The San Vitale in Ravenna and The Dome of the Rock in Jerusalem

The function of the dome of the rock as believed by the Muslims is that the Prophet Muhammed ascension from the rock to the heaven took here and therefore the site was chosen to mark this important event. The dome of the rock was completed in a decade in which Muslims lost control of Hijaz and also Mecca and Medina, and survived serious challenges from religious opposition groups. The location was previously a temple of Solomon and it is also believed that Prophet Abraham was asked to sacrifice his son Isaac on this location. This is why it is so important for Muslims, Christians and Jews. Santa Costanza is also built upon a temple of Saint Agnes and it is believed that his catacombs are somewhere closely under the church. The Christians used to worship their religion and buried their dead in secret as at first they were persecuted before Costinanine accepted and gave them respect and protection.Not until the emperor Constantine proclaimed tolerance for all religions of the Roman Empire

It was constructed in c. 82 AD by the Roman Emperor Domitian shortly after the death of his older brother Titus to commemorate Titus' victories, including the Siege of Jerusalem in 70 AD.

The outside is made of white stone blocks. Inside the cathedral the masonry is filled with pieces of rough stone used in the walls to fill the cavities. The pillars, drums, and the alter wall are made out of brick. There are large paintings on the pillars stretching from the ground to the bottom of the domes.

This paper will analyze the iconography of the mosaic, Good Shepherd (lunette, Oratory of Galla Placidia, c. 425-26, Ravenna, Italy), that is located on the lunette over the north doorway of the Mausoleum of Galla Placidia, Ravenna. The iconography has been one of the most recognized and admired works of art since the 3rd century AD. In the mosaic, the artists present a depiction of Christ symbolic and traditional of Byzantine art during the conversion of Christianity in Roman provinces.

1. The Christ as the Good Shepherd mosaic located on the entrance wall of the Mausoleum of Galla Placidia in Ravenna, Italy was made circa 425 AD. A mausoleum is a monumental tomb, usually meant for entombing the dead above ground. The mosaic is displayed in a lunette-a semi-circular wall of a vaulted room. Even though the image of Christ as the Good Shepherd was a common one in catacombs in previous centuries, the way that Christ was shown in art had changed since Christianity had been adopted as Rome's official religion and the image of Christ in the Mausoleum of Galla Placidia was no different. Previously Christ had been shown as a simple carpenter, but in the Christ as the Good Shepherd mosaic he is shown in a fine Roman wear. At the time, Greeks thought that they could create order within their environments and thus create statues that were "perfect." This is what they believed they were doing with the way Christ was shown in the mosaic at the Mausoleum of Galla Placidia; creating a more worldly, powerful image of Christ. Christ is shown with a large golden nimbus (halo), a royal purple mangle over a golden tunic and holding a tall cross. Also depicted in the mosaic at the Mausoleum of Galla Placidia is a set of three sheep on each side of Christ, with him touching one on the nose.

The Pantheon is an iconic part of architecture, particularly in the mediterranean. Constructed in Imperial Rome, the Pantheon was an incredible piece that forever influenced the basics of architecture. A similar piece, contemporary to the Pantheon, would be the Dome of the Rock. Found in Jerusalem, the Umayyad caliph built the shrine in the seventh century to serve a function as an Islamic shrine. Being the oldest extant Islamic monument known to man, the Dome of the Rock is sacred to both the Muslim and jewish religions.While being in completely different cultures, the Pantheon and the Dome of the Rock share numerous similarities varying from their functionality to the characteristic style of the domes.

the most historical mosques, Hagia Sophia and the Dome of the Rock, are built for different

Architecture comes with many significant meanings, including religious significance. The Pantheon, built from 118 to 125 CE in Rome, Italy, was a temple made to worship the Roman gods and goddesses. This temple is one of the most important buildings both in history and architecture, influencing many other monuments with its form, such as The Dome of the Rock. The Dome of the Rock, built from 687 to 692 CE, was the first great Islamic building. Located in Jerusalem, it is a shrine still very significant to many religions, such as Judaism and Christianity, today. Though not resembling each other in appearance, these buildings are extremely similar, in terms of religious meaning. The Pantheon and the Dome of the Rock, through their own distinctive form and similar location backgrounds, illuminate religion as the most important factor in each society, as these monuments symbolize a sense of unification throughout the city.

The interior is decorated with mosaics and marble pillars and coverings of great artistic value. Justinian oversaw the completion of the greatest cathedral ever built of its time. It has a complex interior structure; the nave is covered by a central dome which is about 182 ft. 5in. from floor level and rests on an arcade of 40 arched windows. The dome had some repairs made to it which made its diameter vary from 101 feet to 103 feet. There are arched openings extended by half domes of same diameter to the central dome carried on smaller semi-domed exedras. Also the interior surfaces are sheathed with polychrome marbles, green and white with purple porphyry, and gold mosaics. The exterior, clad in stucco, was tinted yellow and red during restorations in the 19th century at the direction of the Fossati

Justinian Mosaic is a Byzantine mosaic located in the apse of San Vitale, Ravenna in 540 AD. It was made from gold and glass mosaic tesserae. The artists painted or covered the glass with gold first and then pressed into the plaster background. The artists manipulated the space which was to utilize the illumination of the candles in the church to cause the sparkle of the glass. The overall looking of this piece is luxurious and magnificence. In this piece, Justinian is surrounded by his priests and his military. He is placed in the center of the whole piece, wearing jewelry-crown, jewelry-accessory and gold cloths with a halo behind his head. He offers a gift called Pater which contains the bread used for the Eucharist would be held. The main

The composition is built on the simple geometry of a pyramid, common among Renaissance artworks. The viewer’s attention is drawn immediately to Christ not only because He is located in the center, but the empty spaces surrounding him also serve as an emphasis. In addition, it gives off a sense of loneliness and isolation, knowing He is about to be betrayed. The twelve apostles are separated into four groups of three, with Christ as the central axis. Leonardo Da Vinci maintained the balance and symmetry within the space of the pyramid, dividing the four groups of apostles equally on both sides. The linear placement of the groups of apostles provides a balance and prevents overemphasis and attention on the center.

Through the deliverance of a speech the former Pope Urban II incited Catholics all over Europe to take action in reclaiming the Holy city of Jerusalem from the Muslims in the Middle East. It was in this year,1095, that the beginning of the first, of nine, Crusades and thus the first series of religious wars between the Catholics and Muslims begun. The focus of this paper will remain on the Third Crusade (1189-1192 A.D)- more specifically the actions of ‘Islam’s Warrior Hero’ Ṣalāḥ ad-Dīn Yūsuf ibn Ayyūb who was better known to the English as Saladin- Sultan of Egypt. How did one individual gain the respect of both his Muslim followers and his enemies- the Catholic Europeans? Throughout history Saladin has been portrayed as a charismatic, honourable, virtuous and chivalrous man by the historians and chroniclers of the Middle East and Europe. Even the Europeans who sought to dislike this man due to his religious affiliations could not, as he encompassed all the qualities in which a great leader and a good ‘Christian’ was thought to possess.

Agrippa, Augustus’ right-hand man, constructed this building as a temple to all the gods; however, a fire destroyed this temple in 80 CE and so Domitian built the reconstruction. The Pantheon we are familiar with has a significantly different design than the original one, and this is why this specific temple is so dislike to the rest of the Roman temples. Before it was burnt, the Pantheon stood in a podium at the end of a large rectangular court. The surroundings of this temple have changed in order to provide a unique experience to its visitors. For example, the temple has en enormous dome with a 27-foot oculus that opens to the sky. This oculus lets a shaft of light come through creating an emphasis wherever the reflection is. Visitors were driven nowhere but to the light at the center of the dome. This building was built for greeting foreign embassies, adjudicating disputes and hold court (Janson). Moreover, the Pantheon is extraordinary because of the potential and strength of concrete. Some other materials used in the process of building the temple include travertine, tufa, brick, and pumice. These materials varied in order to reduce its weight. The colored marble on the wall symbolized imperial authority. The sphere is though to symbolize eternity and perfection and the bronze panels symbolized a starry night sky.

With such support from the state and the Emperor, the church was given a massive financial support, which was invested in the building of the Basilicas. They were used to perform rituals such as worship, baptism, prayers, scripture reading, preaching and recognition of the dead and the after life. The liturgy of the early churches was very plain. They were build on a rectangular classical floor plan. The Basilica floor plan was simple; consisting of a narthex (the outside building short end), apse, transept, and aisle such formation gives the idea of building resembling to the cross. The early Christians were inspiration to represent such building to the cross. Once more this is part of the spiritual journey of Christianity. The other model was the central plan which would consist of a dome in the middle of the church. Were all the activities would take place. Like the worship and the baptismal ritual. This center plan was more common in the Eastern-Orthodox churches. This shows the heritage of Roman Christian art from the early ancestors such as the Greeks and the Middle East. A great example is the San Vitale in Ravenna which was an important Byzantine outpost in Italy. San Vitale was constructed under the reign of the Byzantine Emperor Justinian in 547. This church has a domed central core which

It is moreover pyramidal in structure with the vertex coinciding with Mary’s head. The base of the sculpture depicts the rock of Golgotha and is broader than the progressive