The Russian Countryside And Alekhin 's Estate Essay

The setting shows the time and place in which a situation occurs. In story “The Lady with the Pet Dog”, the situations take different places throughout the narrative. The story begins with Gurov sitting in a café in Yalta when he first sees the character Anna Sergeevna with whom he becomes fascinated. Yalta is a vacation spot and Gurov is already well known of his adventures and immoral behavior. While on vacation there, he realizes that this place does not have too much to do other than meet new people. Since he has already known many women vacationing on this resort, he decides to switch his interests on the new arrivals. Once he meets Anna Sergeyevna, the setting takes place again in Yalta near the sea. Chekhov provides a detailed description of the sea and the romance of the location including "the chirrup of the grasshoppers," "the heat," and "the smell of the sea.” Chekhov describes a stroll Anna and Gurov take as "the scenery

This story’s general setting takes place in nineteenth century Russia. But, there are also many particular settings throughout this narrative that largely affect the characters and create many problems the narrator and Anna Sergeyevna have to face. In the beginning of the story Gurov and Anna find themselves taking vacations in the same city to get away from their other lives. But, when they have to part they realize how much they actually mean to each other. This can be seen in the following excerpt when Gurov realizes that Anna has not left his mind ever since they went home, “He would pace a long time about in his room, remembering it all and smiling; then his memories passed into dreams, and in his fancy the past was mingled with what was to come. Anna Sergeyevna did not visit him in his dreams, but followed him about everywhere like a shadow” (Chekhov 172). Therefore, the conflict that the setting creates is the distance between Gurov and

Ernest Miller Hemingway is known for his unique style and theories of writing, especially the iceberg theory. In the Death of the Afternoon, Hemingway says that “The dignity of movement of an ice-berg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing.” (92) Simple words, vivid images, rich emotions and deep thoughts are the four basic elements of the iceberg theory. Talk about how these stories illustrate four elements of theory. In both short stories, Hemingway describes scenery and characters with simple words directly to give readers a vivid image. Under this sketch, readers can know characters’ emotion and get the theme through their imagination and analysis.

Kate Chopin's thousand-word short story, “The Story of an Hour,” has understandably become a favorite selection for collections of short stories as well as for anthologies of American literature. Few other stories say so much in so few words. There has been, moreover, virtual critical agreement on what the story says: its heroine dies, ironically and tragically, just as she has been freed from a constricting

During the 1900’s the Russian Government made it extremely hard for the Bolsheviks to progress which made them revolt against the government making this a prime matter for the start of the Revolution. The Czarist government was ostracized by the common people of Russia so Tsar Nicholas II was overthrown by the Provisional Government, whom later on were overthrown by Lenin and shortly after the Bolsheviks took control over Russia. Russia was hard to develop because of the major leaders who had control; Lenin, Stalin, Trotsky. Almost overnight an entire society was destroyed and replaced with one of the most radical social experiments ever seen. Poverty, crime, privileged and class-divisions were to be eliminated, a new era of socialism

“They walked and talked of the strange light on the sea… talked of how sultry it was after a hot day” and discussed employment and birthplaces (897). After departing from Yalta, Chekhov details Gurov’s dreary life of “children [having] breakfast and getting ready for school… entertaining distinguished lawyers... walking his daughter to school” (901, 905).

“The Seagull” is a Queensland Theatre Company production, written by Anton Chekhov in 1869, adapted and directed by Daniel Evans. The play has been adapted from its original Russian setting to fit the modern Australian context. Changes were made to the language of the script, but the characters remained virtually the same through their plight against unhappiness. Through the manipulation of symbol, tension, and language, Daniel Evans’ adaptation utilises the unique conventions of post dramatic theatre to help realise the play’s dramatic meaning. “The Seagull” focuses on the character’s perpetuating sense of misery while searching for fulfilment. It captures the reality that, in love and life, you choose your own misery.

The stories of Anton Chekhov mark a focal moment in European fiction. This is the point where 19th realist caucus of the short stories started their transformation into modern form. As such, his work straddles two traditions. The first is that of the anti-romantic realism which has a sharp observation of external social detail. It has human behavior conveyed within tight plot. The second is the modern psychological realism in which the action in typically internal and expressed in associative narrative that is built on epiphanic moments. In consideration of the two sides, Chekhov developed powerful personal styles that presage modernism without losing traditional frills of the form. This essay will discuss the Chekhov's portrayal of women.

The Russian Revolution is a widely studied and seemingly well understood time in modern, European history, boasting a vast wealth of texts and information from those of the likes of Robert Service, Simon Sebag Montefiore, Allan Bullock, Robert Conquest and Jonathan Reed, to name a few, but none is so widely sourced and so heavily relied upon than that of the account of Leon Trotsky, his book “History of the Russian Revolution” a somewhat firsthand account of the events leading up to the formation of the Soviet Union. There is no doubt that Trotsky’s book, among others, has played a pivotal role in shaping our understanding of the events of The Revolution; but have his personal predilections altered how he portrayed such paramount

At one point in time, all beings on this Earth have faced a conceited appetite that derives from envy, greed, hatred or lust. Whether hogging the remote control from irritable siblings or making a crucial decision which benefits one are the verdicts, this gluttonous behaviour is one that can only lead to woe. Similarly, Anton Chekhov’s “A Trifle From Life” and Kate Chopin’s “The Story of an Hour”, display the after-effects of a selfish demeanour. Chekhov’s character Belyaev selfishly coaxes a naive boy for answers, which consequently sparks a monstrous argument between him and his lover, Olga. Moreover, Chopin’s protagonist Louise egotistically finds euphoria in the presumed death of her husband, resulting in her own demise. Therefore, the moral compass of both Louise Mallard and Nikolai Ilitch Belyaev are narcissistic; thus showcasing that avaricious behaviour, ironically, originates both adults' downfall.

Anton Chekhov (1860-1904) was born a year before the emancipation of serfism in Russia took place. Although he was the grandson of a serf, Chekhov was able to attend the medical school at the University of Moscow and become a physician. Chekhov started writing in order to support his family economically, becoming a master in drama and short stories. His literature is characterized by the use of colloquial language which could be understood even by the less educated and recently liberated serfs. Social change is the main theme in ‘The Cherry Orchard’, a four-act play written in 1904. In this play the different characters portray how changes in Russia after the emancipation of 1861 were taking place and although the play is set several

Russia is a huge landmass and covers a vast amount of the earth’s surface area. Being so large, Russia contains a huge variety of different geographical features. There are several mountains, rivers, bodies of water, climate zones, and population centers in Russia. Most of the development in Russia is located in its core area, east of the Ural Mountains. There are several countries around Russia that used to be parts of a larger union called The Union of Soviet Socialists Republics, however, in 1991, the USSR broke apart into several other independent states. The new states that were formed are: Armenia, Azerbaijan, Belarus, Estonia, Georgia, Kazakhstan, Kyrgystan, Latvia, Lithuania, Moldova, Tajikistan, Turkmenistan, Ukraine, and

In 19th century Russian literature there was often a gender inequality depicted between the male and female characters. Women were expected to get married, start a family, and obey their husbands. Women often made sacrifices and married men they weren’t fond of in order to support their families. Anton Chekhov’s writing questions these gender relationships. The female characters have a strong presence within Chekhov’s works, and they transcend typical gender roles.

The setting of the story takes place during the 1860s in St. Petersburg, Russia for the majority of the book where there is poverty everywhere with a grim aspects of a place where no one is safe, including drunkards, molesters, thieves, etc. The conclusion of the book takes place in Siberia, Russia where there is less corruption and well suited for people who seek atonement for their crimes, such as the prisoners.

    Anton Chekhov uses The Cherry Orchard, to openly present the decline of an aristocratic Russian family as a microcosm of the rapid decline of the old Russia at the end of the nineteenth century--but also provides an ominous foreshadowing of the 1917 Bolshevik Revolution in the disparate ideals of his characters, Trofimov and Lopakhin, however unintentionally. The Gayev family and their plight is intended as a symbolic microcosm of the fall of the aristocracy in society at large. Though the merchant Lopakhin is presented as the character who holds values of the new, post-aristocratic age, the student Trofimov espouses the political sentiments that will ultimately replace both the