The Saga Of Oedipus By Sophocles

In “Things Fall Apart” by Chinua Achebe and “Oedipus the King” by Sophocles, both Okonkwo and Oedipus possess tragic flaws, which lead to their eventual downfalls, thus making both “Oedipus The King” and “Things Fall Apart” fall under the category of tragedy. This aside, these aspects of their personalities in these texts by Sophocles and Achebe are not helped by the negative twists of fate that seem to make the problems with their behavior more pronounced, thus more tragic in the end. Due—is the nature of fate as it functions in terms of tragedy and the tragic elements of both of these stories, both Oedipus and Okonkwo are partially to blame for their demise, but on the other hand, each of these characters possesses traits that seem to invite tragedy. The difference of both these stories is that Okonkwo bears more responsibility for his downfall than Oedipus, simply because he had more opportunities to change the course of his fate. Oedipus, on the other hand, despite his rash actions, is more a victim of fate than Okonkwo.

Oedipus the King by Sophocles is the story of a man who was destined to kill his father and marry his mother. The story continues in the tradition of classic Greek plays, which were based upon the Greeks’ beliefs at the time. The ancient Greeks believed that their gods decided what would ultimately happen to each and every person. Since those gods destined Oedipus to kill his father and marry his mother, Oedipus’ life was definitely fated. However, the gods only decided where Oedipus’ life would eventually lead; they never planned the route he would take to get there. All the decisions that Oedipus made in order to fulfill his destiny, and the decisions he made after the fact, were of his own free will,

Oedipus-Rex was filled with many impulsive, difficult decisions; much like when Jocasta and her husband at the time decided to attempt to murder their son, Oedipus. The prophet, Tiresias, came to Jocasta and Laius and warned them of Laius’ fate. Tiresias told Laius, former King of Thebes, that his son would ultimately be the death of him and his power. He and his wife, Jocasta, devised a sinister plan to “eliminate” the chance of this prophecy coming true. Shackling the newborn’s ankles together and leaving him to die on top of a mountain called Cithaeron. But as everyone in Thebes believes “fate works in magical ways”. Oedipus, the newborn at the time, was led by something mysterious back to Thebes to solve a riddle, kill his father and become the new king by marrying Jocasta and solving the Sphinx’s riddle. This put Oedipus exactly where fate wanted him. Later causing him to dig deeper into his past when things just don’t seem to add up. “Parents? Wait! Who was I born from after all?” Oedipus asked of Tiresias which started everything. After catching wind of this new investigation into Oedipus’ past and the acquiring of all these new details Jocasta finally connected the dots. Oedipus was the son she thought

Oedipus the King, written by Sophocles, follows the tragic story of a king named Oedipus who goes from an all-powerful ruler to a hopeless blind peasant. Oedipus the King was written as a play and performed in front of an audience. Sophocles shows in Oedipus the King that one cannot escape the fate of the gods. Throughout the play Oedipus struggles to find a solution and change all the troubles in his life. The play observes the story of Oedipus who defies the gods and through the journey experiences hardships in tragic flaw, tragic fall and tragic realization.

Oedipus is a man of unflagging determination and perseverance, but one who must learn through the working out of a terrible prophecy that there are forces beyond any man’s conceptualization or control. Oedipus’ actions were determined before his birth, yet Oedipus’ actions are entirely determined by the Gods who control him completely. In the beginning of this tragedy, Oedipus took many actions leading to his own downfall. He tried to escape Corinth when he learned of the prophecies that were supposed to take place in his life. Instead, he

Oedipus the King was written by Sophocles and was is titled Oedipus Rex in Latin. It is one of the most well-known Greek tragedies. As is the case with Greek tragedies—or roughly most tragedies that make their way to stage—fate plays a key role in the events in Oedipus Rex. Oedipus discovers there is a plague on his city. The only way to lift the plague is by slaying the former king’s killer. As the play’s acts unfold one discovers about the prophecy concerning Oedipus. The prophecy states that Oedipus is destined to kill his father and marry his mother. But was this just by chance or his predetermined fate.

The events in Oedipus show that his past actions were determined by fate but what he did in Thebes, he did on his own free will. Oedipus’ actions, temper, impulsive nature and pride, as well as his erroneous judgment show free will. Personality is what decided their own free will. In Oedipus’ case, one of these was the desire for knowledge and truth about his life. This driving force in the play led to the truth of his origin. This ties in with his own aspect of free will. His free will is based on his drive for knowledge.

The main character, Oedipus, in Sophocles’ play Oedipus The King is heroic in his search for the truth, just as scholar Bernard Knox states. Oedipus is faced with a decision: he can either seek out a potentially terrible truth, or ignore it and let the city of Thebes succumb to the plague that has befallen them. Oedipus chooses to search for the truth and does so heroically because he is doing it for his people rather than personal gain, he is transparent about new findings, and he will stop at nothing to find the truth.

Oedipus even though fate found him, Oedipus did not put fate upon himself, never was his father, Laius to throw him into the field, it just happened. Oedipus did not decide for himself if he wanted to be thrown into a field, to be found by an old man and to then be passed on two more times to find an adoptive father. Very quickly Oedipus finds out that the Old Man found Oedipus in a field, and he gave him to the messenger, who later gave him to Polybus, Oedipus questions “Which of these citizens? And from what roof?” (Sophocles 43).

Oedipus’ destiny or fate had little to do with his downfall. The prophet told Oedipus that he was destined to kill his father and marry his mother, but the prophet never mentioned Oedipus murdering Laius on the highway, or solving the Sphinx’s riddle, or accepting and taking advantage of his kingship. Oedipus blinding himself was an example of free will, “for he removed from…[Jocasta’s] garment the golden brooches which she was wearing…” by choice “…and struck the sockets of his own eyes..” blinding himself Free will and hubris, according to the ancient Greeks, were separate from unavoidable fate. Oedipus’s fate was to kill his father and marry his mother. However, everything else, including fleeing Corinth, solving the Sphinx’s riddle, and finally pursuing the truth about his life, was by his own free will, a direct result of his ego and pride. Oedipus Rex is a story about the dangers of pride and arrogance, one teaching about the importance of humility and tolerance, and one stressing about the control of hubris, a potentially perilous quality that destroyed Oedipus’s vision and his life.

Good literature becomes popular when it speaks to the hopes and fears of its relevant time period, but great literature is able to achieve relevance during a particular era and keep that relevance for centuries. Its implications survive long after the corresponding culture itself perishes, often because those implications discuss some core attribute of the human condition, which remains consistent for all periods of humanity. While a multitude of factors create the composition of the human condition, there is none as certain as our mortality. In fact, the aspect of mortality is so essential to the human condition that without it, we could not be deemed truly human without it. Both Homer’s The Odyssey and Sophocles’ Oedipus the King place emphasis

When we think about a tragic play or protagonist, most people would think Shakespeare for his common theme of his plays to end with a tragedy. In Oedipus the King, written by Sophocles, tells the tale of the protagonist Oedipus. Throughout the play, Oedipus searched for his past to discover the reason why his kingdom is plagued with wilting crops and illnesses. In the end, he becomes a tragic protagonist after discovering his past was related to the previous king’s death. While the search progressed, he demonstrated his personality to be not what he desires to show to the public. This causes the audience to develop a short of hate-love relationship, or in this case, katharsis.

Over the extensive history of the theatre arts, most of the many plays and productions fall into unique categories in regards to structure. The two most simplest of the structural categories are climactic and episodic. A climactic structure, or alternatively known as an intensive structure, contains a play in which all components are restricted as the main conflict in the story commences late into the play and only a little time passes until the story occurs. Everything is restricted to a few components. There are not as many characters, scenery change and very limited amounts of action. climactic structures focuses heavily on the climax in contrast to other structures. One notable example of a climactic performance is Oedipus Rex by Sophocles. The story of Oedipus is that of tragedy and despair as Oedipus and his family are unable to escape the fate that Oedipus has had since birth. The exposition and starting action (in this case, the events that led up to him to being king of Thebes) occur before the play and is only ever talked about. The play only takes place in the castle and has only four primary characters. Ultimately, Oedipus Rex only takes place within a day and primarily focuses on the realization and aftermath of the story of Oedipus and his sins, or the climax. All these components that define a climactic structure of production are found in the aforementioned play by Sophocles, strengthening what a climactic structure is and the vast potential a climactic play

Sophocles ' play “Oedipus Tyrannus” is an enigma. His play includes incest, murder and self-enlightenment all leading into the main theme of fate. Athenians believed that fate is not left up to man, but that is provided solely on the whims of the gods. Because of his dramatic approach to his plays Sophocles was considered one of the most brilliant and creative writers of his time.

Sophocles’ play, Oedipus the King, has risen many questions concerning the main character and whether or not he acts on free will or if his future is predestined by the gods. I am going to test the theory that although Oedipus believes he is acting on his own free will, he is in fact a victim of the gods. I will analyze several different sources that discuss fate and human agency in Oedipus the King and then proceed to build my original argument on the archaic debate.