The Science Fiction Film Genre Essay

Star War, Star Trek, those are probably the names that pops into your head when you think of science fiction. However, for over a hundred years, artists and philosophers from all around the world, has never been certain of the true definition of Science Fiction. Although, individual definition of science fiction has erupted in the few decades, especially during the 19th century, when the idea of extraterrestrial surged the media. Today, there are numerous definition of science fiction, each different from one another in its own element. For example, science fiction stories, according to Ray Bradbury are a possibility that has happened in the past or will happen in time. This means that science fiction is the past, the present and the

What were Edwin S. Porter's significant contributions to the development of early narrative film? In what sense did Porter build upon the innovations of contemporaneous filmmakers, and for what purposes?

Extraterrestrial beings, dazzling light shows, and dangerous laser guns are among the many thoughts that go through a person's mind when the genre science fiction is brought up. It seems as if each piece is so different, and so unique. However, many science fiction pieces are extremely similar. The science fiction pieces "Anthem," "Fahrenheit 451," and "The Pedestrian," are similar in the fact that they all encompass an expansion of technology, a new perspective on the well being of society, and each author's purpose for writing the book.

Science fiction is a genre that has characteristics such as a futuristic setting and a human element. It is based on controversial areas of science or specific theories that have not yet been proven to be true. Science fiction works depict what may happen in the future as an effect of what technology and events exist presently. The genre of the short story There Will Come Soft Rains by Ray Bradbury is identifiable as science fiction through the setting, character and plot.

Science fiction is a genre in which the story is fiction but the topic is what could be.

A film genre is a motion picture category based on similarities in either the narrative elements or the emotional response to the film. While films have at least one major genre, there are a number of films that are considered crossbreeds or hybrids with three or four coinciding genre or sub-genre types that they can be identified with them and most can be filed into categories that are easily recognizable to audiences (Goodykoontz & Jacobs, 1998, p. 4.1). However, ever so seldom a film comes along that breaks free of its invisible bounds of genre and it leaves the audiences confused about the actual existence of genre. One such film is a film that most are familiar with Steven Spielberg’s classic Saving Private Ryan.

Literature sounds too stuffy and high-browed an descriptor for Science Fiction as a genre. Science fiction is meant to be fantasy, something that is not real and does not strive to meet the literary aspirations of those who would write meaningful prose. Not to say that science fiction writers do not want to something meaningful, but even though the genre may be filled with writers who are degraded by "real" authors as a breed, does not mean that there are not classics that have been recognized as achieving a literary mark. It can be argued, because of the use of literary devices, that there are those science fiction novels that definitely reach the level anyone would consider literature, and among these is a book from Phillip K. Dick called The Man in the High Castle. This paper examines what literary devices were used in this book to make it both a work of science fiction and a work of literature.

The science-fiction film genre serves as an excellent medium for examining shifting power structures, social paranoia and Cold War politics during the 1950s. A number of films released during this period, including: Invasion of the Body Snatchers (1956), The Day the Earth Stood Still (1951), Them (1954) and Attack of the 50ft Woman (1958), are particularly symptomatic of the social and political atmosphere of the time. These films navigate not only narrative based issues such as the threat of aliens and science experiments gone wrong; but also wider issues of the time, such as the Cold War, changes in the US film industry, urbanisation, politics, the growing power of women and most significantly, social concern about nuclear energy.

The movie is well known for the advanced cinematographic effects and for a person who understands film, the effects which are used in the film bring about a scientific as well as imaginary concept which make the film fall under the genre of science fiction. Although most films are fiction, sci-fi films are quite intriguing because of the technologically

Genre Theory is used in the categorization of films. Genres are dependent on various factors such as story line, whom the director is, and what are the audience expectations In using genre theory we create a short cut in how we describe films. Genres are categorized into and then sub categorized depending on the story and plot. Fantasy is a genre described as, “Any film with obviously unreal, magical, or impossible situations, characters, or settings, often overlapping with various other genres, especially science fiction, but sometimes historical dramas.” (Goodykoontz, 2014) Fantasy is a genre that typically includes a crossover genre, sci-fi,

The good thing about films is that we not only have the opportunity to choose from a wide selection of different genres, but also compare them and understand their purpose in the world. The Horror genre has used the basic principles throughout time, and as a result, films of this type have not proven to be as timeless as another genre: Science Fiction/Fantasy. At first, these two genres might at times seem similar as they have at several occasions been blended together, but their basic, common theme serves different meanings about humans. I shall compare and contrast these two genres and focus on both classic films and modern films. From the Horror genre perspective I shall discuss Psycho (1960) and The Mist (2007), while in the Science Fiction/Fantasy genre I will examine 2001: A Space Odyssey (1968), Pan’s Labyrinth (2006), and Serenity (2005). Although the Science Fiction/Fantasy genre and the Horror Genre share some similarities, the differences lie in their focus on human progress.

There are many different types of film and film genres. A film can fit into more than one genre, but there are some genres that are more general than others. Some examples of film genre are animated, science fiction, documentary, comedy, and historical fiction. Within each genre, there are also specific characteristics that help support themes and story lines within that genre.

Most of the science fiction works contain a crucial message that the writer wishes to convey to the viewers. There are two categories of film message, one is positive and the other is negative. A positive message is one that is expected to have favourable outcome to the audience, and continuously aiming to promote better societal changes. In contrast, a negative message is one that could deliver threats or unpleasant information to the audience, which could have significant impact on the normal order of the society. This essay will argue that if the message contains positive elements, then it is not a bad sign to embed science fiction works with a message. First, this essay will suggest that the well-integrated message within a particular

Film Industry has been expansively affected by the changes in technology. The mechanical and digital innovations give cause to the influence of equipment, distribution and the way in which films are made and consumed. New trends shape directors and filmmakers to expand creatively towards telling stories in motions. The film industry has developed to one of the most important tools of communication, it's cause so powerful affecting the way individuals and societies think, act and behave. Among the new Era approaching film, and seeing celluloid film fade is that of the Digital Era and a camera that saw celluloid films passing hastened.

more the desire of the public viewing audience to have an idea of the type of