the transitional point in Henry and Lyman’s personal life. The Vietnam War changed Henry’s appearance, psyche, and his feelings about the Red Convertible.

Native American, or American Indians, have a rich culture comprised of struggle, strife and success. For this paper, i will discuss the Native American Culture and it's history.

A Native Americans identity is deeply rooted in his culture, “it’s a particular way one feels about oneself and one’s experiences as an American Indian or tribal person” (Horse 65). Without his Native American culture, a person can feel lost in the world, disconnected from everything. Throughout history, there have been moments where Native Americans were forced to lose part or all of their culture, of their identity. There was the termination era in the 1950’s and Indian boarding schools that both were ways to strip Native Americans of their culture. In Joy Harjo’s poem, The Woman Hanging from the Thirteenth Floor Window, the woman hanging experiences the termination era. In Sherman Alexie’s book, Reservation Blues, Junior Polatkin experiences the lasting effect boarding schools have on Indians. In LeAnne Howe’s book, Miko Kings, Lena learns that you can always come back from to your Native identity.

The short story “The Red Convertible” was written by Louise Erdrich. Louise Erdrich was born in 1954 in Little Falls, Minnesota and was the oldest of seven children. Her mother, who was a Chippewa Indian, worked for the Bureau of Indian Affairs. Her father, who was a German-American, was a teacher of Native American studies in a school that was run by the Bureau of Indian Affairs. Growing up, Louise’s parents told her many stories of the Indian culture growing up. Her parents encouraged her to write her own stories and her father paid her a nickel for every story she wrote, and even made Louise covers for them. Louise continued to write throughout her childhood and then became one of the first women admitted to Dartmouth College in 1972. She majored in creative writing and English. She also took classes in Native American studies with the chair of the department, Michael Dorris, who she would marry in 1981. After Erdrich earned her masters degree in writing from Johns Hopkins, she collaborated with Dorris on poems and short stories that were inspired by their love for each other and Native American culture. They first published work together shortly after being married and were in need of money, but the quickly written works went on to be award-winning. The couple continued writing short fiction and published novels together. When the couple separated in 1995, Louise moved back to her hometown to focus her work on Native American themes and be with family.

The Round House delivers justice and redemption in unlikely ways. No healing comes without great suffering. Acts of violence reproduce further violence and calm is shattered by loss. This is painful material to be sure, but in the face of sorrow, Erdrich's characters are defined by quiet determination, courage and flexibility. We are kept going all the way to the last four words of this haunting story in which Louise Erdrich

Thomas King’s The Inconvenient Indian tells the story of Indigenous people in Canada and the United States, it challenges the narrative on how Indigenous history is taught and explains why Indigenous people continue to feel frustrated. King’s seeks to educate the reader as he provides a detailed accounts of the horrific massacres Indigenous people endured, yet he simultaneously inserts humorous moments which balances out the depressing content and enhances his story. The books highlights the neglect and assimilation that Indigenous were subjected to and how their survival was seen as an inconvenience to western culture. King directs his message at a Euro-centric audience to offer an accurate explanation of Indigenous culture and

"The Round House" Chapter 1 summary by Ky Lim “The Round House” is a story about a thirteen-year-old boy named Joe. He lives with his mother and father on an Indian reservation in North Dakota. His mother's name is Geraldine. His mother works on the reservation as a social worker. His father also works on the reservation.

“Trauma is a fact of life. It does not, however, have to be a life sentence.” - Peter A. Levine, Ph.D. In Sherman Alexie’s collection of short stories, The Lone Ranger and Tonto Fistfight in Heaven, we read stories of Native American struggles for survival in an American society designed to keep Native Americans locked in the cycle of intergenerational trauma. Alexie illustrates the importance of rejecting intergenerational trauma as a method of survival, by isolating the two main causes intergenerational trauma becomes inescapable and giving examples that showcase the impact of attempting to survive the cycle. Through the interpretation of multiple sources, it becomes clear that the inescapability of intergenerational trauma is the outcome of internalized oppression and pessimism.

Native American literatures embrace the memories of creation stories, the tragic wisdom of native ceremonies, trickster narratives, and the outcome of chance and other occurrences in the most diverse cultures in the world. These distinctive literatures, eminent in both oral performances and in the imagination of written narratives, cannot be discovered in reductive social science translations or altogether understood in the historical constructions of culture in one common name. (Vizenor 1)