The Rover, By Aphra Behn Essay

Society is often seen to have different biases or perspectives on topics such as the role and perception of women. The short story, “Girl” by Jamaica Kincaid, consists primarily of a catalog of commands and instructions, the purpose of which is to make sure that the mother’s daughter is constantly in check and not getting into any trouble. Jamaica Kincaid utilizes a wide range of techniques such as symbolism and diction in order to showcase the theme of how the depiction of women rely mainly on how they present themselves in the public and how they are so easily described as impure or filthy.

The first essay, “The Roles of Women in British Drama,” represents my first exposure to a new genre of literature. The essay was also one of my first formal and interpretative essays at the college level. As a woman and a student of literature, I feel a special connection to this essay’s topic of women’s roles in literature. In addition, this essay shows my “knowledge of the social, political, philosophical, and religious forces that influence authors and the people they write about” (Oral/Portfolio). After reading some of the most prominent British plays of the twentieth century, I observed a discontinuity in the roles of women in this genre. Sadly, women’s roles in literature were very similar to their role in society. During the twentieth century, women were still trying and failing to emerge out of the roles they had been cast in by a male dominated society. Even though women were almost always portrayed as inferior to men, I found a strong exception to this stereotype through the role of Thomasina. I admire Thomasina’s intelligence and wit, but I truly admire Tom Stoppard for creating this character.

In the late ninetieth and early twentieth centuries women were thought of as dolls, puppets, or property. In many cases, they weren’t allowed to make decisions for themselves. Women were only good at worrying about frivolous housework and lighthearted pleasantries. In the two plays “A Doll House” by Heinrich Ibsen, and “Trifles” by Susan Glaspell, there are several exploitations of this way of thinking.

The plot of both Susan Glaspell’s “Trifles” and Henrik Ibsen’s “A Doll House” provides scope for a few scenes that lack the presence of all or any men. These scenes, consisting of communication between the female characters, assist in developing the theme of women openly defying the fact that the society they live in is primarily run by men. All the power and authority in their society, no matter the situation, belongs to the men while the women are simply excluded. The women in these plays defy the norms set by society and manage to evade the expectations of their patriarchal societies.

Sexuality has an inherent connection to human nature. Yet, even in regards to something so natural, societies throughout times have imposed expectations and gender roles upon it. Ultimately, these come to oppress women, and confine them within the limits that the world has set for them. However, society is constantly evolving, and within the past 200 years, the role of women has changed. These changes in society can be seen within the intricacies of literature in each era. Specifically, through analyzing The Scarlet Letter by Nathaniel Hawthorne and The Bell Jar by Sylvia Plath, one can observe the dynamics of society in regards to the role of women through the lens of the theme of sexuality. In both novels, the confinement and oppression of women can be visibly seen as a result of these gender roles. Yet, from the time The Scarlet Letter was published to the time The Bell Jar was written, the place of women in society ultimately changed as well. Hence when evaluating the gender roles that are derived from sexuality, the difference between the portrayals of women’s oppression in each novel becomes apparent, and shows how the subjugation of women has evolved. The guiding question of this investigation is to what extent does the theme of sexuality reflect the expectations for women in society at the time each novel was written. The essay will explore how the literary elements that form each novel demonstrate each author’s independent vision which questions the

“The Yellow Wallpaper” by Charlotte Anna Gilman and “A Doll’s House” by Henrik Ibsen were both written in the nineteenth century. These stories were written in a time when women were under the male dominance. The story “The Yellow Wallpaper” and the play “A Doll’s House”, have similarities both portraying women who are in search of their identity and freedom while struggling emotionally. Both of these stories share feminist characteristics and belong to the same time period when women were considered oppressed by their husbands as well as society. Each writer examines the predicament of women during this time, with each female character having special circumstances that leads them to a moment of discovery.

Oliver Sacks is a very famous doctor of neurology as well as a writer. He spent most of his adult life treating patients. Oliver Sacks mostly concentrated on disorders of the brain and nervous system. In a lot of the cases that Sacks dealt with, there was nothing he was able to do to heal the patients. His goal was to find a way to live with and accept their condition as well as possible. Sacks enjoyed dealing with cases mostly about experiences of real people struggling to live with unusual conditions. That’s where he wanted to find ways to help these patients to the best of his and medical ability out there. Throughout his cases he studied he came across patients who had different

With respect to the degradation of women in The Underdogs, we must profile the two women portrayed in the book. On one hand we have the conservative Camilla, and on the other, we have War Paint. War Paint was the opposite of what society held as the typical woman. War Paint went against the grain, and partook in events which

     The Martian Chronicles, by Ray Bradbury, is a science-fiction book and was written in 1946. This major work by Bradbury is a collection of short stories relating to Mars or Martians. Bradbury had a clear vision of the Mars in which these stories are set. His vision was one of a fantasy world from the Martians point of view. In this work, the humans from Earth are the aliens from outer space. Bradbury has won many awards including the O. Henry Memorial Award, the Benjamin Franklin Award, the Aviation-Space Writers Association Award, the World Fantasy Award for lifetime achievement, and the Grand Master Award from the Science Fiction Writers of America. Bradbury supported his awards

In recorded history, women have always been valued as inferior to men. This patriarchal concept prevails all the way to modern times, but what facts actually give credence to this concept? In both Lorraine Hansberry’s play A Raisin in the Sun and Susan Glaspell’s one-act play Trifles, there is a multitude of female roles, all which have a significant importance in the story. Time and time again a subtle irony is played up in these stories that highlight the lack of credit these women receive for their monumental efforts.

Presenting literature to the public that is meant to be a commentary on social or political issues, masked under the guise of entertaining and fictional, is a tool implemented by authors and activists for centuries. While not all satire is as overt as Jonathan Swift’s suggestion that we eat the babies, it does not diminish the eyebrow raising suggestions that are conveyed once the meaning has been discovered. In Aphra Behn’s The History of the Nun and Eliza Haywood’s Fantomina, the established expectations of the female role within society are brought into question then directly rejected. These expectations establish that women should be deferential to men, morally unblemished, and virtuous at all times. Men, however, are not held to these expectations in the same way. The masculine roles assumed by Isabella and Fantomina demonstrate a private rebellion against the established patriarchal society as it warns against the under-estimation of women and proves that women exist independently.

Lynn Nottage’s play, “Ruined”, is an eye-opening story that takes place in the Democratic Republic of Congo during the Civil War. The play is centered around women who have been sexually abused, and are living and working in a brothel owned by the protagonist Mama Nadi. The play gives deep insight to the hardships women had to go through during that time. The play is a melodrama and a great example of a contemporary version of realism. This play also illustrates three important characteristics of storytelling we discussed in class: stories teach, stories allow us to personalize issues, and stories build compassion.

Throughout history women have been handed a subservient role to her male counterpoint. Females in the late 19th and early 20th century were treated like a second-class citizen, and were thought of as being the weaker sex. It was the women’s job to stay home to cook and raise the children. While these are still prevalent issues, it is also true that things has gotten better for some women in recent years. Works like “The Doll House” by Henrik Ibsen and “Trifles” by Susan Glaspell have helped advance the idea of what roles women should play in society. In each play there are strong, female protagonists who, despite being oppressed by the societal rules against women, learn to rebel and fight for what they believe is right. While there are

It is impossible to discuss the role of women in literature without mentioning the influence of feminism. The later in the timeline one reads, the more prominent it becomes. Each new wave of feminism brings with it its own goals, yet it also continues to strive for some of the same goals as past generations because not everything is accomplished all at once. Although “The Well of Loneliness” by Radclyffe Hall and “Rubyfruit Jungle” by Rita Mae Brown, are two starkly different texts that strongly reflect the feminist eras in which they were written, they have some similarities as well.

Lynn Nottage’s Pulitzer Prize winning play Ruined takes place at Mama Nadi’s brothel in the Congo where a civil war is being waged and coltan is the new gold being mined from the earth. Mama Nadi reluctantly takes Sophie and Salima into her establishment to work alongside Josephine as entertainment for miners and soldiers. Before coming to Mama Nadi’s, Sophie, Josephine, Salima all experienced rape. The word rape is so common in our society that it has lost its intensity and heinousness to a person who has not experienced it. Rape is a general term to describe what the women experienced but it does not give any hint to the struggle that comes after the event. For example, what it does to a person’s mind, the lasting scars on someone’s body, and how it can change a person’s personality. Many critics assume that rape is the tragedy in the play, but Nottage’s use of the word “ruined” emphasizes that the real tragedy is the consequences of those soldier’s actions on these women 's lives and how it affected their interactions with society.